Water Lilies, Marmottan Monet Museum W1852 - Claude Monet

Water Lilies, Marmottan Monet Museum W1852 - Claude Monet

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Water Lilies, Marmottan Monet Museum W1852 - Claude Monet

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Water Lilies, Marmottan Monet Museum W1852 - Claude Monet
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Water Lilies, Marmottan Monet Museum W1852 - Claude Monet

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Trois rendus pour une même œuvre

Claude Monet · 1916 -1919 · Marmottan Monet Museum · W1852

Water lilies, Marmottan Monet Museum W1852hand painted reproduction

Two willow curtains descend on lilac water, blue and pearly white. Between them, the floating leaves become rarer before regrouping in the foreground around pink flowers. In this canvas of almost two meters, Monet removes the bank and the horizon: the light, the branches and their reflections occupy the same unstable space.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Water Lilies, Marmottan Monet Museum W1852 - Claude Monet - full view
Water lilies, Marmottan Monet Museum W1852Claude Monet · 1916 -1919
1916 - 1919Dating
150 × 197 cmDimensions of the original
Oil on canvasOriginal technique
inv. 5164 · Wildenstein 1852Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

The willows frame water without a bank where the reflection becomes landscape

The composition is held together by the long dark green verticals placed near both edges. They do not describe complete trees: neither trunk, nor ground, nor branch start are visible. On the left, the marks are spaced apart and allow bluish grays to breathe; on the right, they tighten into a denser curtain which goes down almost to the bottom of the canvas.

In the center, cream and purple clouds appear to float in the water. A few light green leaves occupy the distance, then the water lilies grow towards the foreground. The pink flowers concentrate in the lower third and give scale to the surface. The transition from cold purple to deep blue under the leaves is enough to suggest the depth of the pool.

Monet no longer paints a garden panorama: he holds the real branches, their reflection, the clouds and the floating flowers in the same surface.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

Analysis of Water Lilies, Marmottan Monet Museum W1852 - Claude Monet
01

Two fallout from willow that closes the sides

Verticals should not become uniform lines. Their length, color and spacing are constantly changing, from almost black green to turquoise and purple.

02

A light center built with opaque colors

The cream, pale pink and blue-gray areas are not a void. They are made of superimposed touches which evoke clouds while remaining materially present on the canvas.

03

Water lilies enlarged towards the lower edge

The top leaves are small and isolated; the bottom ones overlap and bear stronger pink flowers. This progression replaces the traditional perspective.

Details and visual documents

Observe the material and the exact version

The additional images show the difficult-to-read passages in the full view and, where it exists, the actual appearance of the work at the museum.

The Water Lilies room of the Marmottan Monet Museum - detail of Water Lilies, Marmottan Monet Museum W1852 - Claude Monet
The Water Lilies room of the Marmottan Monet MuseumThe photograph taken in the museum shows the scale of the large late canvases, their airy hanging and the way their colors change with the distance of the visitor.
Pink flowers, clouds and willow fallout - detail of Water Lilies, Marmottan Monet Museum W1852 - Claude Monet
Pink flowers, clouds and willow falloutThe native detail brings together blue-green leaves, pink flowers and long dark marks. We see how the same touch can represent a branch, its reflection or a vibration of water.

The reference view measures 1,500 × 1,122 px. An actual photograph of the Monet Room provided a native crop of 1,800 × 1,300 px; the detail of 900 × 800 px comes directly from the digital original. No files have been artificially enlarged and all three media are true decodable WebPs.

Documented benchmarks

Three pieces of information specific to this work

These facts concern this precise version and are verified from the notice of the institution which keeps it.

Identification01

Marmottan 5164, Wildenstein 1852

The Marmottan Monet Museum dates this oil on canvas from 1916 -1919 and indicates a format of 150 × 197 cm. The work bears the stamp of the workshop at the bottom right and corresponds to number 1852 of the Wildenstein catalog raisonné.

Giverny Garden02

Four willows planted around the pond

The museum notice recalls that Monet had placed four weeping willows called "from Babylon" around his pond. In the late views, the trunk and the bank gradually disappear, until identification from a single point of view is impossible.

Collection03

The legacy of Michel Monet in 1966

Remaining in the Giverny studio collection after the painter's death, the painting entered the Marmottan Monet Museum thanks to the legacy of his son Michel in 1966, which constitutes the heart of Monet's first world collection of works.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The exact version of the Marmottan Monet Museum, inv. 5164 and W1852
  • The original panoramic ratio of 150 × 197 cm
  • The two willow curtains kept distinct and irregular
  • Lilac, cream and cold blue shades preserved around the pink flowers

Work sheet

Title Water lilies, Marmottan Monet Museum W1852
Artist Claude Monet (1840 -1926)
Date 1916 - 1919
Original technique Oil on canvas
Dimensions 150 × 197 cm
Orientation Panoramic horizontal
Conservation Marmottan Monet Museum, Paris, France
Inventory inv. 5164 · Wildenstein 1852
Your reproduction Handmade oil painting on canvas
Consult the official notice - Marmottan Monet Museum

Presentation in your interior

A palette designed with the room

Misty blue, lilac, deep green, soft pink and pearly white create a calm atmosphere without being pale. This panoramic reproduction is suitable for a wide wall, with light wood, linen, gray greens and soft side light that reveals cold layers.

Water Lilies, Marmottan Monet Museum W1852, painted for your interior

An oil reproduction made individually, photo-controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
01 Le plus fidèle aux détails
Exemple chrétien : Crucifixion présentée en tirage Fine Art non encadré
Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
Exemple chrétien : Lavement des pieds présenté sur canvas avec cadre flottant doré
Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

Themes of the work

Explore the topics and styles associated with this reproduction.

Classic Paintings for Decoration Claude Monet French painting – French artists

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Choose how your artwork comes to life

Compare paper prints, printed canvas, hand-painted oil and digital files. The physical examples illustrate each finish; your order uses the artwork selected above.

The same Last Supper artwork presented as an unframed Fine Art paper print
Unframed print

Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
Made to order
Printed to order, usually in 1 to 4 business days. Delivery time is additional.
Delivery
Carefully packed and shipped with tracking. Delivery time depends on the destination selected above.

Choose this option if you want to arrange your own framing.

These examples explain materials and presentation, not the artwork you are buying. Your order uses the artwork and options selected in the configurator. Colours can vary by screen; production and delivery times are estimates.

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