An iconic work by Ohara
The museum's documentation dates the painting to around 1906 and gives a format of 73 × 92.5 cm. It belongs to the Western masterpieces gathered at Kurashiki.
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Fine Art paper · magnetic wooden hangers
EMA 200 gsm paper, two pairs of magnetic wooden slats and a hanging cord.
Lifestyle illustration · indicative appearance
Magnetic wooden hangers with hanging cord.
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Rigid aluminium composite · 3 mm
Your artwork on a 3 mm aluminium composite panel. No frame, glazing or metallic border.
Lifestyle illustration · indicative appearance
3 mm aluminium composite panel with a concealed rear hanging system.
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High-gloss acrylic · 10 mm
Your artwork mounted behind 10 mm crystal-clear acrylic. Polished edges, a high-gloss surface and concealed rear mounting.
Lifestyle illustration · indicative appearance
High-gloss finish · clear polished edges · no frame or white border.
10 mm clear acrylic, polished edges and concealed rear hanging hardware.
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Budget poster · borderless
Your artwork printed on smooth 170 gsm Silk paper with water-based inks. Unframed.
Lifestyle illustration · indicative appearance
Smooth Silk paper · 170 gsm · edge-to-edge printing · unframed.
Delivered flat or rolled depending on size. Frame and fixings not included.
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Economy delivery included. Charged in EUR. Local import charges may apply.
Framed poster · self-assembly
Smooth Silk 150 gsm paper · high-density plastic wood-effect frame · acrylic glazing.
Lifestyle illustration · indicative appearance
Poster and frame supplied together for self-assembly.
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Claude Monet · circa 1906 · Ohara Museum of Art · W1689
In this very clear version, large discs of leaves occupy the left half while mauve-blue water remains almost bare on the right. A few pink and yellow flowers are enough to liven up the pool. The painting, kept at the Ohara Museum of Art in Kurashiki, is listed as Wildenstein 1689.

Look at the work
Plant mass descends from the upper left corner to the lower center. On the right, thin vertical reflections and a few isolated leaves maintain balance. This asymmetry gives the impression that the pool continues beyond the frame.
The olive greens of the leaves are surrounded by darker lines. Around them, the water changes from pale blue to lilac and pink. The rubbed areas let the colors breathe, while the flowers receive thicker touches.
W1689 makes emptiness a color: the blue-mauve expanse matters as much as the water lilies themselves.
Composition, touch and light
Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.
The museum's documentation dates the painting to around 1906 and gives a format of 73 × 92.5 cm. It belongs to the Western masterpieces gathered at Kurashiki.
Opened in 1930, the Ohara Museum of Art is Japan's first private museum primarily devoted to Western art. This painting by Monet has become one of his most recognized images.
Monet shows neither the bridge nor the edge of the pool. Changes in leaf scale, reflections and water intervals are enough to build depth.
Reference image
Only one image is used: the full view of W1689, converted to a true WebP of 3000 × 2345 px, without artificial enlargement.
Groups must maintain their irregular progression from the top left. The distances between the discs are as important as their outline.
Softness depends on fine transitions. The leaves remain firmer and warmer than water, whose cold tones overlap without becoming uniform.
Water requires wide and light passages; the flowers and the edges of the leaves bear a denser material. This contrast makes the surface come alive.
Documented benchmarks
The Ohara Museum of Art documents this 73 × 92.5 cm canvas, corresponding to Wildenstein number 1689.
This oil on horizontal canvas is dated around 1906. Its framing and arrangement of the leaves allow it to be distinguished from dozens of other water landscapes from the same period.
The work is kept in the institution founded by Magosaburo Ohara to present to the Japanese public a major collection of Western art.
The painter observes a garden that he himself designed, but transforms this real place into an autonomous pictorial space made of water, flowers and reflections.
Your reproduction
Fidelity here depends on precise relationships between light, touch, depth and color temperature.
| Title | Water lilies W1689 |
|---|---|
| Artist | Claude Monet (1840 -1926) |
| Date | around 1906 |
| Original technique | Oil on canvas |
| Dimensions | 73 × 92.5 cm |
| Orientation | Horizontal |
| Conservation | Ohara Museum of Art, Kurashiki, Japan |
| Inventory | Wildenstein 1689 |
| Your reproduction | Handmade oil painting on canvas |
Presentation in your interior
The light palette creates a feeling of calm and openness. This reproduction fits into a living room, bedroom or reading space with blond wood, ecru linen and gray blue shades.
Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.
Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.
Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.
Explorez les sujets et styles associés à cette reproduction.
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A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.
Choose this option if you want to arrange your own framing.
A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.
A slim, traditional frame that keeps attention on the artwork.
A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.
Choose a Box frame for a deeper profile and a more pronounced presence on the wall.
Your artwork printed on 400 gsm artist canvas. The woven texture adds depth, with a choice of rolled, stretched or floating-frame presentation. This is a print, not an oil painting.
A framed canvas with visible depth. Choose the frame colour and canvas edge in the configurator.
Your artwork printed on 400 gsm artist canvas. The woven texture adds depth, with a choice of rolled, stretched or floating-frame presentation. This is a print, not an oil painting.
Not ready to hang: have it stretched or framed locally before displaying it.
Your artwork printed on 400 gsm artist canvas. The woven texture adds depth, with a choice of rolled, stretched or floating-frame presentation. This is a print, not an oil painting.
A clean, frameless canvas presentation. Choose the canvas edge finish in the configurator.
An artist recreates your chosen artwork by hand in oil paint on canvas. Brushwork and small variations make each reproduction individual; it is not a digital print.
Your painting is delivered rolled. Arrange stretching or framing locally after receipt.
An artist recreates your chosen artwork by hand in oil paint on canvas. Brushwork and small variations make each reproduction individual; it is not a digital print.
Choose your own local framer to prepare the finished painting for display.
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Printed canvas
Your artwork printed on 400 gsm artist canvas. The woven texture adds depth, with a choice of rolled, stretched or floating-frame presentation. This is a print, not an oil painting.
Your artwork printed on 400 gsm artist canvas. The woven texture adds depth, with a choice of rolled, stretched or floating-frame presentation. This is a print, not an oil painting.
A framed canvas with visible depth. Choose the frame colour and canvas edge in the configurator.
Même artiste
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