Apples, F254 - Vincent van Gogh

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Apples, F254 - Vincent van Gogh

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Apples, F254 - Vincent van Gogh

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Apples, F254 - Vincent van Gogh

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Vincent van Gogh · September -October 1887 · Paris

Apples, F254Reproduction of oil painting on canvas

Yellow, red and pink apples spread over an almost entirely blue and green surface. Fruits and background seem to compete in intensity, with no horizon or container to separate them.

Hand paintedOil on canvasA verified WebP imagePhoto validation
Apples, F254 - red and yellow apples on a dark blue-green background painted by Vincent van Gogh
Apples, F254Vincent van Gogh · September -October 1887 · Van Gogh Museum, Amsterdam
September - October 1887Dating
45.7 × 60.4 cmDimensions of the original
Oil on canvasOriginal technique
Van Gogh Museum, AmsterdamConservation
A real paintingThe canvas is hand painted, never printed.
Made to orderEach copy is created individually.
Controlled in photoYou review the completed table before sending.
Possible alterationsAdjustments may precede shipping.

Look at the work

A still life where the bottom becomes as active as the fruits

The apples form an irregular arc that crosses the entire width. Some are seen from the front, others tilt towards their peduncle; their silhouettes touch each other without forming a mechanical row.

The dark background is never uniform. Multiple blues and greens intersect there, then yellow, orange, red and pink lines run through it like reflections, taking on the warm colors of the fruits.

Pommes is an oil on canvas measuring 45.7 × 60.4 cm painted in Paris in September - October 1887. Referenced F254/JH1342, it is kept at the Van Gogh Museum under number s0131V1962.

Composition, touch and color

Three observations specific to this painting

The museum presents the canvas as a veritable explosion of colors where foreground and background compete for attention. Van Gogh, however, unifies the whole by using the same colors in reverse order.

01

The background starts with cool tones

Blues and greens form its base, then touches of yellow, orange, red and pink are added above. The surface appears deep while remaining very material.

02

Apples follow the opposite process

Van Gogh first lays out the warm tones of the fruits, then punctuates them with green and blue accents. This inversion brings out each apple while connecting it to the bottom.

03

The absence of a horizon accentuates the color

We no longer know exactly whether the fruits rest on a table, a fabric or a painted surface. The viewer therefore concentrates on the rhythm of the shapes and touches.

Documented benchmarks

Precisely identify the original work

References F254/JH1342, dimensions 45.7 × 60.4 cm and inventory s0131V1962 identify this Parisian still life precisely documented by the Van Gogh Museum.

Paris

A palette that has become radically clearer and more varied

In 1887, the association of Impressionists and Neo-Impressionists pushed Van Gogh to experiment with colorful contrasts and distinct touches.

Method

A unit obtained by inversion of layers

The same hot and cold range appears everywhere, but in a different order between background and fruit. This process connects the two spaces without confusing them.

Composition

No basket contains apples

Freed from any container, they form their own architecture. Dark intervals and overlays give the group its depth.

Consult the official notice of the Van Gogh Museum →

Your reproduction

What the painter must preserve

The copy must retain the irregular arch of the apples, their mixtures of red and yellow, the cold accents on the skins and the exceptional richness of the blues and greens of the background.

  • Red, pink and yellow apples with irregular contours
  • The little green and blue touches on the fruit
  • The petrol blue background without horizon
  • Warm lines scattered in the background
  • The dark intervals between apples

Work sheet

Title Apples, F254
Artist Vincent van Gogh (1853 -1890)
Date September - October 1887
Place of creation Paris
Original technique Oil on canvas
Dimensions 45.7 × 60.4 cm
Inventory F254· JH1342· s0131V1962
Conservation Van Gogh Museum, Amsterdam
Your reproduction Handmade oil painting on canvas

From order to shipping

1
PreparationStudy of framing, proportions and colors.
2
Oil paintingManual production, layer after layer.
3
Photo validationChecking the table and requesting possible alterations.
4
Protected shippingCareful packaging and shipping with tracking.

In your interior

A dense still life where warm colors shine in the blue

Petrol blue, dark emerald green, coral red, pink and golden yellow form a powerful accent for a contemporary kitchen, dining room or living room.

Frequently asked questions

Before ordering

Is this a canvas print?

No. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.

How is the visual reference chosen?

The official high definition image from the Van Gogh Museum was prepared as a real WebP of 3,000 × 2,240 px.

Can I check the result before shipping?

Yes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.

Are custom formats possible?

Yes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.

Apples, F254, painted for your interior

An oil painting reproduction on canvas made individually, verified in photos and adjustable before shipping.

Hand painted · Oil on canvas · Photo validation
01 Le plus fidèle aux détails
Exemple chrétien : Crucifixion présentée en tirage Fine Art non encadré
Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
Exemple chrétien : Lavement des pieds présenté sur canvas avec cadre flottant doré
Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

Themes of the work

Explore the topics and styles associated with this reproduction.

Compare the finishes

Choose how your artwork comes to life

Compare paper prints, printed canvas, hand-painted oil and digital files. The physical examples illustrate each finish; your order uses the artwork selected above.

The same Last Supper artwork presented as an unframed Fine Art paper print
Unframed print

Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
Made to order
Printed to order, usually in 1 to 4 business days. Delivery time is additional.
Delivery
Carefully packed and shipped with tracking. Delivery time depends on the destination selected above.

Choose this option if you want to arrange your own framing.

These examples explain materials and presentation, not the artwork you are buying. Your order uses the artwork and options selected in the configurator. Colours can vary by screen; production and delivery times are estimates.

Same artist

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