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Water lilies, Mohamed Mahmoud Khalil museum W1695 - Claude Monet

Water lilies, Mohamed Mahmoud Khalil museum W1695 - Claude Monet

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Water lilies, Mohamed Mahmoud Khalil museum W1695 - Claude Monet

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Water lilies, Mohamed Mahmoud Khalil museum W1695 - Claude Monet
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Water lilies, Mohamed Mahmoud Khalil museum W1695 - Claude Monet

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Claude Monet · 1906 · Mohamed Mahmoud Khalil museum · W1695

Water lilies, Mohamed Mahmoud Khalil W1695 museumhand painted reproduction

A large cream and pink cloud is reflected in the center of the pool, surrounded by bluish green water. The water lilies form several layers: a tight band at the top, groups spaced further apart around the reflection, then large leaves in the foreground. Signed and dated 1906, this version preserved in Cairo combines very clear light with a solidly rhythmic composition.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Water lilies, Mohamed Mahmoud Khalil museum W1695 - Claude Monet - full view
Water lilies, Mohamed Mahmoud Khalil W1695 museumClaude Monet · 1906
1906Dating
81 × 100 cmDimensions of the original
Oil on canvasOriginal technique
Wildenstein 1695Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

The reflection of a clear cloud opens the center, while the water lilies stretch from the bottom to the foreground

In the upper part, the leaves tighten into long horizontal bands. They mix green gray, blue, pink and a few light flowers. The center then opens onto a large cream shape with blurred edges, crossed by blue and pink. This luminous breathing separates the different planes of the pool.

Downward, the leaves become larger and more isolated. Some are turquoise, others olive green or purple, with pink flowers placed at irregular intervals. The signature "Claude Monet 1906" appears at the bottom right, in a light area which retains the readability of the gesture.

Depth arises from the alternation between layers of leaves and large reflective zones, not from a visible bank or horizon.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

A central reflection that organizes the composition

The cream shape is not an empty opening. Its edges absorb blues, greens and pinks, which connects it to water while giving distance to the leaves surrounding it.

02

Water lilies divided into floors

Small, tight leaves at the top, intermediate groups in the center, and large shapes at the bottom build measurable depth. Faithful reproduction must preserve this progression.

03

A date integrated into the painting

The red-brown signature and the year 1906 stand out in the lower right corner without dominating the stage. Their position helps identify this version among the many Water Lilies.

Reference image

Read this specific version

The only available reference image measures 2000 × 1654 px. It has been kept at its native definition and converted into a real WebP, without artificial enlargement.

Composition01

A balance between water and vegetation

Leaves never occupy the entire surface. Intervals of clear water give air to groups and allow the reflection of the sky to remain the main motif.

Color02

Greens cooled by blue

Sage green, turquoise and blue gray form the background, while pink and cream warm the flowers and cloud. Balance depends on smooth transitions rather than sharp contrasts.

Matter03

A shorter touch in the leaves

Floating discs are constructed by horizontal gestures, sometimes highlighted with a dark edge. The central reflection uses a more diffuse and less drawn material.

Documented benchmarks

Three pieces of information specific to this work

This information concerns the Water Lilies from 1906 kept at the Mohamed Mahmoud Khalil Museum in Cairo, Wildenstein 1695.

Identification01

Mohamed Mahmoud Khalil Museum, Wildenstein 1695

The documentation indicates an oil on canvas measuring 81 × 100 cm, signed and dated "Claude Monet 1906" at the bottom right. The catalog raisonné classifies it under number 1695.

Collection02

A work preserved in Cairo

The painting belongs to the Mohamed Mahmoud Khalil Museum, housed in the collector's former home in Cairo. The collection brings together an important collection of 19th century European art.

1906 series03

The basin without bridge or horizon line

On this date, Monet abandoned the Japanese bridge in several compositions and directly framed the water. The leaves, flowers and reflected sky are enough to build a space without terrestrial reference.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The exact version of the Mohamed Mahmoud Khalil Museum, Wildenstein 1695
  • The original horizontal format of 81 × 100 cm
  • The large cream reflection kept bright but crossed by nuances
  • The progression of the leaves preserved from the tight bottom to the fuller foreground

Work sheet

Title Water lilies, Mohamed Mahmoud Khalil W1695 museum
Artist Claude Monet (1840 -1926)
Date 1906
Original technique Oil on canvas
Dimensions 81 × 100 cm
Orientation Horizontal
Conservation Mohamed Mahmoud Khalil Museum, Cairo, Egypt
Inventory Wildenstein 1695
Your reproduction Handmade oil painting on canvas
Consult the documented notice - Mohamed Mahmoud Khalil Museum /Wikimedia Commons

Presentation in your interior

A palette designed with the room

Sage green, turquoise, gray blue, soft pink and cream give this reproduction a soft light. Its horizontal format is suitable for a living room, bedroom or dining room with light wood and sober framing.

Water lilies, Mohamed Mahmoud Khalil W1695 museum, painted for your interior

An oil reproduction made individually, photo-controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
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Tirage Fine Art

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Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
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Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

Thèmes de l’œuvre

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Claude Monet French painting – French artists Impressionist

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Compare paper prints, printed canvas, hand-painted oil and digital files. The physical examples illustrate each finish; your order uses the artwork selected above.

The same Last Supper artwork presented as an unframed Fine Art paper print
Unframed print

Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
Made to order
Printed to order, usually in 1 to 4 business days. Delivery time is additional.
Delivery
Carefully packed and shipped with tracking. Delivery time depends on the destination selected above.

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These examples explain materials and presentation, not the artwork you are buying. Your order uses the artwork and options selected in the configurator. Colours can vary by screen; production and delivery times are estimates.

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