The city reduced to a silhouette
The buildings are deliberately not very detailed. Their dark mass separates two lighter areas and gives the bell tower its readability without precise architectural drawing.
Canvas reproduction
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Oil painting on rolled canvas, unframed. Custom size available on request.
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Artwork description
Claude Monet · Dieppe · February 1882 · W706
The Dieppe port basin reflects the last yellow and pink glimmers of the evening, while the city and the bell tower of Saint-Jacques are silhouetted in dark blue. Painted in February 1882, this 58.4 × 72.1 cm oil on canvas is kept at the Dixon Gallery and Gardens and corresponds to Wildenstein 706.

Look at the work
The dark quays frame the pool and direct the gaze towards the silhouette of Dieppe. A few boats and vertical masts punctuate the central area without interrupting the great horizontal movement of reflections.
Yellow, pink and light green cross the sky then repeat in cold water. Between these two luminous surfaces, the city forms a compact blue band where the bell tower of Saint-Jacques remains the main landmark.
The port is not described by the activity of its quays, but by the exchange of colors between the winter sky, the darkened city and the mirror of the basin.
Composition, touch and light
Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.
The buildings are deliberately not very detailed. Their dark mass separates two lighter areas and gives the bell tower its readability without precise architectural drawing.
Masts, chimneys and reflections rise in the center, but remain secondary to the long touches of sky and water. This balance maintains the serenity of the evening.
Monet stayed in Dieppe in February 1882. The low light, humid atmosphere and almost still pool produced a cooler palette than his summer views of the coast.
Reference image
Only one exact image of W706 is used. The real WebP measures 354 × 283 px, the best reliable public definition identified for this version, preserved without artificial enlargement.
It must remain dense without turning black. Its variations allow you to recognize the bell tower, roofs and quays in the darkness.
These accents give the pool its inner light. They should blend with blues and pinks rather than forming a uniform band.
A few vertical touches and their reflections are enough. Too precise a drawing would distract the eye from the general atmosphere of the port.
Documented benchmarks
The Dixon Gallery and Gardens documents Port de Dieppe, in the evening, oil on canvas from 1882, 58.4 × 72.1 cm, donated by Montgomery HW Ritchie and listed as Wildenstein 706.
The central bell tower and the profile of the quays make it possible to identify the orientation of the gaze across the pool.
The work joined the museum thanks to a donation from Montgomery HW Ritchie, an important supporter of the institution's French collection.
Low sun is not directly represented; its light remains in the clouds, yellow gaps and reflections stretched over the water.
Your reproduction
Fidelity here depends on precise relationships between light, touch, depth and color temperature.
| Title | Port of Dieppe, evening W706 |
|---|---|
| Artist | Claude Monet (1840 -1926) |
| Date | 1882 |
| Original technique | Oil on canvas |
| Dimensions | 58.4 × 72.1 cm |
| Orientation | Horizontal |
| Conservation | Dixon Gallery and Gardens, Memphis, Tennessee, United States |
| Inventory | Wildenstein 706 |
| Your reproduction | Handmade oil painting on canvas |
Presentation in your interior
This intimate port is suitable for an office, library or living room. A smoky blue, warm gray or pale yellow wall and a dark setting highlight its evening reflections.
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