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Water lilies W1796 - Claude Monet

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Water lilies W1796 - Claude Monet

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Water lilies W1796 - Claude Monet

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Water lilies W1796 - Claude Monet

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Claude Monet · circa 1915 · Neue Pinakothek 14562 · W1796

Water lilies W1796hand painted reproduction

On deep blue water, three pink flowers and a single white water lily emerge between large green leaves. The luminous reflections of a weeping willow descend from above without the tree itself being visible. At this scale, Monet no longer represents a simple pool: he envelops the eye in a field of color.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Water lilies W1796 - Claude Monet - full view
Water lilies W1796Claude Monet · Around 1915
Around 1915Dating
151.4 × 201 cmDimensions of the original
Oil on canvasOriginal technique
14562 · Wildenstein 1796Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

Three pink flowers, one white flower and the reflections of an off-camera willow

Water lilies mainly occupy the right half and the lower part. On the left, a large blue area lets the water breathe and welcomes the small white flower. The leaves overlap upwards, where their outline dissolves into the long green touches of the reflected willow.

Depth arises from a paradox: flowers and leaves assert the surface, while vertical reflections open up a space behind them. Monet renounces the shore and the horizon. The viewer can read the canvas as a landscape of water or as an almost abstract composition of blue, green and pink.

W1796 transforms the pool into a pictorial environment: the surface seems close, but the reflections open up limitless depth.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

A large format approaching monumental decorations

With its 151.4 × 201 cm, the canvas goes far beyond the water landscapes of 1903 -1908. Monet enlarges the motif and reduces the spatial landmarks, preparing the immersive research which will culminate in the large panels of the Orangery.

02

The willow is present only by its reflection

The Pinakothek notice describes the hanging branches of a willow located outside the frame. Their green reflection crosses the blue surface and connects what we see in the water with what exists beyond the painting.

03

A precise work by Neue Pinakothek

The painting belongs to the Bayerische Staatsgemäldesammlungen and has inventory number 14562. Acquired on the art market in 1978, it is cataloged by Wildenstein under number 1796.

Reference image

Read this specific version

Only one reference image is displayed. The file corresponding to the Munich version is kept as a real WebP of 2,200 × 1,646 px, without artificial enlargement.

Composition01

A deep blue breath on the left

The less charged space around the white water lily balances the denser groups of leaves. It must remain deep and modulated, without becoming a uniform flat surface.

Color02

Petrol blue, willow green, turquoise and pink

The blues change from cyan to purple. The greens vary from dark to yellow. The four flowers, few in number, thus gain a particular intensity.

Matter03

A loose touch suitable for large formats

The leaves are constructed by broad, superimposed gestures; the reflections extend vertically. Reproduction must maintain this scale of gesture to avoid too careful rendering.

Documented benchmarks

Three pieces of information specific to this work

The official notice of the Bayerische Staatsgemäldesammlungen documents this version under inventory 14562; the Wildenstein catalog gives it the number 1796.

Identification01

Neue Pinakothek 14562, W1796

This oil on canvas is dated around 1915 and measures 151.4 × 201 cm. It belongs to the group of large Water Lilies painted by Monet from 1914.

Collection02

Bayerische Staatsgemäldesammlungen

The work is kept in Munich in the collections of the Neue Pinakothek. It was acquired on the art market in 1978.

Pattern03

The weeping willow out of the frame

The museum notice identifies long green marks like reflections of willow branches. This indirect presence allows Monet to evoke the entire garden without showing either trunk, bank or sky.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The Munich version, inventory 14562 and Wildenstein 1796
  • The original large format of 151.4 × 201 cm
  • The three pink flowers and the single white flower held as anchor points
  • Willow reflections painted in vertical gestures on deep blue water

Work sheet

Title Water lilies W1796
Artist Claude Monet (1840 -1926)
Date Around 1915
Original technique Oil on canvas
Dimensions 151.4 × 201 cm
Orientation Horizontal
Conservation Neue Pinakothek, Munich, Germany
Inventory 14562 · Wildenstein 1796
Your reproduction Handmade oil painting on canvas
Consult the official notice - Bayerische Staatsgemäldesammlungen

Presentation in your interior

A palette designed with the room

Petrol blue, willow green, turquoise and pink give this reproduction a strong contemplative presence. It is essential in a living room, an office or a large bedroom with light walls, walnut and a sober setting.

Water lilies W1796, painted for your interior

An oil reproduction made individually, photo-controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
01 Le plus fidèle aux détails
Exemple chrétien : Crucifixion présentée en tirage Fine Art non encadré
Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
Exemple chrétien : Lavement des pieds présenté sur canvas avec cadre flottant doré
Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

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The same Last Supper artwork presented as an unframed Fine Art paper print
Unframed print

Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
Made to order
Printed to order, usually in 1 to 4 business days. Delivery time is additional.
Delivery
Carefully packed and shipped with tracking. Delivery time depends on the destination selected above.

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These examples explain materials and presentation, not the artwork you are buying. Your order uses the artwork and options selected in the configurator. Colours can vary by screen; production and delivery times are estimates.

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