Le Déjeuner, decorative panel W285 - Claude Monet

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Le Déjeuner, decorative panel W285 - Claude Monet

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Le Déjeuner, decorative panel W285 - Claude Monet

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Le Déjeuner, decorative panel W285 - Claude Monet

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Claude Monet · The table after the meal in the Argenteuil garden · Musée d'Orsay

Le Déjeuner, decorative panel W285hand painted reproduction

A table still covered with dishes and fruit occupies the garden after the meal. On the left, little Jean Monet plays in the shadows; further on, a woman stands near the flowers. Monet uses the very large format of a decorative panel to bring together nearby objects, foliage, characters and discontinuous light in a family scene which seems captured without preparation.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Le Déjeuner, decorative panel W285 - Claude Monet - full view
Le Déjeuner, decorative panel W285Claude Monet · around 1873
around 1873Dating
160 × 201 cmDimensions of the original
Oil on canvasOriginal technique
RF 2774 · Wildenstein 285Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

The abandoned table tells the story of the meal while the garden continues its life

The white tablecloth forms the large luminous mass of the foreground. Plates, glasses, carafe, bread and fruit are placed there without symmetry. A wicker trolley, cut by the lower edge, advances towards the viewer and reinforces the impression of immediate framing.

On the left, Jean Monet sits near the table and plays with small wooden boards. A hat hangs from a branch; a bag and an umbrella rest on the dark bench. In the background on the right, a woman in a light dress appears in front of the vegetation. These scattered presences make you feel the before and after of the meal without imposing a central action.

The guests have left the table, but the objects, shadows and quiet gestures further prolong lunch.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

A large format organized by nearby objects

The canvas measures more than two meters wide. Rather than constructing a ceremonial scene, Monet places the trolley and table very close to the edge, then lets the figures shrink into the depth of the garden.

02

Shadow never turns off color

Under the foliage, the greens darken but remain crossed by blue, yellow and red. The tablecloth receives purple and blue gray shadows which shape its folds without removing its luminosity.

03

Verticals hidden in the vegetation

The uprights of the house, the branches, the feminine silhouette and the objects placed on the table stabilize a very abundant composition. They prevent the multitude of touches of flowers and leaves from becoming decorative or confusing.

Reference image

Read this specific version

The image corresponds to the RF 2774 inventory of the Musée d'Orsay and the Wildenstein number 285. The available file of 1,296 × 1,024 px was kept at its native definition then encoded in WebP, without enlargement.

Composition01

The tablecloth is a mosaic of light

Its whites change from cream to blue gray and purple. The folds should follow the weight of objects and the fall of the fabric rather than becoming a uniform abstract pattern.

Color02

Jean remains a discreet figure

The child is almost absorbed in the shade of the garden. His hat, blouse and gestures must be legible nearby, without competing with the large light table.

Matter03

The foliage filters the light

The leaves do not form a continuous green ceiling. Yellow, light gaps run through the branches, flowers and ground, creating the alternation of cool shade and sun that enlivens the entire scene.

Documented benchmarks

Three pieces of information specific to this work

Painted around 1873, this oil on canvas measuring 160 × 201 cm is signed Claude Monet at the bottom right. It is kept at the Musée d'Orsay under the inventory RF 2774 and listed Wildenstein 285.

Exposure01

Presented as a decorative panel in 1876

Monet exhibited the painting at the second impressionist exhibition, under number 162. This designation underlines its exceptional format, at a period when the artist had largely abandoned the very large paintings of his beginnings.

Collection02

Gustave Caillebotte buys it directly from Monet

The Musée d'Orsay documents the acquisition of March 10, 1878 for 600 francs. The work then entered the national collections thanks to the Caillebotte legacy accepted by the State in 1896.

Course03

From Luxembourg to the Musée d'Orsay

After the Luxembourg Museum, the Louvre and the Jeu de Paume gallery, Le Déjeuner was assigned to the Musée d'Orsay in 1986. Today it bears the inventory RF 2774.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • Maintain depth between trolley, table, child and bottom figure.
  • Color the whites of the tablecloth and dishes.
  • Maintain the freshness of shadows under the foliage.
  • Distribute flowers and fruits without decorative regularity.

Work sheet

Title Le Déjeuner, decorative panel W285
Artist Claude Monet (1840 -1926)
Date around 1873
Original technique Oil on canvas
Dimensions 160 × 201 cm
Orientation Horizontal
Conservation Musée d'Orsay, Paris, France
Inventory RF 2774 · Wildenstein 285
Your reproduction Handmade oil painting on canvas
Consult the reference notice - Musée d'Orsay - RF 2774

Presentation in your interior

A palette designed with the room

This large family landscape is suitable for a generous dining room or living room wall. A natural oak, deep green or patinated gold frame accompanies the foliage; soft side light reveals the whites of the table without crushing the shadow details.

Le Déjeuner, decorative panel W285, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
01 Le plus fidèle aux détails
Exemple chrétien : Crucifixion présentée en tirage Fine Art non encadré
Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
Exemple chrétien : Lavement des pieds présenté sur canvas avec cadre flottant doré
Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

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Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
Made to order
Printed to order, usually in 1 to 4 business days. Delivery time is additional.
Delivery
Carefully packed and shipped with tracking. Delivery time depends on the destination selected above.

Choose this option if you want to arrange your own framing.

These examples explain materials and presentation, not the artwork you are buying. Your order uses the artwork and options selected in the configurator. Colours can vary by screen; production and delivery times are estimates.

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