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Near Giverny W1202 - Claude Monet

Near Giverny W1202 - Claude Monet

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Near Giverny W1202 - Claude Monet

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Near Giverny W1202 - Claude Monet
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Near Giverny W1202 - Claude Monet

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Claude Monet · Giverny · 1888 · W1202

Meadows in Giverny W1202hand painted reproduction

A vast wet meadow, strewn with touches of green, pink and blue, leads to a few trees which barely emerge in the mist of Giverny. Painted in 1888, this oil on vertical canvas measuring 92.5 × 81.5 cm is kept at the Hermitage Museum under the number Оonds-7721 and corresponds to Wildenstein 1202.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Near Giverny W1202 - Claude Monet - full view
Meadows in Giverny W1202Claude Monet · 1888
1888Dating
92.5 × 81.5 cmDimensions of the original
Oil on canvasOriginal technique
ʻoult-7721 · Wildenstein 1202Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

The meadow occupies almost the entire eye before the trees emerge from the mist

The field rises from the lower edge to a very high line of trees. Two rounded crowns and several vertical poplars serve as landmarks, but their contours remain absorbed by the atmosphere.

Pale green, turquoise, yellow, pink and mauve are placed in small superimposed touches. The creamy sky and the bluish mist at the bottom reduce the contrasts; the landscape appears bathed in humid light rather than illuminated by a visible source.

The vertical format does not elevate a monument: it gives scale to ordinary terrain and makes the distance between grass and trees the real subject.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

A horizon placed very high

The meadow occupies the majority of the canvas and imposes its rhythm of touches before any topographical reference. This proportion gives the viewer the feeling of being almost in the grass.

02

Individualized trees without hard drawing

Thin poplars and round crowns each have a silhouette, but the mist softens their limits. They organize depth without closing the field.

03

The meadows south of Giverny in 1888

During the summer, Monet returned to these terrains several times under different conditions. W1202 favors a pale atmosphere and an almost square, vertically oriented format.

Reference image

Read this specific version

Only one exact image of W1202 is used. The real WebP measures 2,328 × 2,640 px and retains the native definition of the source, without artificial enlargement.

Composition01

Preserve the low general contrast

The work is based on the gentle transitions between field, trees and sky. Artificially reinforcing the shadows would make the mist disappear.

Color02

Keep pink and mauve touches in the grass

They prevent the greens from becoming uniform and circulate light from the sky into the foreground.

Matter03

Keep trees partially dissolved

Their silhouettes must remain legible but flexible. Trunks or crowns that are too sharp would cancel out the atmospheric depth.

Documented benchmarks

Three pieces of information specific to this work

The Hermitage Museum preserves Prés à Giverny, oil on canvas from 1888, 92.5 × 81.5 cm, inventory ʻonds-7721 and Wildenstein 1202.

Collection01

Hermitage Museum, inventory ʻilt-7721

The work comes from the former Sergei Shchukin collection, a major ensemble which introduced impressionism and modern French art to Russia.

Location02

The meadows located around Giverny

Established in the village since 1883, Monet first explored the fields, the Epte valley and the poplars before concentrating his work on the water garden.

Version03

The Wildenstein 1202 canvas

Its vertical format, its high horizon, its two round trees and its very fine poplars allow it to be distinguished from other meadows of 1888.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The Wildenstein 1202 version
  • The vertical format
  • The very extensive pastel meadow
  • Trees softened by mist

Work sheet

Title Meadows in Giverny W1202
Artist Claude Monet (1840 -1926)
Date 1888
Original technique Oil on canvas
Dimensions 92.5 × 81.5 cm
Orientation Vertical
Conservation Hermitage Museum, St. Petersburg, Russia
Inventory ʻoult-7721 · Wildenstein 1202
Your reproduction Handmade oil painting on canvas
Consult the official notice - Hermitage Museum · ʻonds-7721 · W1202

Presentation in your interior

A palette designed with the room

This soft meadow is suitable for a bedroom, library or living room. A pale green, gray pink or cream wall and a light frame extend its silent atmosphere.

Prés in Giverny W1202, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
01 Le plus fidèle aux détails
Exemple chrétien : Crucifixion présentée en tirage Fine Art non encadré
Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
Exemple chrétien : Lavement des pieds présenté sur canvas avec cadre flottant doré
Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

Thèmes de l’œuvre

Explorez les sujets et styles associés à cette reproduction.

Claude Monet French painting – French artists Hermitage Museum

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Choose how your artwork comes to life

Compare paper prints, printed canvas, hand-painted oil and digital files. The physical examples illustrate each finish; your order uses the artwork selected above.

The same Last Supper artwork presented as an unframed Fine Art paper print
Unframed print

Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
Made to order
Printed to order, usually in 1 to 4 business days. Delivery time is additional.
Delivery
Carefully packed and shipped with tracking. Delivery time depends on the destination selected above.

Choose this option if you want to arrange your own framing.

These examples explain materials and presentation, not the artwork you are buying. Your order uses the artwork and options selected in the configurator. Colours can vary by screen; production and delivery times are estimates.

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