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Peupliers, vus du marais de Claude Monet, 1891 – Fitzwilliam Museum PD.9-1966, Wildenstein 1313

Poplars, seen from marsh W1313 - Claude Monet

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Calculated format 50 x 50 cm
Current offer $299.00 USD Workshop price $598.00 USD
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Oil painting on rolled canvas, unframed. Custom size available on request.

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Artwork description

Reproduction details

Claude Monet · 1891 · Cambridge PD.9-1966 · W1313

Poplars, seen from marsh W1313hand painted reproduction

Four poplars climb to the left edge then their row folds deep into a luminous curve. Seen from the Limetz marsh, this 1891 composition concludes the Poplars series under the number Wildenstein 1313. It is kept at the Fitzwilliam Museum in Cambridge.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Poplars, seen from marsh W1313 - Claude Monet - full view
Poplars, seen from marsh W1313Claude Monet · 1891
1891Dating
89 × 92 cmDimensions of the original
Oil on canvasOriginal technique
PD.9-1966 · Wildenstein 1313Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

A row of trees that draws depth

The vertical trunks in the foreground occupy the left and are cut by the upper edge. Behind them, the poplars follow the bend of the Epte, return towards the center then disappear in the distance. This spiral movement gives the landscape a very constructed structure.

The blue and white sky opens the right half, while the bright green foliage concentrates the material on the left. On the ground, warm yellows respond to greens. Dark trunks serve as punctuation and prevent light from dissolving the entire scene.

W1313 associates the verticality of the trunks with a shifty curve: the series almost becomes a study of abstract rhythm.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

One of two views from the swamp

The Fitzwilliam Museum points out that this painting belongs to the only two versions of the series observed from the marsh, and not from Monet's boat on the Epte.

02

A signed canvas of 89 × 92 cm

The work bears the signature Claude Monet at the bottom right. It is registered under the inventory PD.9-1966 and the Wildenstein number 1313.

03

The trees saved while they painted

Put up for sale by the municipality, the poplars risked being felled. Monet makes an arrangement with the lumber merchant so that they remain standing until his series is completed.

Reference image

Read this specific version

Only one image is used: the exact view of W1313, preserved as a real WebP of 1051 × 1024 px, without artificial enlargement.

Composition01

Near verticals, distant curve

The depth depends on this contrast. The first trunks should remain firm while the back row gradually narrows into paler light.

Color02

Bright green, blue, white and yellow

The midsummer palette is bright but not uniform. The greens change from yellow to blue; the sky mixes azure and clouds in oblique touches.

Matter03

A touch that follows the pattern

The foliage is built in small masses, the sky in wider passages and the trunks in vertical lines. These distinct directions give vitality to the painting.

Documented benchmarks

Three pieces of information specific to this work

The Fitzwilliam Museum preserves this painting under inventory PD.9-1966; it corresponds to the last issue of the series, Wildenstein 1313.

Identification01

Poplars, seen from the marsh, Wildenstein 1313

This oil on canvas from 1891 measures 89 × 92 cm. The Claude Monet signature appears at the bottom right.

Collection02

Fitzwilliam Museum, PD.9-1966

Passed from Monet's workshop to Gimpel Fils, the painting was purchased by Captain Stanley William Sykes then bequeathed to the museum in 1966.

Pattern03

The poplars of Epte in Limetz

Monet works about two kilometers from Giverny. The row follows the river and allows him to study the same trees in different seasons, lights and frames.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The exact version of Cambridge, PD.9-1966 and Wildenstein 1313
  • The original almost square format of 89 × 92 cm
  • The four trunks in the foreground and the curved row preserved
  • The bright greens balanced by the big blue and white sky

Work sheet

Title Poplars, seen from marsh W1313
Artist Claude Monet (1840 -1926)
Date 1891
Original technique Oil on canvas
Dimensions 89 × 92 cm
Orientation Almost square
Conservation Fitzwilliam Museum, Cambridge, United Kingdom
Inventory PD.9-1966 · Wildenstein 1313
Your reproduction Handmade oil painting on canvas
Consult the official notice - Fitzwilliam Museum

Presentation in your interior

A palette designed with the room

The verticality of the trees and the summer light give momentum to a living room, an entrance or an office. The reproduction matches natural wood, off-white walls and gray blue accents.

Poplars, seen from marsh W1313, painted for your interior

An oil reproduction made individually, photo-controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
Oil painting on canvas
Photo before shipping
Canvas rolled, without frame
Background
Poplars, seen from marsh W1313 - Claude Monet
Background 1
Background 2
2px
70 cm
390 cm

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1

You choose the size

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2

We paint the canvas

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3

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4

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