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The Peach Jar - Claude Monet

The Peach Jar - Claude Monet

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The Peach Jar - Claude Monet

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The Peach Jar - Claude Monet
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The Peach Jar - Claude Monet

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Trois rendus pour une même œuvre

Claude Monet · circa 1866 · still life of youth

The Peach Jarhand painted reproduction

A large jar of preserved fruit, four fresh peaches and a plate of veined marble: before the impressionist landscapes, young Monet already measured light by the textures it transformed.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Le Bocal de peaches - Claude Monet - full view
The Peach JarClaude Monet · around 1866
around 1866Dating
55.5 × 46 cmDimensions of the original
Oil on canvasOriginal technique
2525 BInventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

Glass, fruit and marble offer three experiences of light

A jar filled with peaches is placed on a marble table next to four fresh fruits. The blue-green background remains almost empty in order to focus all attention on the glass, velvety skins, amber liquid and reflective surface.

The peaches in the jar appear yellower and more translucent than those placed on the table. Monet thus differentiates states of matter: fresh fruit, preserved fruit, amber liquid, transparent glass and cold stone. The dark signature closes the composition at the bottom right.

This still life not only tells what is placed on the table: it compares what light does to glass, fruit, liquid and marble.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

Analysis of Le Bocal de peaches - Claude Monet
01

The jar as a column

The large vertical shape occupies the left half. Its lid, reflections and superimposed peaches create a stable architecture above the agitated marble.

02

Costs versus retained

The outer fruits are matte, pink and slightly irregular. In the jar, the shapes become yellower and brighter under the effect of glass and liquid.

03

Marble as a broken mirror

White veins and dark reflections do not describe water. They belong to a polished marble slab that multiplies the directions in the foreground.

Details and visual documents

Observe the material and the exact version

The additional images show the difficult-to-read passages in the full view and, where it exists, the actual appearance of the work at the museum.

Glass, fruit and amber liquid - detail of Le Bocal de peaches - Claude Monet
Glass, fruit and amber liquidThis detail reveals the vertical reflections on the jar, the variations of yellow and pink in the fruits, and the way in which the glass distorts their contours.
The painting photographed in Dresden - detail of Le Bocal de peaches - Claude Monet
The painting photographed in DresdenThe actual photograph taken at the Albertinum allows us to compare the material presence of the painting and a slightly duller room colorimetry.

The proper view reaches 3178 × 3891 px. The third image is a real photograph of the work at Albertinum, 2508 × 3074 px, by Dguendel via Wikimedia Commons. All files are converted to WebP without artificial enlargement.

Documented benchmarks

Three pieces of information specific to this work

These facts concern this precise version and are verified from the notice of the institution which keeps it.

Title01

Das Pfirsichglas: The Peach Jar

The Dresden collection preserves this still life under its German title Das Pfirsichglas. The jar constitutes the vertical axis of the entire composition.

Youth02

Monet is around twenty-six years old

Created around 1866, the painting belongs to the painter's early years, before the first impressionist exhibition in 1874.

Collection03

A painting of the Albertinum

The work is kept at the Galerie Neue Meister des Staatliche Kunstsammlungen Dresden, at the Albertinum, under number 2525 B.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The transparency of the jar without whitening the glass
  • The differences between fresh and preserved fruit
  • The reflections of marble without confusing them with water
  • The large blue-green background, nuanced but silent

Work sheet

Title The Peach Jar
Artist Claude Monet (1840 -1926)
Date around 1866
Original technique Oil on canvas
Dimensions 55.5 × 46 cm
Orientation Vertical
Conservation Neue Meister Gallery, Albertinum, Dresden, Germany
Inventory 2525 B
Your reproduction Handmade oil painting on canvas
Consult the official notice - Staatliche Kunstsammlungen Dresden

Presentation in your interior

A palette designed with the room

The vertical format and the palette of petrol blue, amber and peach are suitable for a kitchen, dining room or still life composition. A dark frame or natural wood reinforces the contrast of the marble.

The Peach Jar, painted for your interior

An oil reproduction made individually, photo-controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
01 Le plus fidèle aux détails
Exemple chrétien : Crucifixion présentée en tirage Fine Art non encadré
Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
Exemple chrétien : Lavement des pieds présenté sur canvas avec cadre flottant doré
Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

Thèmes de l’œuvre

Explorez les sujets et styles associés à cette reproduction.

Claude Monet Dining Room Paintings French painting – French artists

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Choose how your artwork comes to life

Compare paper prints, printed canvas, hand-painted oil and digital files. The physical examples illustrate each finish; your order uses the artwork selected above.

The same Last Supper artwork presented as an unframed Fine Art paper print
Unframed print

Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
Made to order
Printed to order, usually in 1 to 4 business days. Delivery time is additional.
Delivery
Carefully packed and shipped with tracking. Delivery time depends on the destination selected above.

Choose this option if you want to arrange your own framing.

These examples explain materials and presentation, not the artwork you are buying. Your order uses the artwork and options selected in the configurator. Colours can vary by screen; production and delivery times are estimates.

Même artiste

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