Pietà, after Delacroix, F630 - Vincent van Gogh

Pietà, after Delacroix, F630 - Vincent van Gogh

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Pietà, after Delacroix, F630 - Vincent van Gogh

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Pietà, after Delacroix, F630 - Vincent van Gogh
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Pietà, after Delacroix, F630 - Vincent van Gogh

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Vincent van Gogh · September 1889 · Saint-Rémy-de-Provence, France

Pietà, after Delacroix, F630Reproduction of oil painting on canvas

The Virgin dressed in blue supports the body of Christ at the entrance to a cave, under a post-storm sky. Van Gogh transposes a black and white lithograph after Delacroix into a deep range of blue, green, yellow and purple.

Hand paintedOil on canvasA verified WebP imagePhoto validation
Pietà after Delacroix F630 by Vincent van Gogh - oil painting reproduction
Pietà, after Delacroix, F630Vincent van Gogh · September 1889 · Van Gogh Museum, Amsterdam
September 1889Dating
73 × 60.5 cmDimensions of the original
Oil on canvasOriginal technique
Van Gogh Museum, AmsterdamConservation
A real paintingThe canvas is hand painted, never printed.
Made to orderEach copy is created individually.
Controlled in photoYou review the completed table before sending.
Possible alterationsAdjustments may precede shipping.

Look at the work

Two faces close together in one evening after the storm

The body of Christ descends in a large clear diagonal, from the shoulder leaning against Mary to the white drape in the foreground. The Virgin leans behind him and opens her hands in a gesture of pain.

The blue mantle forms the most intense mass of the composition. On the right, the brown and green cave encloses the figures; behind them, yellow bands appear under the purple clouds.

The scene retains Delacroix's composition, but the color is completely reinvented: it contrasts the blue coat, the greenish body and the yellow light of the sky.

Composition, touch and color

Three observations specific to this painting

The Van Gogh Museum keeps this large Pietà under inventory s0168V1962. It measures 73 × 60.5 cm and carries F630/JH1775.

01

A composition reversed by lithography

Van Gogh worked from a print reproducing Delacroix. The image is therefore mirrored in relation to the original painting and preserves the great gestures of the Virgin and Christ.

02

Two heads treated like two flowers

In his letter to Willemien, Van Gogh emphasizes the dark face of Christ and the pale head of Mary, brought together to better highlight their opposition.

03

A color invented without a colorful model

The lithograph gave no chromatic indication. The blues, greens and yellows are an autonomous interpretation which transforms the copy into a true pictorial translation.

Documented benchmarks

Precisely identify the original work

The Pietà F630/JH1775 was painted in September 1889. This large version measures 73 × 60.5 cm and is in the Van Gogh Museum.

Origin

Accidentally stained lithograph

Van Gogh said that his print after Delacroix had fallen into oil and paint. In order not to lose the motif, he began to transpose it onto canvas.

Letter

The version described in Willemien

On September 19, he precisely described the Virgin in blue clothes, the exhausted body of Christ, the stormy evening and the purple clouds bordered with gold.

Version

The large canvas intended for his room

The letters identify F630 as the 20 format version painted for itself. It must be distinguished from the small F757 intended for its sister.

Consult the Van Gogh Museum instructions

Your reproduction

What the painter must preserve

The copy must preserve the deep blue mantle, the pale green body of Christ, the two faces close together, the open hands and the yellow bands under the clouds.

  • The great blue drape of the Virgin
  • The descending diagonal of the body of Christ
  • The opposition between the two faces
  • The yellow and purple sky behind the cave

Work sheet

Title Pietà, after Delacroix, F630
Artist Vincent van Gogh (1853 -1890)
Date September 1889
Place of creation Saint-Rémy-de-Provence, France
Original technique Oil on canvas
Dimensions 73 × 60.5 cm
Inventory Van Gogh Museum s0168V1962 · F630 · JH1775
Conservation Van Gogh Museum, Amsterdam
Your reproduction Handmade oil painting on canvas

From order to shipping

1
PreparationStudy of framing, proportions and colors.
2
Oil paintingManual production, layer after layer.
3
Photo validationChecking the table and requesting possible alterations.
4
Protected shippingCareful packaging and shipping with tracking.

In your interior

Deep blues lit with yellow and green

The vertical format is suitable for a space of contemplation, a library or a narrow wall. Midnight blue, gray green and muted yellow match walnut and stone walls.

Frequently asked questions

Before ordering

Is this a canvas print?

No. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.

How is the visual reference chosen?

The official image of 5,536 × 6,741 px has been reduced to a true WebP of 2,463 × 3,000 px, without cropping.

Can I check the result before shipping?

Yes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.

Are custom formats possible?

Yes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.

Pietà, after Delacroix, F630, paints for your interior

An oil painting reproduction on canvas made individually, verified in photos and adjustable before shipping.

Hand painted · Oil on canvas · Photo validation
01 Le plus fidèle aux détails
Exemple chrétien : Crucifixion présentée en tirage Fine Art non encadré
Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
Exemple chrétien : Lavement des pieds présenté sur canvas avec cadre flottant doré
Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

Themes of the work

Explore the topics and styles associated with this reproduction.

Japonism Paintings of mourning and melancholy Pietà

Compare the finishes

Choose how your artwork comes to life

Compare paper prints, printed canvas, hand-painted oil and digital files. The physical examples illustrate each finish; your order uses the artwork selected above.

The same Last Supper artwork presented as an unframed Fine Art paper print
Unframed print

Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
Made to order
Printed to order, usually in 1 to 4 business days. Delivery time is additional.
Delivery
Carefully packed and shipped with tracking. Delivery time depends on the destination selected above.

Choose this option if you want to arrange your own framing.

These examples explain materials and presentation, not the artwork you are buying. Your order uses the artwork and options selected in the configurator. Colours can vary by screen; production and delivery times are estimates.

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