Water lilies, Fondation Beyeler W1854 - Claude Monet

Water lilies, Fondation Beyeler W1854 - Claude Monet

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Water lilies, Fondation Beyeler W1854 - Claude Monet

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Water lilies, Fondation Beyeler W1854 - Claude Monet
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Water lilies, Fondation Beyeler W1854 - Claude Monet

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Claude Monet · 1916 -1919 · Fondation Beyeler · W1854

Water lilies, Fondation Beyeler W1854hand painted reproduction

Two meters high, the water lily leaves draw a flexible diagonal between lilac, pale blue and pink reflections. No horizon closes the space: Monet transforms the surface of the pool into a vertical field where water, sky and vegetation become almost inseparable.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Water lilies, Fondation Beyeler W1854 - Claude Monet - full view
Water lilies, Fondation Beyeler W1854Claude Monet · 1916 -1919
1916 - 1919Dating
200 × 180 cmDimensions of the original
Oil on canvasOriginal technique
Inv. 03.2 · Wildenstein 1854Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

A diagonal of water lilies gives direction to the water without horizon

The large yellow-green leaves gather in the upper left corner, then descend towards the center and bottom of the canvas. Their arrangement is neither regular nor decorative: the intervals of clear water create the rhythm and allow the gaze to circulate between the different groups.

On the right, long green marks evoke reflected stems and plants. They contrast with the more horizontal and milky passages in the center. Cold pinks, purples and blues appear beneath the greens, giving the water a depth that remains luminous.

Monet does not represent the sky above the pool: he lowers it into the water, between the leaves, until the limit between surface and depth is uncertain.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

Analysis of Water Lilies, Fondation Beyeler W1854 - Claude Monet
01

An unusual vertical composition

The 200 × 180 cm format requires water lilies to be read from top to bottom. The diagonal of the leaves must remain fluid without becoming a simple garland.

02

Greens warmed by yellow and pink

The leaves are never uniform green. Their dark edges, yellow centers and small pink flowers establish a delicate hierarchy.

03

Vertical reflections hanging on the right

A few dark lines descend into the lighter areas. Their irregularity is enough to evoke off-camera vegetation without closing the space.

Details and visual documents

Observe the material and the exact version

The additional images show the difficult-to-read passages in the full view and, where it exists, the actual appearance of the work at the museum.

Purple reflections and hanging plants - detail of Water Lilies, Fondation Beyeler W1854 - Claude Monet
Purple reflections and hanging plantsThe top detail shows the yellow-green leaves, lilac passages and vertical lines of vegetation. The light remains cold and diffuse despite the pink accents.
Flowers in the middle of the large leaves - detail of Water Lilies, Fondation Beyeler W1854 - Claude Monet
The flowers in the middle of the large leavesIn the lower part, pink and cream flowers punctuate a denser mass of water lilies. The dark contours remain open and mingle with pale blue reflections.

The full view measures 1,979 × 2,200 px; the two native cropping measures 1,500 × 1,050 px and 1,550 × 1,050 px. No files have been enlarged and all three images are real WebPs.

Documented benchmarks

Three pieces of information specific to this work

These facts concern this precise version and are verified from the notice of the institution which keeps it.

Identification01

Inventory 03.2, Wildenstein 1854

The Fondation Beyeler dates this oil on canvas from 1916 -1919, indicates 200 × 180 cm and identifies it by inventory 03.2 as well as by number 1854 of the catalog raisonné.

Provenance02

From Michel Monet to the Beyeler collection

The notice traces the passage of Michel Monet's work to Wildenstein & Co., then to an American collection. It was acquired by the Beyeler collection in 2001 and has belonged to the foundation since 2003.

Late language03

The pool becomes an almost abstract space

Without banks or horizons, floating leaves serve as the only landmarks. Lilac and vertical reflections transform the observation of the Giverny garden into an autonomous organization of colors and gestures.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The exact version Inv. 03.2, Wildenstein 1854
  • The vertical ratio of 200 × 180 cm
  • The irregular diagonal of water lily leaves
  • Lilac reflections preserved under the yellow greens

Work sheet

Title Water lilies, Fondation Beyeler W1854
Artist Claude Monet (1840 -1926)
Date 1916 - 1919
Original technique Oil on canvas
Dimensions 200 × 180 cm
Orientation Vertical
Conservation Fondation Beyeler, Riehen/Basel, Switzerland
Inventory Inv. 03.2 · Wildenstein 1854
Your reproduction Handmade oil painting on canvas
Consult the official notice - Fondation Beyeler

Presentation in your interior

A palette designed with the room

Sage green, lilac, mist blue and powder pink give this reproduction a clear and meditative presence. Its almost square but slightly vertical format is suitable for an ivory, linen, gray green or very pale mauve wall.

Water lilies, Fondation Beyeler W1854, painted for your interior

An oil reproduction made individually, photo-controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
01 Le plus fidèle aux détails
Exemple chrétien : Crucifixion présentée en tirage Fine Art non encadré
Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
Exemple chrétien : Lavement des pieds présenté sur canvas avec cadre flottant doré
Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

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Claude Monet Claude Monet – Water Lilies Fondation Beyeler

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A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
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