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The Water Lilies - Claude Monet

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The Water Lilies - Claude Monet

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The Water Lilies - Claude Monet

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The Water Lilies - Claude Monet

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Claude Monet · circa 1922 · Toledo Museum of Art · 1981.54

Water Lilieshand painted reproduction

On a canvas of more than two meters, Monet removes the shore and the horizon. Purple, white and yellow water lilies float above a network of turquoise leaves, blue-green reflections and purplish passages where the depth changes with each touch.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
The Water Lilies - Claude Monet - full view
Water LiliesClaude Monet · around 1922
around 1922Dating
200.7 × 213.4 cmDimensions of the original
Oil on canvasOriginal technique
1981.54Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

A monumental pool which no longer leaves any room for the traditional landscape

The field is entirely occupied by water. No edge allows the distance to be measured: the nearby leaves, placed in short, light touches, mingle with the darker vertical reflections. The flower groups range without symmetry, with a luminous concentration in the upper half and blue breaths downwards.

The palette does not clearly separate the vegetation from the reflected sky. Turquoise changes to olive green, then blue and purple; creamy yellows awaken the leaves, while a few pinks and mauves give the flowers an immediate presence. The large scale transforms these color gaps into real space.

Monet does not paint a view of the pool but the experience of a gaze suspended above the water, shared between the surface of the leaves and the depth of the reflections.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

Analysis of Les Nymphéas - Claude Monet
01

A composition without shore or horizon

The framing does not provide any terrestrial reference. Reproduction must therefore construct depth only by values, green temperature and key direction.

02

Flowers grouped together in an irregular rhythm

White, yellow and purple water lilies do not form a uniform seedling. The voids between groups are as large as the flowers and keep the web breathing.

03

Reflections that pass through the leaves

The green, blue and purple passages must remain visible under and between the small horizontal shapes. A background that is too homogeneous would immediately flatten this monumental version.

Details and visual documents

Observe the material and the exact version

The additional images show the difficult-to-read passages in the full view and, where it exists, the actual appearance of the work at the museum.

Purple, white and yellow flowers - detail of Les Nymphéas - Claude Monet
Purple, white and yellow flowersThe close-up shows flowers built with very few touches, surrounded by cream and turquoise leaves. The temperature contrast moves them forward without a closed outline.
Turquoise leaves and blue-green reflections - detail of Les Nymphéas - Claude Monet
Turquoise leaves and blue-green reflectionsIn this more open area, the horizontal touches of the leaves cross the vertical flows of the reflection. Blues, greens and purples give a moving depth to the water.

The main view measures 2000 × 1883 px. The details of 1050 × 1050 px and 1100 × 1050 px are direct cropping of this precise version of Toledo. No artificial enlargement has been applied; all three files are real WebPs.

Documented benchmarks

Three pieces of information specific to this work

These facts concern this precise version and are verified from the notice of the institution which keeps it.

Identification01

The 1981.54 inventory of the Toledo Museum of Art

The museum dates this oil on canvas to around 1922 and measures the support at 200.7 × 213.4 cm. The work belongs to the public domain.

Scale02

A canvas of more than four square meters

With more than two meters in each direction, this version belongs to the large late water lilies. The feeling of immersion depends as much on this magnitude as on the absence of horizon.

Collection03

Acquired thanks to the Libbey Endowment

The Toledo Museum of Art purchased the work in 1981 with endowment funds bequeathed by Edward Drummond Libbey, founder and important patron of the museum.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The total absence of shore and horizon line
  • The irregular rhythm of flowers and water spaces
  • Vertical reflections visible between horizontal sheets
  • Nuanced transitions from turquoise to purple without uniform flat areas

Work sheet

Title Water Lilies
Artist Claude Monet (1840 -1926)
Date around 1922
Original technique Oil on canvas
Dimensions 200.7 × 213.4 cm
Orientation Almost square
Conservation Toledo Museum of Art, Toledo, United States
Inventory 1981.54
Your reproduction Handmade oil painting on canvas
Consult the official notice - Toledo Museum of Art

Presentation in your interior

A palette designed with the room

This almost square reproduction becomes a powerful visual focus in a living room, entrance or bedroom. Its water greens, muted blues and mauves match linen, light wood, sage green and cream walls, with enough perspective to read the whole and then the material.

Water Lilies, painted for your interior

An oil reproduction made individually, photo-controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
01 Le plus fidèle aux détails
Exemple chrétien : Crucifixion présentée en tirage Fine Art non encadré
Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
Exemple chrétien : Lavement des pieds présenté sur canvas avec cadre flottant doré
Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

Thèmes de l’œuvre

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Compare paper prints, printed canvas, hand-painted oil and digital files. The physical examples illustrate each finish; your order uses the artwork selected above.

The same Last Supper artwork presented as an unframed Fine Art paper print
Unframed print

Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
Made to order
Printed to order, usually in 1 to 4 business days. Delivery time is additional.
Delivery
Carefully packed and shipped with tracking. Delivery time depends on the destination selected above.

Choose this option if you want to arrange your own framing.

These examples explain materials and presentation, not the artwork you are buying. Your order uses the artwork and options selected in the configurator. Colours can vary by screen; production and delivery times are estimates.

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