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Water lilies, reflections on the water W1718 - Claude Monet

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Water lilies, reflections on the water W1718 - Claude Monet

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Water lilies, reflections on the water W1718 - Claude Monet

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Water lilies, reflections on the water W1718 - Claude Monet

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Claude Monet · 1907 · Albert-André museum 98 · W1718

Water lilies, reflections on the water W1718hand painted reproduction

Water lilies with pink and purple accents float among turquoise, green and yellow reflections. In the foreground, long grass rises in the composition and blurs the border between the bank and the mirror of the water. This 1907 version pushes the freedom of the touch very far: the pond remains identifiable, but each color also lives like an autonomous trace.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Water lilies, reflections on the water W1718 - Claude Monet - full view
Water lilies, reflections on the water W1718Claude Monet · 1907
1907Dating
73 × 92 cmDimensions of the original
Oil on canvasOriginal technique
98 · Wildenstein 1718Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

A bank of soft grass facing a pool bursting with colorful reflections

The left part is occupied by long, curved stems, while the water lily leaves are concentrated mainly in the center and right. Between these two groups, a yellow and pink zone opens the surface. The gaze thus circulates from the nearby bank towards the reflections without encountering a horizon.

The leaves are not described by regular ovals. They are formed by superimposed touches of green, blue, mauve and red. Vertical reflections pass through these horizontal marks and give the pool an unstable depth, constantly brought back to the surface of the canvas.

W1718 maintains the pool between two readings: a recognizable water garden and a free frame of gestures, colors and light.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

A framing without sky or horizon

Monet looks directly at the water. The surrounding landscape appears only through its reflections, while the tall grass indicates the proximity of the shore. This removal of traditional landmarks brings the canvas closer to an abstract composition.

02

The historical version of the Albert-André museum

The painting bears the number 98 in the collection of the Albert-André museum in Bagnols-sur-Cèze and the number 1718 in the Wildenstein catalog. The work disappeared during a theft in 1972 and its location remains unknown.

03

A deliberately heterogeneous material

Some passages allow a clear layer to breathe; others accumulate opaque marks. Reproduction must retain these differences in density, particularly between fine grasses, thicker leaves and fluid reflections.

Reference image

Read this specific version

Only one reference image is used: the photograph documenting W1718, preserved as a real WebP of 2,000 × 1,779 px, without artificial enlargement.

Composition01

A diagonal of grass in the foreground

The stems start from the lower edge and rise towards the center. Their flexible movement opposes the horizontal bands of the water lilies and prevents the pool from becoming a simple decorative surface.

Color02

Water green, pale yellow, turquoise, pink and purple

The palette is very extensive. Warm colors illuminate reflections without dominating blues and greens; purples serve as accents in the densest areas.

Matter03

Wide brushes, fine lines and opaque covers

The reflections are swept with flexible gestures, the stems are drawn in more nervous lines and the leaves receive short touches. Their diversity builds the entire vibration of the painting.

Documented benchmarks

Three pieces of information specific to this work

The historical inventory of the Albert-André museum and the catalog raisonné identify this version under numbers 98 and Wildenstein 1718.

Identification01

Water lilies, reflections on the water

This oil on canvas from 1907 measures 73 × 92 cm. It belongs to the group of water landscapes painted in Giverny and bears the number Wildenstein 1718.

Historical collection02

Albert-André Museum, inventory 98

Monet had supported the Bagnols-sur-Cèze museum formed by his friend Albert André. This work was registered there under number 98 before his death.

Situation03

Work stolen in 1972

The painting disappeared from the Albert-André museum following a theft in 1972. The reproduction is based on documentary photography which retains the appearance of this precise version.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The historical version of the Albert-André museum, inventory 98 and Wildenstein 1718
  • The original horizontal format of 73 × 92 cm
  • The grasses in the foreground preserved as flexible lines and not as rigid contours
  • Reds, pinks and purples balanced with the greens and blues of the pool

Work sheet

Title Water lilies, reflections on the water W1718
Artist Claude Monet (1840 -1926)
Date 1907
Original technique Oil on canvas
Dimensions 73 × 92 cm
Orientation Horizontal
Conservation Albert-André Museum, historical collection, Bagnols-sur-Cèze, work not located since 1972
Inventory 98 · Wildenstein 1718
Your reproduction Handmade oil painting on canvas
Consult the official notice - structured notice of work W1718

Presentation in your interior

A palette designed with the room

Water green, turquoise, pink and pale yellow give this reproduction a luminous and very pictorial presence. It is suitable for a living room, bedroom or office with light wood, linen, ecru walls and a discreet setting.

Water lilies, reflections on water W1718, painted for your interior

An oil reproduction made individually, photo-controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
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Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
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Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

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The same Last Supper artwork presented as an unframed Fine Art paper print
Unframed print

Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
Made to order
Printed to order, usually in 1 to 4 business days. Delivery time is additional.
Delivery
Carefully packed and shipped with tracking. Delivery time depends on the destination selected above.

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These examples explain materials and presentation, not the artwork you are buying. Your order uses the artwork and options selected in the configurator. Colours can vary by screen; production and delivery times are estimates.

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