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The Water Lilies W1658 - Claude Monet

The Water Lilies W1658 - Claude Monet

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The Water Lilies W1658 - Claude Monet

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The Water Lilies W1658 - Claude Monet
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The Water Lilies W1658 - Claude Monet

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Claude Monet · 1903 · Artizon Museum · W1658

Water Lilies W1658hand painted reproduction

Turquoise blue water covers the entire field, crossed by green reflections and leaves with purple contours. A few white and pink flowers are enough to direct the eye. This 1903 painting kept by the Ishibashi Foundation at the Artizon Museum corresponds to Wildenstein 1658.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Les Nymphéas W1658 - Claude Monet - full view
Water Lilies W1658Claude Monet · 1903
1903Dating
81.5 × 100.5 cmDimensions of the original
Oil on canvasOriginal technique
Artizon Museum · Wildenstein 1658Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

A turquoise surface shared between floating leaves and vertical reflections

Water lilies are concentrated mainly on the right and in the lower half, leaving a wide opening of clear water on the left. This asymmetry avoids any regular decorative motif and gives the impression of a fragment taken from a much larger pool.

Green vertical touches suggest reflected trees, while leaves are laid in large horizontal ovals. Pink and white flowers introduce rare hot spots into a whole dominated by blue and green.

In W1658, water is not a bottom: it brings together the sky, reflected plants and floating plants on the same moving plane.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

The Artizon Museum version

The institution documents an oil on canvas from 1903 measuring 81.5 × 100.5 cm. The catalog raisonné identifies it under the number Wildenstein 1658.

02

After water garden expansion

Monet enlarged his pond in 1901 and 1902. He was then able to eliminate the bridge and bank to paint only the surface, its plants and the reflections changing according to the light.

03

To the Water Landscapes exhibition

This research leads to the set of forty-eight Water Lilies presented by Durand-Ruel in 1909. The paintings function as successive fragments of the same continuous space.

Reference image

Read this specific version

Only one image is used: the exact view of W1658 from the Artizon Museum, preserved as a real WebP of 2,200 × 1,646 px without artificial enlargement.

Composition01

A deliberately asymmetrical composition

The large light area on the left balances the accumulated leaves on the right. We must preserve this relative emptiness, essential to the breathing of the painting.

Color02

Turquoise, willow green and purple

The blues of the water remain luminous, while the vertical greens deepen the reflections. The purple borders around the leaves prevent the shapes from blending together.

Matter03

Two key directions

The reflections descend in vertical lines; the leaves spread horizontally. Reproduction must maintain this opposition, which makes the surface of the water perceptible.

Documented benchmarks

Three pieces of information specific to this work

The Artizon Museum preserves this 1903 painting measuring 81.5 × 100.5 cm; it corresponds to Wildenstein number 1658.

Identification01

The Water Lilies, Wildenstein 1658

The horizontal format, turquoise water and precise distribution of flowers identify this version among Monet's many water landscapes.

Collection02

Artizon Museum, Ishibashi Foundation

The painting belongs to the collection of the Ishibashi Foundation in Tokyo, formerly presented at the Bridgestone Museum of Art before the opening of the Artizon Museum.

Pattern03

The basin developed in Giverny

Monet paints here a nature that he himself organized. However, it erases any garden landmarks to transform water, flowers and reflections into an autonomous space.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The exact version of the Artizon Museum, Wildenstein 1658
  • The original horizontal format of 81.5 × 100.5 cm
  • The large turquoise opening left on the left
  • Vertical green reflections facing horizontal leaves

Work sheet

Title Water Lilies W1658
Artist Claude Monet (1840 -1926)
Date 1903
Original technique Oil on canvas
Dimensions 81.5 × 100.5 cm
Orientation Horizontal
Conservation Artizon Museum, Ishibashi Foundation, Tokyo, Japan
Inventory Artizon Museum · Wildenstein 1658
Your reproduction Handmade oil painting on canvas
Consult the official notice - Artizon Museum

Presentation in your interior

A palette designed with the room

This aquatic composition brings fresh light to a living room, bedroom or reading space. Blonde oak, off-white, gray blue and small powder pink accents naturally accompany its palette.

Water Lilies W1658, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
01 Le plus fidèle aux détails
Exemple chrétien : Crucifixion présentée en tirage Fine Art non encadré
Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
Exemple chrétien : Lavement des pieds présenté sur canvas avec cadre flottant doré
Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

Thèmes de l’œuvre

Explorez les sujets et styles associés à cette reproduction.

Artizon Museum Claude Monet French painting – French artists

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Choose how your artwork comes to life

Compare paper prints, printed canvas, hand-painted oil and digital files. The physical examples illustrate each finish; your order uses the artwork selected above.

The same Last Supper artwork presented as an unframed Fine Art paper print
Unframed print

Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
Made to order
Printed to order, usually in 1 to 4 business days. Delivery time is additional.
Delivery
Carefully packed and shipped with tracking. Delivery time depends on the destination selected above.

Choose this option if you want to arrange your own framing.

These examples explain materials and presentation, not the artwork you are buying. Your order uses the artwork and options selected in the configurator. Colours can vary by screen; production and delivery times are estimates.

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Voir tous les tableaux de Claude Monet