A panoramic format of more than two meters
The width of 201.3 cm gives the water lilies an enveloping presence. Their central band must retain its irregularities in order to avoid a simple continuous decorative pattern.
Canvas reproduction
The format automatically adapts to the original artwork.
Oil painting on rolled canvas, unframed. Custom size available on request.
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Artwork description
Claude Monet · circa 1916 · Museum Folkwang G 343 · W1883
A large sheet of water lilies floats in blue-purple water covered with long green touches. The format of more than two meters encompasses the gaze, without edge, without sky and without stable point of view. Painted around 1916, this canvas belongs to the moment when Monet transformed his water garden into a laboratory for the Great Decorations.

Look at the work
Water lilies form an irregular band that widens in the center then disperses towards the ends. The leaves mix green, ocher, red-brown and purple; light flowers appear in small touches. This horizontal structure maintains the surface in front of the viewer despite the depth of the reflections.
Under the leaves, the water is worked in superimposed blues, mauves and greens. Vertical gestures evoke willows and plants located off-camera, while more flexible movements blur their shapes. Monet does not paint a still mirror, but several layers of simultaneous perception.
On the scale of this canvas, the pool is no longer a garden view: it becomes an environment of color which prepares the immersion of the Great Decorations.
Composition, touch and light
Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.
The width of 201.3 cm gives the water lilies an enveloping presence. Their central band must retain its irregularities in order to avoid a simple continuous decorative pattern.
The Museum Folkwang links the work to the group of major studies begun in 1914. These paintings allowed Monet to explore the combinations of reflections and plants intended for his monumental decorations.
The leaves impose a horizontal rhythm, while the reflections fall vertically. Their crossing creates an unstable depth that reproduction must preserve without hardening the shapes.
Reference image
The single reference image measures 1024 × 666 px, the best public definition available for Museum Folkwang version G 343. It has been converted into a real WebP without artificial enlargement.
The groups tighten, separate then come together. The water intervals prevent the composition from closing and give the gaze several speeds.
The surface contains cobalt blue, mauve, dark green and almost black passages. These shades must remain readable so that the water does not become a uniform background.
The broad touches sometimes follow the movement of the leaves, sometimes that of the reflections. Even when the shapes dissolve, their orientation preserves the organization of the pool.
Documented benchmarks
These landmarks concern The Water Lilies Basin of the Museum Folkwang, inventory G 343 and Wildenstein 1883.
Painted around 1916, this oil on canvas measures 131.2 × 201.3 cm. It belongs to the vast set of late studies devoted to the Giverny basin.
The museum notice describes these large canvases as a veritable repertoire of patterns for decorative panels. Monet freely experiments with the distribution of plants and reflections.
The painting joined the collection of the Museum Folkwang in 1965. It is numbered G 343 and is one of Monet's great late works kept in Essen.
Your reproduction
Fidelity here depends on precise relationships between light, touch, depth and color temperature.
| Title | The Water Lilies Basin, Folkwang W1883 |
|---|---|
| Artist | Claude Monet (1840 -1926) |
| Date | around 1916 |
| Original technique | Oil on canvas |
| Dimensions | 131.2 × 201.3 cm |
| Orientation | Horizontal |
| Conservation | Museum Folkwang, Essen, Germany |
| Inventory | G 343 · Wildenstein 1883 |
| Your reproduction | Handmade oil painting on canvas |
Presentation in your interior
Cobalt blue, purple, deep green, ocher and light pink give this panoramic reproduction an enveloping presence. It requires a fairly wide wall in a living room or reception area, with a discreet frame and soft side light.
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