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Water Lilies, Tokyo Fuji Art Museum W1731 - Claude Monet

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Water Lilies, Tokyo Fuji Art Museum W1731 - Claude Monet

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Water Lilies, Tokyo Fuji Art Museum W1731 - Claude Monet

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Water Lilies, Tokyo Fuji Art Museum W1731 - Claude Monet

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Claude Monet · 1908 · Tokyo Fuji 00426 · W1731

Water Lilies, Tokyo Fuji Art Museum W1731hand painted reproduction

Water with almost no visible depth unfolds in milky blue, yellow green and mauve. A few pink water lilies gather in the lower part, while small light leaves float higher like shards. In this precise version from 1908, Monet greatly reduces the shadows: the surface appears luminous, light and decorative, without losing the vibration of the key.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Water Lilies, Tokyo Fuji Art Museum W1731 - Claude Monet - full view
Water Lilies, Tokyo Fuji Art Museum W1731Claude Monet · 1908
1908Dating
101 × 90 cmDimensions of the original
Oil on canvasOriginal technique
Notice 00426 · Wildenstein 1731Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

A bankless pool where pink water lilies emerge from a blue-green mist

Monet removes the horizon, the edge of the pool and all architecture. The gaze enters directly into the water. The leaves concentrate down and to the right, leaving a large, lighter area where fine yellow and purple traces suggest reflections of the sky and vegetation.

The composition remains asymmetrical: a long blue-gray area descends to the left, while the luminous greens diffuse to the center and right. The pink flowers, few in number, serve as stopping points. They give scale and prevent the colored surface from becoming entirely abstract.

In W1731, light does not illuminate the pool from the outside: it appears to form in the water itself.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

One of fifteen versions painted in 1908

The notice from the Tokyo Fuji Art Museum links this painting to the set of fifteen Water Lilies executed in 1908. Monet takes the same fragment of the pool, varying the density of the leaves, the reflections and the level of contrast.

02

A painting presented at Durand-Ruel in 1909

The work appeared under number 41 in the exhibition "Water Lilies, series of water landscapes" organized in Paris in May 1909. This presentation brought together Monet's recent research on the Giverny basin.

03

A deliberately very soft clarity

The museum highlights the reduction in the gaps between light and shadow as well as an almost rococo elegance. The reproduction must retain this delicacy: artificially reinforcing the blacks would make the singularity of W1731 disappear.

Reference image

Read this specific version

The single reference image measures 950 × 1067 px. It comes from official notice 00426, corresponds to Wildenstein 1731 and has been converted into a real WebP with its native definition, without artificial enlargement.

Composition01

A floral group placed in the lower third

The sharpest flowers and leaves remain below the center. The large open area above creates calm in the image and should retain its nuances even in a smaller format.

Color02

Mist blue, anise green and powder pink

The colors pass into each other without hard contours. Greenish yellows illuminate the water, blues cool the edges and pinks remain punctual accents.

Matter03

Thin layers crossed by visible gestures

The pale glazes give depth, then short touches outline leaves and flowers. A faithful copy must preserve this contrast between atmospheric veil and material placed on the surface.

Documented benchmarks

Three pieces of information specific to this work

These landmarks concern precisely the Water Lilies of the Tokyo Fuji Art Museum, notice 00426 and Wildenstein catalog 1731.

Identification01

Tokyo Fuji 00426, W1731

This oil on canvas from 1908 measures 101 × 90 cm. The museum links it to number 1731 of Daniel Wildenstein's catalog raisonné and provides a digital image under CC0 license.

Exposure02

Durand-Ruel Gallery, Paris, 1909

The painting was shown in the solo exhibition which revealed Monet's water landscapes to the Parisian public. She appeared there under number 41, within a set thought of as a continuous experience of light.

Provenance03

A documented international history

The notice traces his passage through Durand-Ruel and Bernheim-Jeune, then through collections from Chicago, Dallas and Japan before his entry into the Tokyo Fuji Art Museum.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The exact version of the Tokyo Fuji Art Museum, notice 00426 and Wildenstein 1731
  • The original format of 101 × 90 cm, slightly vertical
  • Clear values and transitions without brutal black
  • The group of pink water lilies held under the center of the composition

Work sheet

Title Water Lilies, Tokyo Fuji Art Museum W1731
Artist Claude Monet (1840 -1926)
Date 1908
Original technique Oil on canvas
Dimensions 101 × 90 cm
Orientation Vertical, close to square
Conservation Tokyo Fuji Art Museum, Hachiôji, Tokyo, Japan
Inventory Notice 00426 · Wildenstein 1731
Your reproduction Handmade oil painting on canvas
Consult the official notice - Tokyo Fuji Art Museum

Presentation in your interior

A palette designed with the room

Celadon blue, anise green, mist mauve, powder pink and pearl gray give this hand-painted reproduction a calm presence. The almost square format works above a console, in a bedroom or on a light wall accompanied by natural wood.

Water Lilies, Tokyo Fuji Art Museum W1731, painted for your interior

An oil reproduction made individually, photo-controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
01 Le plus fidèle aux détails
Exemple chrétien : Crucifixion présentée en tirage Fine Art non encadré
Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
Exemple chrétien : Lavement des pieds présenté sur canvas avec cadre flottant doré
Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

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The same Last Supper artwork presented as an unframed Fine Art paper print
Unframed print

Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
Made to order
Printed to order, usually in 1 to 4 business days. Delivery time is additional.
Delivery
Carefully packed and shipped with tracking. Delivery time depends on the destination selected above.

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These examples explain materials and presentation, not the artwork you are buying. Your order uses the artwork and options selected in the configurator. Colours can vary by screen; production and delivery times are estimates.

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