A rare format in the 1907 series
The museum links this work to a group of approximately fifteen vertical water lilies painted that year. The reproduction must maintain this slender ratio of 100 × 81 cm.
2 · Exemple de la sélection
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Préparation de la sélection…
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3 · Mise en situation
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Comprendre les formats
Claude Monet · 1907 · Kuboso Museum · W1713
In this vertical canvas from 1907, the pool appears to tilt in front of the viewer. Orange-yellow reflections descend from above, while dark leaves form an irregular chain in the lower half. The sky, trees and water are no longer separated by any horizon.

Look at the work
The upper part is the lightest. Lemon yellows, pinks and bluish grays mingle in long vertical traces. In the center, a warmer glow widens downward and gives the reflection an almost incandescent depth.
Water lily leaves appear mainly in the lower third. They are painted blue, black, green and purple, with some orange contours. Their discontinuous arrangement slows down the descent of the gaze and makes the surface of the water felt without drawing it.
The vertical format transforms the pool into luminous depth: the eye no longer looks at a landscape in the distance, it descends in its reflections.
Composition, touch and light
Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

The museum links this work to a group of approximately fifteen vertical water lilies painted that year. The reproduction must maintain this slender ratio of 100 × 81 cm.
Yellow and orange go through grays, mauves and blues. Saturating the light area too much would cause it to lose its diffuse character; whitening it too much would erase its heat.
Dark water lilies serve as foreground landmarks. Their edges remain fragmented and their spacing irregular, which avoids closing the depth of the reflections.
Details and visual documents
The additional images show the difficult-to-read passages in the full view and, where it exists, the actual appearance of the work at the museum.


The full view measures 1319 × 1628 px and the two native details 1100 × 800 px. No files have been enlarged; all three images are true high definition WebPs.
Documented benchmarks
These facts concern this precise version and are verified from the notice of the institution which keeps it.
The Kuboso Memorial Museum of Arts lists an oil on canvas measuring 100 × 81 cm. This version corresponds to number 1713 of Daniel Wildenstein's catalog raisonné.
The museum notice specifies that Monet created in 1907 a group of around fifteen Water Lilies adopting this vertical framing, unusual within the series.
Monet purchased his property in Giverny in 1890 then enlarged the basin in 1901 -1902. The museum places this painting in the vast collection of around two hundred paintings devoted to the basin.
Your reproduction
Fidelity here depends on precise relationships between light, touch, depth and color temperature.
| Title | Water lilies, Kuboso W1713 |
|---|---|
| Artist | Claude Monet (1840 -1926) |
| Date | 1907 |
| Original technique | Oil on canvas |
| Dimensions | 100 × 81 cm |
| Orientation | Vertical |
| Conservation | Kuboso Memorial Museum of Arts, Izumi, Japan |
| Inventory | Wildenstein 1713 |
| Your reproduction | Handmade oil painting on canvas |
Presentation in your interior
Golden yellow, smoky mauve, midnight blue and pinkish gray make up a palette that is both warm and meditative. This vertical format is suitable for a narrow section of wall, a bookcase or a reading space.
Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.
Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.
Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.
Explore the topics and styles associated with this reproduction.
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A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.
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A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.
A slim, traditional frame that keeps attention on the artwork.
A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.
Choose a Box frame for a deeper profile and a more pronounced presence on the wall.
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Your artwork printed on 400 gsm artist canvas. The woven texture adds depth, with a choice of rolled, stretched or floating-frame presentation. This is a print, not an oil painting.
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An artist recreates your chosen artwork by hand in oil paint on canvas. Brushwork and small variations make each reproduction individual; it is not a digital print.
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An artist recreates your chosen artwork by hand in oil paint on canvas. Brushwork and small variations make each reproduction individual; it is not a digital print.
Choose your own local framer to prepare the finished painting for display.
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