The obelisk as the axis of the composition
The shape must remain more stable than the bridge and the Parliament, without becoming a black outline. Its verticality gives their measure to the horizontals of the Thames.
Canvas reproduction
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Oil painting on rolled canvas, unframed. Custom size available on request.
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Artwork description
Claude Monet · 1899 · Cairo · Wildenstein 1543
Cleopatra's obelisk stands in front of Charing Cross Bridge in a lavender blue mist. Parliament fades into the distance, arches pass through the composition and pink and purple reflections stretch the monuments in the Thames.

Look at the work
Placed slightly to the left of the center, Cleopatra's Needle forms the sharpest vertical in the painting. It crosses the strip of the bridge then extends into the water. Around it, piers and boats are treated in much more diffuse blue and purple masses.
On the right, the Parliament and its tower are reduced to a purple silhouette in the mist. The river occupies the lower half and receives vertical reflections, immediately cut by horizontal touches of pink, blue and gray which maintain the movement of the surface.
Monet organizes London here around a simple and powerful contrast: the motionless tip of the obelisk facing an atmosphere where everything else seems to dissolve.
Composition, touch and light
Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

The shape must remain more stable than the bridge and the Parliament, without becoming a black outline. Its verticality gives their measure to the horizontals of the Thames.
Arches and piers alternate in a blue-purple range. Their readability depends on the fog spaces between the shapes more than on a detailed architectural drawing.
Monuments descend into the water in colorful trails, then horizontal gestures break these lines. This crossed rhythm prevents any frozen mirror effect.
Details and visual documents
The additional images show the difficult-to-read passages in the full view and, where it exists, the actual appearance of the work at the museum.


The photograph of the exact version, taken at the Mohamed Mahmoud Khalil museum and distributed under CC0 license, measures 735 × 542 px. The details of 540 × 360 px and 410 × 390 px are direct cropping. No files have been enlarged; all three images are real WebPs.
Documented benchmarks
These landmarks concern the Wildenstein 1543 version, identified by its title, its dating, its format and its conservation at the Mohamed Mahmoud Khalil museum.
This oil on canvas measuring 73 × 100 cm is dated 1899 and signed lower right. The Wildenstein catalog distinguishes it by number 1543.
The painting belongs to the Mohamed Mahmoud Khalil Museum in Cairo. The reference photograph was taken in front of the work in the museum and allows this version to be precisely identified.
The ancient obelisk was installed on the banks of the Thames in 1878. From the Savoy Hotel, its vertical is naturally in front of Charing Cross Bridge and becomes a recurring landmark of Monet's London views.
Your reproduction
Fidelity here depends on precise relationships between light, touch, depth and color temperature.
| Title | Cleopatra's Needle and Charing Cross Bridge |
|---|---|
| Artist | Claude Monet (1840 -1926) |
| Date | 1899 |
| Original technique | Oil on canvas |
| Dimensions | 73 × 100 cm |
| Orientation | Horizontal |
| Conservation | Mohamed Mahmoud Khalil Museum, Cairo, Egypt |
| Inventory | Wildenstein 1543 |
| Your reproduction | Handmade oil painting on canvas |
Presentation in your interior
Lavender, gray blue, misty pink and deep purple give this reproduction an architectural elegance without coldness. It finds its place on a cream, pearl gray, smoked blue or plum wall, above a base unit.
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