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Water lilies W1671 - Claude Monet

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Water lilies W1671 - Claude Monet

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Water lilies W1671 - Claude Monet

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Water lilies W1671 - Claude Monet

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Claude Monet · 1905 · MFA Boston 39.804 · W1671

Water lilies W1671hand painted reproduction

A large gap of cream light crosses the Giverny basin. Around it, blue-green masses reflect the trees, while several groups of pink and white water lilies float at different depths. Painted in 1905, this version marks the moment when Monet removes almost every landmark to make the water a complete landscape.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Water lilies W1671 - Claude Monet - full view
Water lilies W1671Claude Monet · 1905
1905Dating
89.5 × 100.3 cmDimensions of the original
Oil on canvasOriginal technique
39,804 · Wildenstein 1671Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

The sky is reflected in the center of a basin without shore or horizon

Water lilies are divided into three groups: a distant strip under the upper edge, scattered leaves in the middle and a closer group in the lower part. Their reduction in scale suggests depth, even if no shoreline directs the eye.

The large light reflection is never uniform. It mixes warm white, pale pink, blue gray and green touches. Darker reflections frame it with vertical gestures, while the leaves are placed in thicker side touches.

W1671 transforms the pool into an autonomous space: the sky, trees and flowers only exist in the moving mirror of the water.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

A radically tightened framing

Monet eliminates the bridge, the banks and the horizon line. The viewer must reconstruct the garden from reflections and floating leaves alone, a construction that brings the canvas closer to the abstract research of the 20th century.

02

A work signed and dated 1905

The signature "Claude Monet 1905" appears at the bottom right. The painting entered the Museum of Fine Arts Boston in 1939 thanks to a donation from Edward Jackson Holmes and bears inventory 39,804.

03

Before the 1909 Waterscapes Exhibition

This painting belongs to the group that Monet developed between 1903 and 1908. In 1909, Durand-Ruel presented forty-eight water landscapes, establishing this new way of painting the Giverny basin.

Reference image

Read this specific version

Only one reference image is used: the view of W1671 preserved as a real WebP of 2,000 × 1,654 px, without artificial enlargement.

Composition01

A bright cloud-shaped opening

The light center widens downward and separates lateral reflections. Its outline must remain flexible: it is a variation of light on the water, not a cut-out shape.

Color02

Sage green, turquoise, cream and pink

Greens and blues build the pond; roses appear in flowers and in the reflection of the sky. The central cream brings the main breathing of the composition.

Matter03

Horizontality of leaves, verticality of reflections

Water lilies assert the surface with their elongated touches. On the contrary, vertical trails suggest the depth of the reflected trees. Their crossing creates all the spatial ambiguity of the painting.

Documented benchmarks

Three pieces of information specific to this work

The Museum of Fine Arts Boston identifies this version under inventory 39.804 and Wildenstein number 1671.

Identification01

Water lilies, Wildenstein 1671

This oil on canvas from 1905 measures 89.5 × 100.3 cm. It is signed and dated lower right and belongs to Monet's first major waterscape campaign.

Collection02

MFA Boston, inventory 39,804

The painting was donated to the museum in 1939 by Edward Jackson Holmes. It is kept in one of Monet's most important collections outside France.

Pattern03

The Giverny basin seen without its banks

Monet directly paints the surface of the pond in his garden. The flowers, the reflections of the sky and those of the trees are enough to build the landscape, without horizon or architecture.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The MFA Boston version, inventory 39.804 and Wildenstein 1671
  • The original almost square format of 89.5 × 100.3 cm
  • The central hole cream kept bright but nuanced
  • Pink water lilies distributed according to their depth in the pool

Work sheet

Title Water lilies W1671
Artist Claude Monet (1840 -1926)
Date 1905
Original technique Oil on canvas
Dimensions 89.5 × 100.3 cm
Orientation Horizontal
Conservation Museum of Fine Arts, Boston, Boston, United States
Inventory 39,804 · Wildenstein 1671
Your reproduction Handmade oil painting on canvas
Consult the official notice - Museum of Fine Arts, Boston

Presentation in your interior

A palette designed with the room

Sage green, water blue, cream and pink give this reproduction a soothing light. Its almost square format is suitable for a living room, bedroom or relaxation area with linen, light wood and unbleached walls.

Water lilies W1671, painted for your interior

An oil reproduction made individually, photo-controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
01 Le plus fidèle aux détails
Exemple chrétien : Crucifixion présentée en tirage Fine Art non encadré
Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
Exemple chrétien : Lavement des pieds présenté sur canvas avec cadre flottant doré
Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

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The same Last Supper artwork presented as an unframed Fine Art paper print
Unframed print

Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
Made to order
Printed to order, usually in 1 to 4 business days. Delivery time is additional.
Delivery
Carefully packed and shipped with tracking. Delivery time depends on the destination selected above.

Choose this option if you want to arrange your own framing.

These examples explain materials and presentation, not the artwork you are buying. Your order uses the artwork and options selected in the configurator. Colours can vary by screen; production and delivery times are estimates.

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