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Water Lilies, Marmottan 5164 - Claude Monet

Water Lilies, Marmottan 5164 - Claude Monet

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Water Lilies, Marmottan 5164 - Claude Monet

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Water Lilies, Marmottan 5164 - Claude Monet
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Water Lilies, Marmottan 5164 - Claude Monet

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Claude Monet · 1916 -1919 · Marmottan 5164 · W1852

Water lilies, Marmottan 5164hand painted reproduction

Willow branches fall from both edges and leave an opening of purple and cream light in the center. The water lilies are concentrated in the lower part, where the blue-green leaves bear several pink flowers. Nearly two meters wide, the canvas gives up the bank as it does the sky: branches, reflected clouds and the surface of the pool occupy a single continuous space.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Water lilies, Marmottan 5164 - Claude Monet - full view
Water lilies, Marmottan 5164Claude Monet · 1916 -1919
1916 - 1919Dating
150 × 197 cmDimensions of the original
Oil on canvasOriginal technique
inv. 5164 · Wildenstein 1852Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

The two willow curtains transform the pool into a landscape without horizons

The left side begins with spaced verticals, petrol blue and dark green, which descend over still clear water. On the right, the curtain tightens and becomes almost a wall. Between the two, horizontal lilac, white and pale pink marks evoke the reflected clouds. The directions overlap without it always being possible to distinguish the real branch from its image in the water.

Floating leaves are rare at the top, then gain size and density toward the bottom edge. Pink flowers are grouped rather than scattered: several respond to each other on the right, while a few isolated accents balance the left. Deep blues appear under the leaves and advance the light areas of the center.

The gaze can no longer choose between looking at the pool and looking at the sky: Monet brings them together in a single material crossed by willows.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

Analysis of Water Lilies, Marmottan 5164 - Claude Monet
01

Two edges that don't have the same weight

The fallout on the left remains airy, those on the right are long and tight. This asymmetry maintains the central opening and prevents the willows from becoming a decorative frame.

02

A light built in the middle of the canvas

Cream, mauve, gray blue and pale pink overlap in the center. These opaque colors must retain their material to evoke a luminous reflection without resembling a void.

03

A foreground punctuated by pink flowers

The largest water lilies are placed in the lower third. Their spacing, overlaps and surrounding blues replace the traditional perspective.

Details and visual documents

Observe the material and the exact version

The additional images show the difficult-to-read passages in the full view and, where it exists, the actual appearance of the work at the museum.

The Water Lilies room at the Marmottan Monet Museum - detail of Water Lilies, Marmottan 5164 - Claude Monet
The Water Lilies room at the Marmottan Monet MuseumThe actual photograph shows the large late canvases in their exhibition space and gives an immediate scale thanks to visitors. It also allows you to compare their cold dominants and their formats.
The left curtain and the flowers in the foreground - detail of Water Lilies, Marmottan 5164 - Claude Monet
The left curtain and the flowers in the foregroundThis native detail brings together the long blue-green markings, the central light reflection and several pink water lilies. The keys continually change direction and thickness.

The main view measures 1,500 × 1,122 px. The actual photograph of the Water Lilies Room measures 2,816 × 2,112 px and the native detail 760 × 820 px. No files have been artificially enlarged; all three media are real decodable WebPs.

Documented benchmarks

Three pieces of information specific to this work

These facts concern this precise version and are verified from the notice of the institution which keeps it.

Identification01

Marmottan 5164, Wildenstein 1852

The Marmottan Monet Museum dates the work from 1916 -1919 and indicates a format of 150 × 197 cm. The canvas bears the stamp of the workshop at the bottom right and corresponds to number 1852 of the Wildenstein catalog raisonné.

The willows of the basin02

Four trees arranged around the pond

The museum notice recalls that Monet had planted four so-called Babylonian weeping willows around the pool. In his late compositions, he gradually removed the trunk, the bank and the stable viewpoint to preserve only the branches and their reflections.

Entrance to the museum03

The legacy of Michel Monet in 1966

Remaining in the Giverny workshop after the death of Claude Monet, this large painting entered the Marmottan Monet Museum thanks to the legacy of his son Michel in 1966.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The exact version of the Marmottan Monet Museum, inv. 5164 and W1852
  • The original panoramic format of 150 × 197 cm
  • The asymmetry between the light willow on the left and the dense curtain on the right
  • Lilac grays, blues and creams preserved in the central opening

Work sheet

Title Water lilies, Marmottan 5164
Artist Claude Monet (1840 -1926)
Date 1916 - 1919
Original technique Oil on canvas
Dimensions 150 × 197 cm
Orientation Panoramic horizontal
Conservation Marmottan Monet Museum, Paris, France
Inventory inv. 5164 · Wildenstein 1852
Your reproduction Handmade oil painting on canvas
Consult the official notice - Marmottan Monet Museum

Presentation in your interior

A palette designed with the room

Lilac, mist blue, petrol green, soft pink and pearly cream make up a bright but deep atmosphere. This panoramic reproduction is suitable for a wide wall, accompanied by light oak, natural textiles and soft side lighting.

Water lilies, Marmottan 5164, painted for your interior

An oil reproduction made individually, photo-controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
01 Le plus fidèle aux détails
Exemple chrétien : Crucifixion présentée en tirage Fine Art non encadré
Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
Exemple chrétien : Lavement des pieds présenté sur canvas avec cadre flottant doré
Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

Thèmes de l’œuvre

Explorez les sujets et styles associés à cette reproduction.

Claude Monet French painting – French artists Impressionist

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Compare paper prints, printed canvas, hand-painted oil and digital files. The physical examples illustrate each finish; your order uses the artwork selected above.

The same Last Supper artwork presented as an unframed Fine Art paper print
Unframed print

Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
Made to order
Printed to order, usually in 1 to 4 business days. Delivery time is additional.
Delivery
Carefully packed and shipped with tracking. Delivery time depends on the destination selected above.

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These examples explain materials and presentation, not the artwork you are buying. Your order uses the artwork and options selected in the configurator. Colours can vary by screen; production and delivery times are estimates.

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