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Le Pont du chemin de fer, Argenteuil W320 par Claude Monet, 1874, musée Marmottan Monet
  • Le Pont du chemin de fer, Argenteuil W320 par Claude Monet, 1874, musée Marmottan Monet
  • Le Pont du chemin de fer, Argenteuil W320 par Claude Monet, 1874, musée Marmottan Monet
The Railway Bridge, Argenteuil W320 - Claude Monet

The Railway Bridge, Argenteuil W320 - Claude Monet

Atelier spécialisé Peint à la main Photo avant envoi Retouches incluses

Canvas reproduction

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Calculated format 50 x 50 cm
Current offer $299.00 USD Workshop price $598.00 USD
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Oil painting on rolled canvas, unframed. Custom size available on request.

Après le choix du format Validation photo avant expédition
Peint à la main Huile sur toile, réalisée sur commande.
Photo avant envoi Validation du rendu avant expédition.
Livraison suivie Toile roulée, protégée et suivie.
Retouches incluses Jusqu'à 4 séries avant validation.

Artwork themes

Explore the subjects and styles associated with this reproduction.

Boutique Claude Monet French painting – French artists Impressionist Impressionist cities and modern life Impressionist Landscapes Impressionist water and coastlines Japonism Landscapes with bridges Landscapes with paths and roads

Artwork description

Reproduction details

Claude Monet · Small study of the Argenteuil railway bridge · Marmottan Monet Museum

The Railway Bridge, Argenteuil W320hand painted reproduction

A railway bridge crosses the composition in a powerful diagonal, from the clear piers erected in the Seine to the deck which rises to the right. Trees and a barrier close the left bank, while a bouquet of dark foliage rises in the foreground on the right. On only 14 × 23 cm, Monet captures architecture, water and vegetation with direct and very condensed material.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
The Railway Bridge, Argenteuil W320 - Claude Monet - full view
The Railway Bridge, Argenteuil W320Claude Monet · 1874
1874Dating
14 × 23 cmDimensions of the original
Oil on canvasOriginal technique
5037 · Wildenstein 320Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

The diagonal of the bridge gives monumental energy to a very small canvas

The Seine occupies the lower left, painted blue gray, white and beige. Four short piers emerge from the water and carry the dark deck of the bridge. This one approaches the upper edge as it advances to the right, an effect which accentuates the perspective and sensation of a structure seen from the bank.

The foreground is deliberately asymmetrical. On the left, the trees and the barrier remain relatively low; on the right, a green and almost black mass covers part of the piers and the deck. Between these plant areas, the light surfaces of the bridge capture a matte light and become the visual center of the study.

Small scale does not reduce the ambition of the view: a single oblique movement is enough to transform the bridge into the dominant structure of the landscape.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

A very close oblique perspective

Monet does not look at the bridge from the front. The deck rises and narrows to the right, while the piers partially overlap; this shortcut creates depth without multiplying architectural details.

02

The material differentiates stone, water and foliage

The piles receive vertical white and gray touches, the water more horizontal marks and the bushes tight impasto. The variety of gestures makes each surface readable despite the small format.

03

A balance between construction and vegetation

The bridge is a modern geometric shape, but it is never isolated. Trees, grass and reflections cut its contours and integrate it into the atmosphere of the banks of the Seine.

Reference image

Read this specific version

The visual corresponds to the Railway Bridge, Argenteuil, inventory 5037 of the Marmottan Monet museum and Wildenstein number 320. The official digital reproduction has been converted into a real WebP of 1,500 × 931 px.

Composition01

The apron remains oblique and not horizontal

Its pronounced angle organizes the entire view. Straightening it or thinning it excessively would cause you to lose the close point of view and the impression of suspended mass.

Color02

The batteries feature colored shadows

White, bluish gray, mauve and green meet on their faces. A uniform white would remove their volume and their relationship with water.

Matter03

Right bush actually covers the work

This dark mass hides several lines of the bridge. Maintaining this covering is essential to place vegetation in the foreground and avoid too graphic reading.

Documented benchmarks

Three pieces of information specific to this work

Painted in 1874, this oil on canvas measures 14 × 23 cm. It is kept at the Marmottan Monet museum under inventory 5037 and listed as Wildenstein 320.

Format01

A study of very small dimensions

With only 14 × 23 cm, the work stands out from the large exhibition landscapes. Its quick touch, its overlays and its tight framing correspond to a condensed observation of the motif.

Location02

The railway in the Argenteuil landscape

The bridge connects the suburbs to Paris and summarizes the transformations that attract Monet to Argenteuil: modern traffic, still vegetal banks, pleasure craft and reflections of the Seine coexist in the same field of vision.

Museum03

The legacy of Michel Monet in 1966

The museum notice indicates a workshop stamp on the reverse and the entrance to the work by the bequest of Michel Monet, son of the painter, in 1966. This collection constitutes the heart of the Monet de Marmottan collection.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • Respect the rising angle and shortcut of the apron.
  • Keep batteries clear but colored by shadows.
  • Maintain the strong covering of the bush on the right.
  • Adapt the key to the small format without overloading the details.

Work sheet

Title The Railway Bridge, Argenteuil W320
Artist Claude Monet (1840 -1926)
Date 1874
Original technique Oil on canvas
Dimensions 14 × 23 cm
Orientation Horizontal
Conservation Marmottan Monet Museum, Paris, France
Inventory 5037 · Wildenstein 320
Your reproduction Handmade oil painting on canvas
Consult the reference notice - Marmottan Monet Museum - Le Pont du chemin de fer, Argenteuil, 5037

Presentation in your interior

A palette designed with the room

This compact, structured view is suitable for a desk, bookcase or wall composition. A dark wood, steel gray or bronze frame accompanies the bridge; an ivory, moss green or warm gray wall reveals the light piles.

The Railway Bridge, Argenteuil W320, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
Oil painting on canvas
Photo before shipping
Canvas rolled, without frame
Background
The Railway Bridge, Argenteuil W320 - Claude Monet
Background 1
Background 2
2px
70 cm
390 cm

Custom order

How does your order work?

A simple and reassuring process, from selecting the size to the tracked delivery of your canvas.

1

You choose the size

Select the desired size before ordering.

2

We paint the canvas

Your reproduction is hand-painted entirely in oil.

3

Photo for validation

We send you a photo to validate the result before shipping.

4

Tracked delivery

You receive your canvas rolled, protected, and shipped with tracking.

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