A bridge pushed up the format
The large water area amplifies reflections and brings boats together. Respecting this distribution is essential to maintain the depth of the composition.
Canvas reproduction
The format automatically adapts to the original artwork.
Oil painting on rolled canvas, unframed. Custom size available on request.
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Artwork description
Claude Monet · 1899 -1901 · London · Wildenstein 1550
The Charing Cross Bridge floats in pink, peach and sea green light. Under the purple piers, the Thames is covered with warm reflections; boats and their smoke form small dark masses that the mist absorbs almost immediately.

Look at the work
The bridge is placed high in the table and leaves plenty of room for the river. Its purple piers descend vertically, then fragment into pink, yellow and turquoise touches. On the right, Parliament remains a barely perceptible blue presence.
The boats in the foreground are not described by their contours. Hulls, chimneys and smoke are some brown and purple densities among the reflections. Their position is enough to give scale and movement to the scene.
This version can be recognized by its unusual balance: a very warm pink atmosphere, without losing the cold greens which give the Thames its depth.
Composition, touch and light
Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

The large water area amplifies reflections and brings boats together. Respecting this distribution is essential to maintain the depth of the composition.
Roses and peaches never form a uniform layer. Turquoise, green gray and mauve circulate between them and maintain the luminous vibration.
A few touches of purple-brown evoke hulls and fireplaces. To surround them or add narrative details would artificially detach them from the atmosphere.
Details and visual documents
The additional images show the difficult-to-read passages in the full view and, where it exists, the actual appearance of the work at the museum.


The exact view measures 2000 × 1613 px. Details of 1600 × 600 px and 1600 × 650 px are direct cropping of the same documented image. No files have been enlarged; all three images are real WebPs.
Documented benchmarks
These benchmarks concern precisely the Wildenstein 1550 version and come from the sales notice which documents its identity, its format and its origin.
This oil on canvas of approximately 65 × 80 cm was painted between 1899 and 1901. The version belongs to a private collection and is referenced under the number Wildenstein 1550.
The work passed around 1921 to Monet's grandson, James Butler, then through Alex Maguy's Galerie de l'Élysée. Its later provenance is documented by several New York sales.
Monet observes the bridge from his room and the Savoy terrace. The paintings started in front of the Thames are then taken up in Giverny to match the variations in light of the series.
Your reproduction
Fidelity here depends on precise relationships between light, touch, depth and color temperature.
| Title | Charing Cross Bridge, pink reflections |
|---|---|
| Artist | Claude Monet (1840 -1926) |
| Date | 1899 - 1901 |
| Original technique | Oil on canvas |
| Dimensions | 65 × 80 cm |
| Orientation | Horizontal |
| Conservation | Private collection, Non-public location |
| Inventory | Wildenstein 1550 |
| Your reproduction | Handmade oil painting on canvas |
Presentation in your interior
Powder pink, peach, mauve and sea green create a luminous and easy-to-integrate harmony. This reproduction warms a cream, pearl gray, celadon green or mist blue wall.
Custom order
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Your reproduction is hand-painted entirely in oil.
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