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Le Port de Zaandam W188 par Claude Monet, Museum Barberini

The Port of Zaandam W188 - Claude Monet

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Calculated format 50 x 50 cm
Current offer $299.00 USD Workshop price $598.00 USD
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Oil painting on rolled canvas, unframed. Custom size available on request.

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Livraison suivie Toile roulée, protégée et suivie.
Retouches incluses Jusqu'à 4 séries avant validation.

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Artwork description

Reproduction details

Claude Monet · The Dutch port at sunset in 1871 · Museum Barberini

The Port of Zaandam W188hand painted reproduction

In the port of Zaandam, the evening light lights up the sky and the water of yellows, oranges and reds. The houses and ships remain backlit, while an imposing mooring pile abruptly closes the right of the painting. Monet transforms this obstruction into modern tension in the heart of a calm atmosphere.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
The Port of Zaandam W188 - Claude Monet - full view
The Port of Zaandam W188Claude Monet · 1871
1871Dating
47.5 × 74 cmDimensions of the original
Oil on canvasOriginal technique
MB-Mon-01 · Wildenstein 188Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

A calm sunset crossed by a radical form

The low line of houses and boats stands out against a fiery sky. Large touches of yellow and orange mingle with bluish grays, then extend into the water in discontinuous reflections. The dark hulls give scale to the port without interrupting the luminous expanse.

On the right, the mooring pile and its crossmember enter the frame like a large black structure. Far from being erased, this obstacle balances the smaller ships on the left and prevents the composition from becoming simply panoramic. Monet's signature remains readable in the lower left corner.

The port appears still, but each reflection is an autonomous touch that makes the surface vibrate to the rhythm of the water.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

An assumed obstruction

The large stake cuts off the view and disrupts the expected balance of a landscape. This abrupt presence demonstrates Monet's refusal to systematically embellish his point of view.

02

Backlighting as simplification

Houses, masts and boats become dark silhouettes. Their condensed design leaves first place to the sky and water.

03

A mosaic of reflections

The wide, thick, separate keys do not copy the shapes of the sky. They construct a slightly mobile and almost abstract surface of water.

Reference image

Read this specific version

The reference image corresponds to the MB-Mon-01 canvas from Museum Barberini. Its definition of 2,560 × 1,632 px is kept without enlargement in order to respect the real sharpness and colors of the documentary file.

Composition01

A very low port strip

The horizon leaves more than half the size in the sky. The right stake vertically connects water, houses and clouds.

Color02

Hot ones in a cold envelope

Yellows, reds and oranges concentrate around the sunset; blue-gray and brown limit its intensity.

Matter03

A visible impasto

The streaks of the sky and the network of reflections are placed in broad touches. On the contrary, the silhouettes use thinner and darker accents.

Documented benchmarks

Three pieces of information specific to this work

The Museum Barberini preserves this painting under the inventory MB-Mon-01; the Wildenstein catalog raisonné classifies it under number 188.

Stay01

Four months in the Netherlands in 1871

Returning from London after the Franco-Prussian War, Monet stayed in the summer in Zaandam, then a small town located north of Amsterdam.

Together02

About twenty-four views of Zaandam

The painter observes the mills, gabled houses and slow waters from several viewpoints and at different times of the day.

Moment03

The last intensities of the sunset

The museum emphasizes that Monet captures the moment when the yellows and reds reach their highest intensity in reflections; the houses are then seen against the light.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • Respect the visual weight of the large mooring pile on the right edge.
  • Keep houses and ships backlit without making them uniformly black.
  • Construct reflections with thick, separate, slightly irregular touches.
  • Preserve the transition from bright yellow to blue grays in the sky and in the water.

Work sheet

Title The Port of Zaandam W188
Artist Claude Monet (1840 -1926)
Date 1871
Original technique Oil on canvas
Dimensions 47.5 × 74 cm
Orientation Horizontal
Conservation Museum Barberini, Hasso Plattner collection, Potsdam, Germany
Inventory MB-Mon-01 · Wildenstein 188
Your reproduction Handmade oil painting on canvas
Consult the official notice - Museum Barberini

Presentation in your interior

A palette designed with the room

Its sunset tones, gray blues and strong dark structure give this port view a presence that is both peaceful and graphic. It is suitable for a living room, office or dining room; a walnut, soft black or matte bronze frame reinforces its balance.

The Port of Zaandam W188, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
Oil painting on canvas
Photo before shipping
Canvas rolled, without frame
Background
The Port of Zaandam W188 - Claude Monet
Background 1
Background 2
2px
70 cm
390 cm

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1

You choose the size

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2

We paint the canvas

Your reproduction is hand-painted entirely in oil.

3

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4

Tracked delivery

You receive your canvas rolled, protected, and shipped with tracking.

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