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Waterloo Bridge, at dusk - Claude Monet

Waterloo Bridge, at dusk - Claude Monet

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Waterloo Bridge, at dusk - Claude Monet

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Waterloo Bridge, at dusk - Claude Monet
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Waterloo Bridge, at dusk - Claude Monet

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Claude Monet · 1904 · National Gallery of Art · 1983.1.27

Waterloo Bridge, at duskhand painted reproduction

In this full version of Waterloo Bridge at dusk, the turquoise Thames takes up almost half of the canvas. The purple bridge is cut out in a pink mist; orange lights run over the deck and the chimneys fade behind the atmosphere.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Waterloo Bridge, dusk - Claude Monet - full view
Waterloo Bridge, at duskClaude Monet · 1904
1904Dating
65.7 × 101.6 cmDimensions of the original
Oil on canvasOriginal technique
1983.1.27 · Wildenstein 1564Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

The pink of the evening and the turquoise of the water transform the bridge into a strip of light

The bridge extends from edge to edge slightly above the center. Its regular arches are never traced by a single line: they arise from gaps between purple, blue and pink. The small orange touches of the apron evoke circulation and concentrate the light without interrupting the foggy continuity.

The Thames is colder than the sky. Its blues and turquoise darken under the arches, then warm with pink and yellow reflections. In the background, chimneys and industrial buildings are reduced to transparent verticals; their weakness gives all its depth to the scene.

At dusk, Monet separates neither architecture nor water from the atmosphere: each shape remains present, but none can be extracted from the colored mist.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

Analysis of Waterloo Bridge, at dusk - Claude Monet
01

An apron animated by orange touches

Warm accents are small and discontinuous. Their intensity must be preserved without transforming them into detailed vehicles or a uniform light line.

02

Purple arches open to the water

Each opening varies slightly in value and temperature. These differences avoid mechanical repetition and circulate the mist all the way under the bridge.

03

A horizontally structured turquoise Thames

The touches of the water are longer and more horizontal than those of the sky. The roses remain occasional reflections, while the turquoise maintains the contrast of twilight.

Details and visual documents

Observe the material and the exact version

The additional images show the difficult-to-read passages in the full view and, where it exists, the actual appearance of the work at the museum.

The arches and pink lights - detail of Waterloo Bridge, at dusk - Claude Monet
The arches and the pink lightsThe crop shows the superimposed purples of the bridge, the orange accents of the deck and the pink reflections descending into water significantly more turquoise than the sky.
The chimneys behind the turquoise mist - detail of Waterloo Bridge, at dusk - Claude Monet
The chimneys behind the turquoise mistIndustrial verticals are never opaque. Pink, blue and gray layers pass in front of them and keep the bank at bay.

The full official view measures 4096 × 2630 px. Details of 2400 × 1200 px and 2200 × 1050 px are direct cropping of the National Gallery of Art file. No artificial enlargements were applied; all three files are real WebPs.

Documented benchmarks

Three pieces of information specific to this work

These facts concern this precise version and are verified from the notice of the institution which keeps it.

Identification01

The 1983.1.27 inventory of the National Gallery of Art

This 65.7 × 101.6 cm oil on canvas is dated 1904 and listed as Wildenstein 1564. Monet signs lower right.

London series02

A worked view from the Savoy Hotel

Monet observes Waterloo Bridge and the south bank of the River Thames from his rooms at the Savoy. The studies begun in London were then taken up together in his workshop in Giverny.

Provenance03

From the artist to the Mellon collection

Durand-Ruel and Bernheim-Jeune bought the painting from Monet in December 1920. After Sam Salz, Mr. and Mrs. Paul Mellon acquired it in 1960 then offered it to the National Gallery in 1983.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The complete version and its horizontal framing of 101.6 cm
  • Small, discontinuous orange lights on the apron
  • The contrast between pink sky and turquoise Thames
  • The varied arches without mechanical outline or too clear outline

Work sheet

Title Waterloo Bridge, at dusk
Artist Claude Monet (1840 -1926)
Date 1904
Original technique Oil on canvas
Dimensions 65.7 × 101.6 cm
Orientation Horizontal
Conservation National Gallery of Art, Washington, United States
Inventory 1983.1.27 · Wildenstein 1564
Your reproduction Handmade oil painting on canvas
Consult the official notice - National Gallery of Art

Presentation in your interior

A palette designed with the room

Misty pink, turquoise and purple give this reproduction a calm but very present light. Its horizontal format is suitable above a sofa, sideboard or bed, on off-white, blue-gray, taupe or old pink walls.

Waterloo Bridge, at dusk, painted for your interior

An oil reproduction made individually, photo-controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
01 Le plus fidèle aux détails
Exemple chrétien : Crucifixion présentée en tirage Fine Art non encadré
Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
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Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

Thèmes de l’œuvre

Explorez les sujets et styles associés à cette reproduction.

Claude Monet Claude Monet London French painting – French artists

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The same Last Supper artwork presented as an unframed Fine Art paper print
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Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
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Printed to order, usually in 1 to 4 business days. Delivery time is additional.
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Carefully packed and shipped with tracking. Delivery time depends on the destination selected above.

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