Parliament, the seagulls W1612 - Claude Monet

Parliament, the seagulls W1612 - Claude Monet

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Parliament, the seagulls W1612 - Claude Monet

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Parliament, the seagulls W1612 - Claude Monet
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Parliament, the seagulls W1612 - Claude Monet

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Claude Monet · 1903 · Princeton · W1612

Parliament, the seagulls W1612hand painted reproduction

A flock of seagulls passes through a pink and purple fog where the Parliament of London appears almost immaterial. Signed and dated "Claude Monet 1903" lower right, this oil on canvas measuring 81 × 92 cm is kept at the Princeton University Art Museum under number y1979-54.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Parliament, the seagulls W1612 - Claude Monet - full view
Parliament, the seagulls W1612Claude Monet · 1903
1903Dating
81 × 92 cmDimensions of the original
Oil on canvasOriginal technique
y1979-54 · Wildenstein 1612Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

Parliament becomes an apparition crossed by seagulls

Monet places the Victoria Tower slightly to the right of the center, but refuses to harden its contours. The building descends into the Thames in the form of a large blue-purple mass; in front of him, the birds describe diagonals which animate the sky, the river and the very surface of the canvas.

The palette unites powder pink, pearl gray, lilac and cold blue. The nearest seagulls are indicated by a few dark or white touches, while the more distant ones blend into the vapor. This difference in scale gives depth to a scene with almost no horizon line.

W1612 not only describes London fog: birds measure its thickness and make visible the space that separates the viewer from Parliament.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

The Wildenstein 1612 version

The Princeton catalog raisonné and notice identify this composition as W1612. The numerous seagulls, the tower placed on the right and the very pale accord of pink and blue distinguish it from Monet's other Parliaments.

02

A painting signed in 1903

Monet began his views of the Thames during his stays in London from 1899 to 1901, then resumed them at Giverny. The signature and date visible at the bottom right here mark the completion of the painting in 1903.

03

One of the nineteen views of Parliament

Princeton places the work among the nineteen paintings dedicated to Parliament. Monet presented thirty-seven London views at Durand-Ruel in 1904, before selling this painting to the merchant in 1905.

Reference image

Read this specific version

Only one image is used: the official Princeton scan, prepared as a true high definition WebP of 3,000 × 2,653 px from the IIIF source of 4,543 × 4,017 px.

Composition01

A sharp tower only by contrast

The tower should not be redesigned as an architectural silhouette. Its presence comes from the colder blue placed against the pink mist, with edges that remain permeable to the atmosphere.

Color02

Seagulls spread over the entire height

Birds do not form a regular frieze: some cut the sky, others level the water. Their size and value must vary to maintain the depth of the scene.

Matter03

An opalescent material

The light layers overlap without becoming uniform. A faithful reproduction keeps the canvas passages, the purple covers and the white touches which make the fog vibrate.

Documented benchmarks

Three pieces of information specific to this work

The Princeton notice documents an oil on canvas from 1903, 81 × 92 cm, signed and dated lower right, inventory y1979-54 and catalog Wildenstein 1612.

Collection01

Princeton University Art Museum, y1979-54

The work entered the museum in 1979 through the bequest of Aileen Osborn Vanderbilt Webb, after having belonged in particular to the Havemeyers and William Church Osborn.

Series02

Nineteen views of Parliament

Monet paints the motif from Saint Thomas' Hospital, on the opposite bank, to observe how fog, time and light transform the same facade.

Signature03

"Claude Monet 1903" bottom right

The date corresponds to the long workshop work which followed the London sessions and preceded the presentation of the series at Durand-Ruel in 1904.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The exact version Princeton y1979-54 and Wildenstein 1612
  • The original format of 81 × 92 cm
  • The blue-purple tower without rigid architectural outline
  • The irregular distribution of seagulls in the fog

Work sheet

Title Parliament, the seagulls W1612
Artist Claude Monet (1840 -1926)
Date 1903
Original technique Oil on canvas
Dimensions 81 × 92 cm
Orientation Horizontal, almost square
Conservation Princeton University Art Museum, Princeton, United States
Inventory y1979-54 · Wildenstein 1612
Your reproduction Handmade oil painting on canvas
Consult the official notice - Princeton University Art Museum

Presentation in your interior

A palette designed with the room

Its ash roses, lilacs and bluish grays bring calm light to a living room, bedroom or reading space. Light oak, ecru linen and some slate blue accents extend its softness without erasing birds.

Parliament, the seagulls W1612, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
01 Le plus fidèle aux détails
Exemple chrétien : Crucifixion présentée en tirage Fine Art non encadré
Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
Exemple chrétien : Lavement des pieds présenté sur canvas avec cadre flottant doré
Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

Themes of the work

Explore the topics and styles associated with this reproduction.

Bird paintings Bird paintings Claude Monet

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Compare paper prints, printed canvas, hand-painted oil and digital files. The physical examples illustrate each finish; your order uses the artwork selected above.

The same Last Supper artwork presented as an unframed Fine Art paper print
Unframed print

Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
Made to order
Printed to order, usually in 1 to 4 business days. Delivery time is additional.
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