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Tree reflections, Water Lilies - Claude Monet

Tree reflections, Water Lilies - Claude Monet

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Tree reflections, Water Lilies - Claude Monet

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Tree reflections, Water Lilies - Claude Monet
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Tree reflections, Water Lilies - Claude Monet

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Claude Monet · 1914 -1926 · Orangery · INV 20107

Tree reflections, Water Lilieshand painted reproduction

For eight and a half meters, the willow branches descend into blue-green, purple and almost black water. A few white and pink water lilies float between the reflections, without bank or horizon, in a space that envelops the gaze.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Tree reflections, Les Nymphéas - Claude Monet - full view
Tree reflections, Water LiliesClaude Monet · 1914 -1926
1914 - 1926Dating
200 × 850 cm in totalDimensions of the original
Oil on canvasOriginal technique
INV 20107Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

Two monumental panels where trees only exist through their reflections

The whole brings together two contiguous panels of 200 × 425 cm. Long vertical trails, particularly dense in the center, evoke the willows which border the pool. They meet the more horizontal gestures of the surface and the rounded shapes of the leaves.

Flowers are rare: a few whites, pinks and yellows punctuate a range dominated by blue, green and purple. Without sky or earth line, the gaze hesitates between the depth of the reflected trees and the proximity of the water lilies placed on the water.

Tree reflections transform the pool into mental space: we simultaneously see what floats on the surface and what is reflected in its depth.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

Analysis of Tree Reflections, Water Lilies - Claude Monet
01

Two panels unified by the verticals

The dark descents visually cross the central junction and give continuity to the decor. The diptych structure remains noticeable without cutting off the body of water.

02

A depth created without horizon

The reflections suggest a space below the surface, while the leaves bring the eye to the foreground. Preserving this ambiguity is more important than detailing each water lily.

03

Rare flowers in a dark range

Pink and white accents should remain spaced apart. Multiplying them or making them too bright would lose the gravity and breathability of this version.

Details and visual documents

Observe the material and the exact version

The additional images show the difficult-to-read passages in the full view and, where it exists, the actual appearance of the work at the museum.

The left panel and the blue-purple reflections - detail of Reflets d'arbres, Les Nymphéas - Claude Monet
The left panel and the blue-purple reflectionsThis half shows the long descents of the branches, the dark areas and the small light leaves. The material must keep its changes of direction.
The right panel and the pink flowers - detail of Reflets d'arbres, Les Nymphéas - Claude Monet
The right panel and the pink flowersThe floral accents are spaced out on water crossed by greens and blues. Their discretion retains the monumental scale of the decor.

The exact panoramic view measures 3000 × 684 px. The two details of 1500 × 684 px correspond directly to the left and right halves of the set. No files have been enlarged; all three images are real WebPs.

Documented benchmarks

Three pieces of information specific to this work

These facts concern this precise version and are verified from the notice of the institution which keeps it.

Identification01

The INV 20107 inventory of the Musée de l'Orangerie

The whole, painted between 1914 and 1926, measures approximately 200 × 850 cm. It is made up of two panels of 200 × 425 cm mounted on the west wall of the second Water Lilies room.

Donation02

The great decor offered to the State in 1922

Monet proposes the Water Lilies as a monument to peace. The donation was formalized in 1922 and the installation desired for the Orangery opened to the public in 1927, a few months after the painter's death.

Composition03

Willows seen only in the mirror of water

The official notice describes branches reflected in dark green, blue and purple, accompanied by few water lilies. No horizon separates the garden from its image.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The exact INV 20107 set from the Orangery
  • The monumental ratio of 200 × 850 cm
  • Continuity between the two panels
  • Rare flowers in front of the vertical reflections of willows

Work sheet

Title Tree reflections, Water Lilies
Artist Claude Monet (1840 -1926)
Date 1914 - 1926
Original technique Oil on canvas
Dimensions 200 × 850 cm in total
Orientation Monumental panoramic diptych
Conservation Musée de l'Orangerie, Paris, France
Inventory INV 20107
Your reproduction Handmade oil painting on canvas
Consult the official notice - Musée de l'Orangerie

Presentation in your interior

A palette designed with the room

This panoramic composition brings calm depth to a large wall. Blue greens, purples and pale pink accents match off-white, stone, deep green or midnight blue interiors, with soft, side-sensitive light.

Tree reflections, Water Lilies, painted for your interior

An oil reproduction made individually, photo-controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
01 Le plus fidèle aux détails
Exemple chrétien : Crucifixion présentée en tirage Fine Art non encadré
Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
Exemple chrétien : Lavement des pieds présenté sur canvas avec cadre flottant doré
Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

Thèmes de l’œuvre

Explorez les sujets et styles associés à cette reproduction.

Classic Paintings for Decoration Claude Monet Claude Monet – Water Lilies

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The same Last Supper artwork presented as an unframed Fine Art paper print
Unframed print

Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
Made to order
Printed to order, usually in 1 to 4 business days. Delivery time is additional.
Delivery
Carefully packed and shipped with tracking. Delivery time depends on the destination selected above.

Choose this option if you want to arrange your own framing.

These examples explain materials and presentation, not the artwork you are buying. Your order uses the artwork and options selected in the configurator. Colours can vary by screen; production and delivery times are estimates.

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