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Les Voies à la sortie de la gare Saint-Lazare W445 par Claude Monet, 1877, Pola Museum of Art
  • Les Voies à la sortie de la gare Saint-Lazare W445 par Claude Monet, 1877, Pola Museum of Art
  • Les Voies à la sortie de la gare Saint-Lazare W445 par Claude Monet, 1877, Pola Museum of Art
The Ways at the exit of Saint-Lazare station W445 - Claude Monet

The Ways at the exit of Saint-Lazare station W445 - Claude Monet

Atelier spécialisé Peint à la main Photo avant envoi Retouches incluses

Canvas reproduction

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Calculated format 50 x 50 cm
Current offer $299.00 USD Workshop price $598.00 USD
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Oil painting on rolled canvas, unframed. Custom size available on request.

Après le choix du format Validation photo avant expédition
Peint à la main Huile sur toile, réalisée sur commande.
Photo avant envoi Validation du rendu avant expédition.
Livraison suivie Toile roulée, protégée et suivie.
Retouches incluses Jusqu'à 4 séries avant validation.

Artwork themes

Explore the subjects and styles associated with this reproduction.

Boutique Claude Monet French painting – French artists Impressionist Impressionist cities and modern life Japonism Pola Museum of Art

Artwork description

Reproduction details

Claude Monet · The tracks and signals in 1877 · Pola Museum of Art

The tracks at the exit of Saint-Lazare W445 stationhand painted reproduction

Several rails bend and converge towards the service buildings, under a sky almost entirely mixed with steam. A red signal dominates the center while locomotives, wagons and railway workers fragment into dark touches. Monet chooses here the surroundings of the station, where traffic organizes the entire landscape.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
The tracks at the exit of Saint-Lazare station W445 - Claude Monet - full view
The tracks at the exit of Saint-Lazare W445 stationClaude Monet · 1877
1877Dating
60.5 × 81.1 cmDimensions of the original
Oil on canvasOriginal technique
016-0036 · Wildenstein 445Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

Curved rails lead to a signal suspended in the steam

The tracks enter from below and depict several arcs towards the center. On the left, a tall green building, a locomotive and a few silhouettes form a first screen. On the right, purple hangars line up behind a train almost engulfed in smoke.

The signal disk, with its red accent, serves as a vertical pivot. The white plumes pass in front of the roofs and join a pink, blue and cream sky. The damp ground responds to this light with ochres, mauves and fine shines on the steel.

The track is not just a setting: its curves distribute trains, buildings and steam throughout the field.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

A perspective made of bifurcations

The rails do not converge on a single point. Their curves and crossings give the sensation of an active network rather than a monumental axis.

02

A signal as punctuation

The dark mast and the colored disk cut out the light vapor. This vertical stabilizes a scene composed of moving directions.

03

Dissolved but identifiable buildings

The purple roofs remain readable by their silhouette while their walls disappear under white and blue passages.

Reference image

Read this specific version

The unique reference corresponds to inventory 016-0036 of the Pola Museum of Art. The file of 1821 × 1362 px retained its native resolution, without enlargement, then was converted to WebP.

Composition01

The tracks dominate the foreground

Their curved design must remain clear without becoming graphic: the crosspieces and the ballast are integrated into a flexible key.

Color02

The red of the signal remains tiny

This warm accent catches the eye precisely because it takes up very little surface area amidst the colorful grays.

Matter03

Steam and sky are not completely confused

The white scrolls have more active edges than the pink sky; cold blues separate them in places.

Documented benchmarks

Three pieces of information specific to this work

This oil on canvas measuring 60.5 × 81.1 cm, painted in 1877, belongs to the Pola Museum of Art under inventory 016-0036 and corresponds to Wildenstein number 445.

Campaign01

The Saint-Lazare station series

Monet obtained authorization to work in the station and its surroundings at the beginning of 1877. He multiplied the angles in order to study the same universe under different structures.

Viewpoint02

At the exit rather than under the glass roof

This version favors track beams, signals and technical buildings. The main architecture of the station remains off-camera.

Signature03

Signed and dated lower right

The painting bears the inscription Cl.M. 77, an element documented with inventory 016-0036 of the Hakone Museum.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • Preserve the exact curves and bifurcations of the rails.
  • Maintain the small red accent of the central signal.
  • Differentiate purple roofs from steam plumes.
  • Store the pink ochres of the ballast under the cold range.

Work sheet

Title The tracks at the exit of Saint-Lazare W445 station
Artist Claude Monet (1840 -1926)
Date 1877
Original technique Oil on canvas
Dimensions 60.5 × 81.1 cm
Orientation Horizontal
Conservation Pola Museum of Art, Hakone, Japan
Inventory 016-0036 · Wildenstein 445
Your reproduction Handmade oil painting on canvas
Consult the reference notice - Pola Museum of Art - 016-0036

Presentation in your interior

A palette designed with the room

This urban scene, structured without rigidity, is suitable for an office, a contemporary living room or a loft. A black, patinated steel or walnut frame accompanies the rails and industrial silhouettes.

The tracks at the exit of Saint-Lazare station W445, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
Oil painting on canvas
Photo before shipping
Canvas rolled, without frame
Background
The Ways at the exit of Saint-Lazare station W445 - Claude Monet
Background 1
Background 2
2px
70 cm
390 cm

Custom order

How does your order work?

A simple and reassuring process, from selecting the size to the tracked delivery of your canvas.

1

You choose the size

Select the desired size before ordering.

2

We paint the canvas

Your reproduction is hand-painted entirely in oil.

3

Photo for validation

We send you a photo to validate the result before shipping.

4

Tracked delivery

You receive your canvas rolled, protected, and shipped with tracking.

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