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The Water Lilies W1664 - Claude Monet

The Water Lilies W1664 - Claude Monet

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The Water Lilies W1664 - Claude Monet

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The Water Lilies W1664 - Claude Monet
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The Water Lilies W1664 - Claude Monet

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Claude Monet · 1904 · MuMa A 486 · W1664

Water Lilies W1664hand painted reproduction

On almost black emerald green water, water lily leaves form horizontal islets punctuated with pink, white and yellow flowers. No sky or bank limits space. This painting offered by Monet to the City of Le Havre is inventory A 486, Wildenstein 1664.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Les Nymphéas W1664 - Claude Monet - full view
Water Lilies W1664Claude Monet · 1904
1904Dating
89 × 93 cmDimensions of the original
Oil on canvasOriginal technique
A 486 · Wildenstein 1664Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

A dark pool where flowers become points of light

The almost square format encloses a fragment of the pond without beginning or end. The leaves gather in irregular bands and leave large areas of dark water between them. This alternation gives the painting its slow and deep rhythm.

The light flowers emerge in small, thick touches. Around them, the greens change from emerald to yellow then to bluish black. The reflective surface does not reproduce any recognizable landscape: it becomes an autonomous pictorial space.

In W1664, depth comes less from perspective than from the gap between black water, green leaves and bright flowers.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

MuMa version A 486

The Le Havre Museum documents an oil on canvas from 1904 measuring approximately 89 × 93 cm. Inventory number A 486 and catalog Wildenstein 1664 identify this composition.

02

A direct donation from Claude Monet

Monet offered the work to the City of Le Havre in 1910, with a Varengeville Cliff and a London Parliament. This gesture links his maturity to the city where he grew up and began painting.

03

A waterscape exposed in 1909

The painting belongs to the set of forty-eight Water Lilies presented by Durand-Ruel under the title "The Water Lilies, series of water landscapes". The framing without a bank announces a future abstraction.

Reference image

Read this specific version

Only one image is used: the exact scan of W1664 from MuMa Le Havre, converted into a real WebP of 3,000 × 2,867 px.

Composition01

Uneven horizontal islands

The groups of leaves form neither grid nor crown. Their dark intervals are essential: they give the basin its depth and prevent the composition from becoming decorative in the flat sense.

Color02

Emerald, olive and bluish black

The palette must retain its very dark values without losing green shades. Pink, white and yellow flowers remain small flashes, never dominant masses.

Matter03

Thick flowers, more melted water

The touches of corollas and certain leaves gain relief, while the reflections are more supple and vertical. This contrast makes the surface both tactile and deep.

Documented benchmarks

Three pieces of information specific to this work

MuMa Le Havre keeps this version under inventory A 486; it dates from 1904, measures approximately 89 × 93 cm and corresponds to Wildenstein 1664.

Identification01

The Water Lilies, Wildenstein 1664

The almost square format and the dominant dark green distinguish this canvas from the bluer or more widely open versions painted during the same period.

Collection02

MuMa Le Havre, A 486

The work is kept at the André Malraux Museum of Modern Art. Its number A 486 and its direct origin from the artist make its identification particularly secure.

History03

Offered to the City of Le Havre in 1910

Monet himself chose this painting from his recent series. It connects the Giverny laboratory to the Norman town of his youth and his artistic beginnings.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The exact version of the MuMa, inventory A 486 and Wildenstein 1664
  • The original almost square format of approximately 89 × 93 cm
  • The depth of the water emerald and bluish black
  • The light flowers preserved as small luminous accents

Work sheet

Title Water Lilies W1664
Artist Claude Monet (1840 -1926)
Date 1904
Original technique Oil on canvas
Dimensions 89 × 93 cm
Orientation Almost square
Conservation MuMa - André Malraux Museum of Modern Art, Le Havre, France
Inventory A 486 · Wildenstein 1664
Your reproduction Handmade oil painting on canvas
Consult the official notice - MuMa Le Havre

Presentation in your interior

A palette designed with the room

This deep palette creates a point of calm in a living room, bedroom or reading space. Walnut, aged brass, ecru linen and gray green walls highlight the flowers without weakening the colored blacks of the water.

Water Lilies W1664, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
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Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
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Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

Thèmes de l’œuvre

Explorez les sujets et styles associés à cette reproduction.

Claude Monet French painting – French artists Impressionist

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Compare paper prints, printed canvas, hand-painted oil and digital files. The physical examples illustrate each finish; your order uses the artwork selected above.

The same Last Supper artwork presented as an unframed Fine Art paper print
Unframed print

Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
Made to order
Printed to order, usually in 1 to 4 business days. Delivery time is additional.
Delivery
Carefully packed and shipped with tracking. Delivery time depends on the destination selected above.

Choose this option if you want to arrange your own framing.

These examples explain materials and presentation, not the artwork you are buying. Your order uses the artwork and options selected in the configurator. Colours can vary by screen; production and delivery times are estimates.

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