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The Bridge over the Water Lilies Basin, Met W1518 - Claude Monet

The Bridge over the Water Lilies Basin, Met W1518 - Claude Monet

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The Bridge over the Water Lilies Basin, Met W1518 - Claude Monet

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The Bridge over the Water Lilies Basin, Met W1518 - Claude Monet
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The Bridge over the Water Lilies Basin, Met W1518 - Claude Monet

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Claude Monet · 1899 · Metropolitan Museum · W1518

The Bridge over the Water Lilies Basin, Met W1518hand painted reproduction

A blue-green footbridge forms a large arch above the Giverny basin. The vertical format, unusual for this motif, stacks the foliage, the bridge then two layers of water lilies up to the foreground. The photograph of the work framed at the Metropolitan Museum reveals a particularly lively palette, rich in greens, pinks, yellows and touches of turquoise.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
The Bridge over the Water Lilies Basin, Met W1518 - Claude Monet - full view
The Bridge over the Water Lilies Basin, Met W1518Claude Monet · 1899
1899Dating
92.7 × 73.7 cmDimensions of the original
Oil on canvasOriginal technique
29.100.113 · Wildenstein 1518Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

The vertical format lowers the gaze from the foliage to the water lilies in the foreground

The bridge occupies the upper third, with a light balustrade that stands out against the willows and shrubs. Its dark arch frames a first area of water and vegetation. The uprights remain slightly irregular: they follow the light rather than the perfect geometry of a new construction.

Under the footbridge, several strips of water lilies follow one another. The white, pink and yellow flowers become larger as they descend towards the lower edge. Olive green, turquoise and red-brown reflections connect these groups, while the signature dated 1899 appears at the bottom right.

The arch organizes the entire composition, but it is the variations in scale of the water lilies that give the pool its true depth.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

Analysis of Le Pont sur le bassin aux nymphéas, Met W1518 - Claude Monet
01

A vertical in three registers

The foliage closes the top, the bridge builds the middle and the water extends downwards. Each register has its key direction, without a sudden break between garden and reflection.

02

A clear but never white gateway

The rails mix pale blue, lavender, green and a few roses. Their temperature changes depending on the foliage placed behind them and their proximity to the water.

03

Water lilies enlarged towards the foreground

The small flowers squeezed under the bridge become wide, separate touches at the bottom. This progression is essential to prevent the vertical surface from appearing flat.

Details and visual documents

Observe the material and the exact version

The additional images show the difficult-to-read passages in the full view and, where it exists, the actual appearance of the work at the museum.

The lavender blue balustrade in front of the foliage - detail of Le Pont sur le bassin aux nymphéas, Met W1518 - Claude Monet
The lavender blue balustrade in front of the foliageThe close-up shows that the bridge uprights are made of blue, green and purple touches. The yellow and red foliage visible between the rails prevents the footbridge from becoming a uniform pattern.
The water lilies in the foreground and the reflections - detail of Le Pont sur le bassin aux nymphéas, Met W1518 - Claude Monet
The water lilies in the foreground and the reflectionsThe white, pink and yellow flowers are placed on very varied greens, blues and browns. Native cropping reveals the horizontal direction of the keys that build the water surface.

The actual photograph of the work framed at the Metropolitan Museum measures 3,288 × 4,051 px. Native details reach 2,800 × 1,700 px and 2,700 × 1,700 px. No artificial magnification has been applied and all three files are true high definition WebPs.

Documented benchmarks

Three pieces of information specific to this work

These facts concern this precise version and are verified from the notice of the institution which keeps it.

Identification01

Met 29.100.113, Wildenstein 1518

The Metropolitan Museum titles the work Bridge over a Pond of Water Lilies and the date 1899. This oil on canvas measures 92.7 × 73.7 cm and corresponds to number 1518 of the Wildenstein catalog.

1899 series02

Eighteen views taken at the Giverny garden

The Met indicates that Monet began a series of eighteen views of the basin in 1899 and completed twelve during the summer. This vertical version places particular emphasis on the water lilies and their reflections under the footbridge.

Havemeyer Collection03

A legacy entered the Metropolitan Museum in 1929

The work belongs to the collection of Henry O. and Louisine Havemeyer. She joined the Met in 1929 by the bequest of Mrs. HO Havemeyer and has since had the accession number 29.100.113.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The exact version of the Metropolitan Museum, 29.100.113 and W1518
  • The original vertical format of 92.7 × 73.7 cm
  • The arch and balustrade kept soft in the foliage
  • The gradual enlargement of the water lilies to the foreground

Work sheet

Title The Bridge over the Water Lilies Basin, Met W1518
Artist Claude Monet (1840 -1926)
Date 1899
Original technique Oil on canvas
Dimensions 92.7 × 73.7 cm
Orientation Vertical
Conservation The Metropolitan Museum of Art, New York, United States
Inventory 29.100.113 · Wildenstein 1518
Your reproduction Handmade oil painting on canvas
Consult the official notice - The Metropolitan Museum of Art

Presentation in your interior

A palette designed with the room

Garden green, turquoise blue, lavender, light pink and lemon yellow make up a bright and dense image. This vertical reproduction is suitable for a narrow wall, entrance or space between two openings, surrounded by natural wood, linen or cream tones.

The Bridge over the Water Lilies Basin, Met W1518, painted for your interior

An oil reproduction made individually, photo-controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
01 Le plus fidèle aux détails
Exemple chrétien : Crucifixion présentée en tirage Fine Art non encadré
Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
Exemple chrétien : Lavement des pieds présenté sur canvas avec cadre flottant doré
Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

Thèmes de l’œuvre

Explorez les sujets et styles associés à cette reproduction.

Claude Monet French painting – French artists Impressionist

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The same Last Supper artwork presented as an unframed Fine Art paper print
Unframed print

Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
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Printed to order, usually in 1 to 4 business days. Delivery time is additional.
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