Three panels connected by color
The blues and water lily lines visually cross the junctions. Continuity must remain natural without transforming the whole into a perfectly uniform band.
Canvas reproduction
The format automatically adapts to the original artwork.
Oil painting on rolled canvas, unframed. Custom size available on request.
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Artwork description
Claude Monet · 1914 -1926 · Orangery · INV 20101
A milky blue light spreads over the pool among countless water lilies. Three panels form an expanse of twelve and seventy-five meters where plants, reflections and water follow one another without shore or horizon.

Look at the work
Groups of water lilies are more numerous near the ends and the lower part. In the center, more open blue-purple passages give the water a calm depth. The green tufts that descend from the top introduce vertical rhythms.
Monet constantly varies the density of the material. Some leaves are legible ovals, others dissolve in long blue, pink and green touches. This alternation allows the gaze to circulate between the nearby surface and the deeper reflections.
Morning does not represent an hour by a visible sky: morning mildness is entirely contained in the water temperature and key spacing.
Composition, touch and light
Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

The blues and water lily lines visually cross the junctions. Continuity must remain natural without transforming the whole into a perfectly uniform band.
Water lilies are numerous but never distributed as a motif. Areas of open water give rhythm to plant masses.
Whites, pale blues and pinks float in denser greens and purples. Preserving these gaps avoids rendering that is too light and without depth.
Details and visual documents
The additional images show the difficult-to-read passages in the full view and, where it exists, the actual appearance of the work at the museum.


The Google Art Project scan measures 8,902 × 1,402 px and the detail 3,600 × 1,402 px. The official photograph of the room measures 850 × 286 px. No files have been enlarged; all three images are real WebPs.
Documented benchmarks
These facts concern this precise version and are verified from the notice of the institution which keeps it.
Created between 1914 and 1926, Matin brings together three oil panels on canvas, joined together and mounted on the wall. The whole measures 200 × 1,275 cm.
The museum presents this composition in the first oval room. It participates in the continuum of time and space imagined by Monet to envelop the viewer.
Matin is part of the donation approved in 1922. The panels have been installed according to Monet's project and accessible to the public at the Orangerie since 1927.
Your reproduction
Fidelity here depends on precise relationships between light, touch, depth and color temperature.
| Title | Morning, The Water Lilies |
|---|---|
| Artist | Claude Monet (1840 -1926) |
| Date | 1914 - 1926 |
| Original technique | Oil on canvas |
| Dimensions | 200 × 1,275 cm in total |
| Orientation | Three monumental panoramic panels |
| Conservation | Musée de l'Orangerie, Paris, France |
| Inventory | INV 20101 |
| Your reproduction | Handmade oil painting on canvas |
Presentation in your interior
Purple blue, deep green, pinkish white and turquoise give this reproduction a fresh and contemplative atmosphere. Its panoramic format is suitable for a large off-white, pearl gray, midnight blue or sage green wall.
Custom order
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