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View of Argenteuil W235 - Claude Monet

View of Argenteuil W235 - Claude Monet

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View of Argenteuil W235 - Claude Monet

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View of Argenteuil W235 - Claude Monet
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View of Argenteuil W235 - Claude Monet

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Claude Monet · Panorama of the city from the other bank of the Seine · Private collection

View of Argenteuil W235hand painted reproduction

Argenteuil stretches into a low frieze between the Seine and the hills of the horizon. The Saint-Denys church punctuates the right bank, while a vast sky of gray, white and blue clouds dominates the city. Painted in 1872, this very elongated canvas separates sailboats, walkers and factories to make the urban landscape a calm and distant presence.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
View of Argenteuil W235 - Claude Monet - full view
View of Argenteuil W235Claude Monet · 1872
1872Dating
42 × 83 cmDimensions of the original
Oil on canvasOriginal technique
Wildenstein 235Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

The city becomes a fragile line between water and sky

The Seine occupies almost the lower third and remains deliberately bare. A few small blue touches are enough to suggest its movement. On the other bank, houses, trees and church are juxtaposed into a narrow strip that the purple hillsides isolate from the sky.

Clouds cover more than half of the surface. Their broken whites stand out against bluish grays and mauves, with darker passages at the corners. This disproportion gives the panorama its feeling of space and places atmospheric light before topographical detail.

Monet does not bring Argenteuil closer: he lets the water establish a distance, then reduces the city to a series of colors under the changing immensity of the sky.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

A format twice as wide as it is high

The 83 cm width and 42 cm height require a panoramic reading. The gaze slowly travels along the bank, from the central red construction to the dark bell tower placed to the right.

02

A horizontality interrupted by a few marks

Water line, bank, houses and hillsides overlap in strips. The trees, the red tower and especially the two points of the church introduce the rare verticals necessary for balance.

03

An Argenteuil without explicit signs of modernity

The Sotheby's notice highlights the absence of sailboats, wash houses and walkers often present in the views of the city. Monet favors an almost bucolic image here, despite the rapid industrialization of the site.

Reference image

Read this specific version

The visual corresponds to Vue d'Argenteuil, oil on canvas from 1872, 42 × 83 cm, signed lower right and listed Wildenstein 235. The unique WebP measures 2,880 × 1,420 px, definition of the exact public file, without enlargement artificial.

Composition01

The city remains fine but readable

The buildings are constructed in small cream, yellow, pink and blue masses. Detailing them excessively would break the desired distance from the other bank.

Color02

The sky combines impasto and transparency

The densest whites are concentrated in the center, while the gray-purple edges show more of the canvas's weft. This variation maintains the depth of the clouds.

Matter03

The water remains calmer than the sky

Its gray-blue bands are wide and not very contrasting. A few short lines in the foreground are enough to distinguish the surface of the Seine from the green bank.

Documented benchmarks

Three pieces of information specific to this work

This oil on canvas from 1872 measures 42 × 83 cm. Preserved in private collections, it is identified by number 235 of the Wildenstein catalog raisonné.

Installation01

Monet has just settled in Argenteuil

The family arrived in December 1871 and stayed there for about six years. The city then became one of Monet's major laboratories for observing the Seine, leisure and the transformations of the suburbs.

Viewpoint02

A panorama from the other bank

The large body of water places the city at a distance. The hillsides of the Saint-Denis region in Pontoise close the horizon behind the houses and the church.

Provenance03

A work passed by Durand-Ruel

The painting was acquired from Monet by the Durand-Ruel gallery no later than 1891, then remained in the merchant's family collection for several decades.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • Preserve the panoramic ratio of 42 × 83 cm.
  • Keep the city on a very small scale.
  • Vary the colored grays of the sky.
  • Keep the Seine clear and almost empty.

Work sheet

Title View of Argenteuil W235
Artist Claude Monet (1840 -1926)
Date 1872
Original technique Oil on canvas
Dimensions 42 × 83 cm
Orientation Horizontal panoramic
Conservation Private collection, Non-public location
Inventory Wildenstein 235
Your reproduction Handmade oil painting on canvas
Consult the reference notice - Sotheby's - Vue d'Argenteuil, lot 408, Wildenstein 235

Presentation in your interior

A palette designed with the room

This panorama is suitable above a sofa, sideboard or wide desk. A patinated white, old silver or smoked wood frame accompanies the sky; a gray blue, light beige or soft green wall highlights the line of the bank.

View of Argenteuil W235, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
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Exemple chrétien : Crucifixion présentée en tirage Fine Art non encadré
Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
Exemple chrétien : Lavement des pieds présenté sur canvas avec cadre flottant doré
Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

Thèmes de l’œuvre

Explorez les sujets et styles associés à cette reproduction.

Claude Monet French painting – French artists Impressionist

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Compare paper prints, printed canvas, hand-painted oil and digital files. The physical examples illustrate each finish; your order uses the artwork selected above.

The same Last Supper artwork presented as an unframed Fine Art paper print
Unframed print

Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
Made to order
Printed to order, usually in 1 to 4 business days. Delivery time is additional.
Delivery
Carefully packed and shipped with tracking. Delivery time depends on the destination selected above.

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