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The Water Lilies Basin W1715 - Claude Monet

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The Water Lilies Basin W1715 - Claude Monet

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The Water Lilies Basin W1715 - Claude Monet

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The Water Lilies Basin W1715 - Claude Monet

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Claude Monet · 1907 · Artizon Museum · W1715

The Water Lilies Basin W1715hand painted reproduction

The basin unfolds vertically like a depth without a bank. A pink light passes through the reflection of the willows, while groups of water lilies form increasingly close levels. The painting brings together the real water, floating vegetation and inverted landscape in a single vibrant surface.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
The Water Lilies Basin W1715 - Claude Monet - full view
The Water Lilies Basin W1715Claude Monet · 1907
1907Dating
100.6 × 73.5 cmDimensions of the original
Oil on canvasOriginal technique
Wildenstein 1715Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

Islets of water lilies suspended between the pink of the sky and the shadow of the willows

The upper part is dense and dark, then a large luminous opening reaches the center and lower left. The leaves are divided into arcs and interrupted bands. Those in the foreground appear larger, but the depth comes mainly from the overlap of reflections.

The pale vermilion pink reported by the Artizon Museum dialogues with purples, blues and dark greens. The leaves receive silver and turquoise accents. Warm colors therefore never remain isolated: they are taken up and cooled throughout the water.

W1715 makes the pool a double-reading space: water lilies assert the surface, while reflected willows open a vertical depth.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

A vertical canvas within the 1907 group

The Artizon Museum specifies that Monet painted fifteen vertically oriented compositions that year. This choice lowers the reflections over the entire height and distances the painting from the traditional horizontal landscape.

02

Pale vermilion as a clue to sunset

The large pink area can evoke the evening light reflected in the pool. However, it is not uniform: touches of green, purple and gray cross it, maintaining the sensation of moving water.

03

Leaves that adjust depth

Groups of water lilies cut reflections at different heights. This alternation brings the gaze back to the surface plane, then lets it plunge back into the dark masses. Reproduction must keep these intervals open.

Reference image

Read this specific version

Only one reference image is displayed. The best exact public file measures 783 × 1075 px; it was kept at its native definition and re-encoded into real WebP, without artificial enlargement.

Composition01

A succession of plant levels

The top leaves form fine lines, the central ones a more continuous band and the bottom ones form isolated groups. Their progressive scale animates the rectangle without creating a rigid perspective.

Color02

Vermilion pink, plum purple, blue green and silver

Pink brings light, purple and green give depth. Silver accents on the leaves prevent dark areas from closing in.

Matter03

Two opposite brush directions

Water lilies are treated with lateral markings and reflections with vertical descents. The meeting of these gestures constructs the surface more surely than a drawn outline.

Documented benchmarks

Three pieces of information specific to this work

This information concerns the Wildenstein 1715 version of the Artizon Museum, collection of the Ishibashi Foundation.

Identification01

Artizon Museum, W1715

The Water Lilies Basin is an oil on canvas from 1907 measuring 100.6 × 73.5 cm. It is kept in Tokyo by the Ishibashi Foundation.

Together02

Fifteen vertical waterscapes

This canvas belongs to the vertical group painted in 1907. Several versions are today divided between public and private collections, each giving a different role to reflections, leaves and time.

Subject03

The basin developed in Giverny

Monet transforms his water garden into a pictorial laboratory. Here, he completely eliminates the Japanese bank and bridge in order to focus the gaze on the mirror of the water and its color changes.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The Artizon Museum and Wildenstein 1715 version
  • The original vertical format of 100.6 × 73.5 cm
  • The pink clarity preserved with its gray and green passages
  • Turquoise leaves and purple reflections differentiated by their direction

Work sheet

Title The Water Lilies Basin W1715
Artist Claude Monet (1840 -1926)
Date 1907
Original technique Oil on canvas
Dimensions 100.6 × 73.5 cm
Orientation Vertical
Conservation Artizon Museum, Ishibashi Foundation, Tokyo, Japan
Inventory Wildenstein 1715
Your reproduction Handmade oil painting on canvas
Consult the official notice - Artizon Museum

Presentation in your interior

A palette designed with the room

Pale vermilion pink, plum purple, blue green, silver and midnight blue give this reproduction a deep and meditative atmosphere. It works in a bedroom, living room or reading space with walnut and natural textiles.

The W1715 Water Lily Pond, painted for your interior

An oil reproduction made individually, photo-controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
01 Le plus fidèle aux détails
Exemple chrétien : Crucifixion présentée en tirage Fine Art non encadré
Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
Exemple chrétien : Lavement des pieds présenté sur canvas avec cadre flottant doré
Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

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The same Last Supper artwork presented as an unframed Fine Art paper print
Unframed print

Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
Made to order
Printed to order, usually in 1 to 4 business days. Delivery time is additional.
Delivery
Carefully packed and shipped with tracking. Delivery time depends on the destination selected above.

Choose this option if you want to arrange your own framing.

These examples explain materials and presentation, not the artwork you are buying. Your order uses the artwork and options selected in the configurator. Colours can vary by screen; production and delivery times are estimates.

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