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Promenade sur la falaise, Pourville W758 par Claude Monet, Art Institute of Chicago

Walk on the cliff, Pourville W758 - Claude Monet

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Calculated format 50 x 50 cm
Current offer $299.00 USD Workshop price $598.00 USD
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Oil painting on rolled canvas, unframed. Custom size available on request.

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Artwork description

Reproduction details

Claude Monet · Pourville · 1882 · W758

Walk on the cliff, Pourville W758hand painted reproduction

Two young women stand on the edge of a grass-covered cliff, their dresses and parasols caught in the same wind as the sea and vegetation. Signed and dated Claude Monet 82 lower right, this oil on canvas measuring 66.5 × 82.3 cm is kept at the Art Institute of Chicago under number 1933.443 and corresponds to Wildenstein 758.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Cliff walk, Pourville W758 - Claude Monet - full view
Walk on the cliff, Pourville W758Claude Monet · 1882
1882Dating
66.5 × 82.3 cmDimensions of the original
Oil on canvasOriginal technique
1933.443 · Wildenstein 758Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

The figures belong to the landscape because the same touch animates the grass, the dresses and the sea

A large diagonal leads from the lower left corner to the right cliff. The two walkers occupy the summit without dominating the stage; the successive advances in the relief and the distant boats open the view towards the English Channel.

Greens, yellows and reds make the grass vibrate, while blue, white and mauve cross the sky and water. The colors of the clothing reflect those of the landscape, which keeps the figures in the unity of the surface.

Monet does not pose two portraits in front of a setting: he makes the dresses, the shawls and the parasol undergo the same fragmented light and the same wind as the grass on the cliff.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

A diagonal that organizes the entire movement

The slope of the foreground connects the two figures to the rocky advances. It gives direction to the gaze without resorting to a road or a central vanishing point.

02

Figures integrated by the key

The clothes are constructed with brushstrokes close to those of the herbs. This continuity prevents walkers from appearing cut out and added to the landscape.

03

A reworked composition

X-rays from the Art Institute show that Monet reduced the rocky advance to the right in order to rebalance the proportions of sea and sky.

Reference image

Read this specific version

Only one exact image of W758 is used throughout the file. The real WebP measures 2807 × 2251 px and retains the native definition of the public source, without artificial enlargement.

Composition01

Keep the figures at their proper scale

They give a measure to the site but should not become the exclusive subject. Their design remains synthetic and depends on color.

Color02

Preserve the curved rhythm of the herbs

The short, arched touches make you feel the wind. Aligning or smoothing them would immobilize the foreground and isolate walkers.

Matter03

Keep sailboats very discreet

A few white and dark accents are enough on the sea. Their small size reinforces the distance without competing with the cliff.

Documented benchmarks

Three pieces of information specific to this work

The Art Institute of Chicago documents Cliff Walk at Pourville, oil on canvas from 1882, 66.5 × 82.3 cm, inventory 1933.443 and Wildenstein 758.

Models01

Probably Marthe and Blanche Hoschedé

The museum probably identifies the two figures as the eldest daughters of Alice Hoschedé, who came to join Monet in Pourville with the family in June 1882.

Technique02

A canvas developed in several sessions

The technical examination distinguishes between wet and wet applications and others placed on a dry layer. Monet worked together on the landscape and figures to maintain their unity.

Collection03

Coburn legacy in 1933

The work belongs to the Mr. and Mrs. Lewis Larned Coburn Memorial Collection. It is numbered 1933.443 and is exhibited in gallery 240.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The Wildenstein 758 version
  • The two walkers and the umbrella
  • The large diagonal of the cliff
  • Windy touches in grass and clothing

Work sheet

Title Walk on the cliff, Pourville W758
Artist Claude Monet (1840 -1926)
Date 1882
Original technique Oil on canvas
Dimensions 66.5 × 82.3 cm
Orientation Horizontal
Conservation Art Institute of Chicago, Chicago, Illinois, United States
Inventory 1933.443 · Wildenstein 758
Your reproduction Handmade oil painting on canvas
Consult the official notice - Art Institute of Chicago · 1933.443

Presentation in your interior

A palette designed with the room

This vivid scene is suitable for a living room, dining room or entrance. A soft blue, sage green or warm white wall and a natural setting highlight its light.

Walk on the cliff, Pourville W758, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
Oil painting on canvas
Photo before shipping
Canvas rolled, without frame
Background
Walk on the cliff, Pourville W758 - Claude Monet
Background 1
Background 2
2px
70 cm
390 cm

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