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Water lilies W1713 - Claude Monet

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Water lilies W1713 - Claude Monet

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Water lilies W1713 - Claude Monet

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Water lilies W1713 - Claude Monet

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Claude Monet · 1907 · Kuboso Museum · W1713

Water lilies W1713hand painted reproduction

A column of yellow and pink light descends into the middle of the pool, between almost nocturnal purple reflections. The water lilies tighten at the top then return in small groups to the foreground. This vertical version from 1907 transforms the Giverny pond into a space without a bank where the water receives the sky, the trees and the sun.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Water lilies W1713 - Claude Monet - full view
Water lilies W1713Claude Monet · 1907
1907Dating
100 × 81 cmDimensions of the original
Oil on canvasOriginal technique
Wildenstein 1713Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

A gap of gold and rose at the heart of the purple reflections of Giverny

The light strip is not rigidly centered: it widens as it descends and bypasses several groups of leaves. The edges remain darker, loaded with brown, purple and blue. This contrast draws the eye towards the depth while reminding us that the entire scene is played out on the surface of the pool.

The upper water lilies appear as light touches taken in the reflections. In the foreground, the leaves become wider and darker. The signature and date "Claude Monet 1907" are at the bottom right, in an area where orange and mauve meet.

W1713 does not paint a sunset above the garden: it paints its light spilled into the water.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

A vertical framing dedicated to the mirror of water

Monet removes the shore and direct sky. The vertical format prolongs reflections and gives the light a downward trajectory. The horizontal leaves interrupt this flow and make the surface of the pool perceptible.

02

The contrast between warm light and cold depth

Yellow, peach and pink form the brightest area. Around, purples, blues and browns maintain the density of the reflection of the trees. Reproduction must preserve the transitions between these two families rather than separating them into flat areas.

03

A version documented in Japanese collections

The Kuboso Museum in Izumi preserves this Water Lilies from 1907, presented in the exhibitions dedicated to Western paintings in its collection. The Wildenstein catalog identifies it under number 1713.

Reference image

Read this specific version

Only one reference image is displayed. The file documenting the Kuboso version measures 1,319 × 1,628 px and has been preserved as a real WebP, without artificial enlargement.

Composition01

A central light that unfolds in depth

The clear gap starts from a narrow passage at the top then reaches almost the entire width in the lower half. The dark lateral masses frame it without forming a regular edge.

Color02

Pale gold, peach, purple, indigo and brown

Warm colors appear in mixed layers, never as pure yellow. Cold areas retain red and green touches that avoid a uniform purple.

Matter03

Horizontal leaves and vertical reflections

Water lilies require thicker side touches. The reflections are constructed by descending and flexible marks. Their crossing gives the painting its spatial tension.

Documented benchmarks

Three pieces of information specific to this work

The Kuboso Memorial Museum of Arts retains this 1907 version; it corresponds to Wildenstein number 1713.

Identification01

Kuboso, Wildenstein 1713

This oil on canvas from 1907 measures 100 × 81 cm. Its vertical format and dated signature at the bottom right distinguish it from the many other versions of the cycle.

Collection02

Kuboso Memorial Museum of Arts

The painting belongs to the Izumi Municipal Museum, Japan. It is among the major Western works in this collection, especially renowned for its Japanese and East Asian arts.

Series03

The basin without shore or horizon

Between 1903 and 1908, Monet gradually concentrated his water landscapes on the only mirror in the pool. Flowers, reflections and light are now enough to build the entire space.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The Kuboso version from 1907, Wildenstein 1713
  • The original vertical proportions of 100 × 81 cm
  • The yellow and pink gap preserved with all its nuances
  • Blue-purple leaves separated from reflections by denser material

Work sheet

Title Water lilies W1713
Artist Claude Monet (1840 -1926)
Date 1907
Original technique Oil on canvas
Dimensions 100 × 81 cm
Orientation Vertical
Conservation Kuboso Memorial Museum of Arts, Izumi, Japan
Inventory Wildenstein 1713
Your reproduction Handmade oil painting on canvas
Consult the official notice - Kuboso Memorial Museum of Arts

Presentation in your interior

A palette designed with the room

Pale gold, peach, purple and deep blue give this reproduction an enveloping atmosphere. It works especially well in a bedroom, library or living room with walnut, dark velvet and warm light.

Water lilies W1713, painted for your interior

An oil reproduction made individually, photo-controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
01 Le plus fidèle aux détails
Exemple chrétien : Crucifixion présentée en tirage Fine Art non encadré
Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
Exemple chrétien : Lavement des pieds présenté sur canvas avec cadre flottant doré
Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

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The same Last Supper artwork presented as an unframed Fine Art paper print
Unframed print

Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
Made to order
Printed to order, usually in 1 to 4 business days. Delivery time is additional.
Delivery
Carefully packed and shipped with tracking. Delivery time depends on the destination selected above.

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These examples explain materials and presentation, not the artwork you are buying. Your order uses the artwork and options selected in the configurator. Colours can vary by screen; production and delivery times are estimates.

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