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Water lilies W1667 - Claude Monet

Water lilies W1667 - Claude Monet

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Water lilies W1667 - Claude Monet

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Water lilies W1667 - Claude Monet
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Water lilies W1667 - Claude Monet

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Claude Monet · 1904 · former MNR 214 · W1667

Water lilies W1667hand painted reproduction

Strips of white, pink and yellow flowers cross a dark green pool where the reflections descend in long touches. Signed and dated 1904, this almost square canvas is listed as Wildenstein 1667. Formerly known under the number MNR 214, it was returned in 1999 to the beneficiaries of the merchant Paul Rosenberg.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Water lilies W1667 - Claude Monet - full view
Water lilies W1667Claude Monet · 1904
1904Dating
90 × 92 cmDimensions of the original
Oil on canvasOriginal technique
Former MNR 214 · Wildenstein 1667Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

A dense pool where flowers punctuate the depth

Water lilies line up in several irregular planes from the lower edge to the bottom vegetation. Each frieze is interrupted by areas of dark water, which avoids any too regular decorative effect and maintains depth.

Greens dominate, but they divide into acidic yellows, cold blues and almost black browns. The flowers, placed in small thick touches, become luminous bursts on water crossed by vertical reflections.

W1667 organizes the pool like a succession of thresholds: the flowers bring the surface closer together, the reflections open it in depth.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

A precisely documented version

The official notice gives an oil on canvas of 90 × 92 cm, signed and dated "Claude Monet 1904" at the bottom right, corresponding to Wildenstein number 1667.

02

From the tapestry model to the MNR course

The canvas served as a model for a Gobelins tapestry and was shown at Durand-Ruel in 1909. Spoliated from Paul Rosenberg during the war, it was recovered, deposited in Caen then returned to its beneficiaries in 1999.

03

Denser space than neighboring versions

Unlike Water Lilies leaving large areas of clear water, this canvas multiplies the plant bands. The material and green contrasts play a particularly strong role.

Reference image

Read this specific version

Only one image is used: the official front photograph of the C2RMF, converted into a real WebP of 3,000 × 2,935 px, without artificial enlargement.

Composition01

Curls that are never straight

The flower groups undulate, tighten and interrupt. Their irregularity must be preserved so that the pool remains natural and deep.

Color02

Deep greens, yellow, pink and white

Dark tones structure water and reflections. Flowers should remain small, bright accents, without being enlarged or made too sharp.

Matter03

Vertical under floating keys

The reflections descend behind the leaves. Reproduction must maintain this superposition of directions, essential to the ambiguity between surface and depth.

Documented benchmarks

Three pieces of information specific to this work

The official MNR directory documents this painting under the old MNR number 214; the catalog raisonné la classe Wildenstein 1667.

Identification01

Water lilies, Wildenstein 1667

This oil on canvas from 1904 measures 90 × 92 cm. It is signed and dated lower right and also appears in the sources under the historical title Water Lilies Pond.

Historical02

Former MNR 214, restitution from 1999

After its recovery in Germany, the work was entrusted to the National Museums and deposited at the Caen Museum of Fine Arts under number 75-1-23, before its restitution.

Exposure03

Durand-Ruel, Les Nymphéas, 1909

The painting appeared in Monet's exhibition dedicated to water landscapes. It was then loaned from 1910 to 1913 to Gustave Geffroy for the Manufacture des Gobelins.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The exact version of the old MNR 214, Wildenstein 1667
  • The original almost square format of 90 × 92 cm
  • Irregular bands of flowers spread over several depths
  • Dark greens and vertical reflections preserved under the material

Work sheet

Title Water lilies W1667
Artist Claude Monet (1840 -1926)
Date 1904
Original technique Oil on canvas
Dimensions 90 × 92 cm
Orientation Almost square
Conservation Private collection, Work returned to the rights holders of Paul Rosenberg
Inventory Former MNR 214 · Wildenstein 1667
Your reproduction Handmade oil painting on canvas
Consult the official notice - POP - Directory of MNRs

Presentation in your interior

A palette designed with the room

This dense composition brings a deep plant presence to a living room, library or bedroom. Greens match walnut, bronze, natural linen and cream walls.

Water lilies W1667, painted for your interior

An oil reproduction made individually, photo-controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
01 Le plus fidèle aux détails
Exemple chrétien : Crucifixion présentée en tirage Fine Art non encadré
Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
Exemple chrétien : Lavement des pieds présenté sur canvas avec cadre flottant doré
Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

Thèmes de l’œuvre

Explorez les sujets et styles associés à cette reproduction.

Claude Monet French painting – French artists Impressionist

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Compare paper prints, printed canvas, hand-painted oil and digital files. The physical examples illustrate each finish; your order uses the artwork selected above.

The same Last Supper artwork presented as an unframed Fine Art paper print
Unframed print

Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
Made to order
Printed to order, usually in 1 to 4 business days. Delivery time is additional.
Delivery
Carefully packed and shipped with tracking. Delivery time depends on the destination selected above.

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These examples explain materials and presentation, not the artwork you are buying. Your order uses the artwork and options selected in the configurator. Colours can vary by screen; production and delivery times are estimates.

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