Portrait of Frédéric Bazille - Claude Monet

Portrait of Frédéric Bazille - Claude Monet

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Portrait of Frédéric Bazille - Claude Monet

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Portrait of Frédéric Bazille - Claude Monet
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Portrait of Frédéric Bazille - Claude Monet

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Claude Monet · Frédéric Bazille at the Saint-Siméon farm · Fabre Museum

Portrait of Frédéric Bazillehand painted reproduction

Frédéric Bazille appears in profile, sitting in front of a window opening onto the Honfleur countryside. His face and hair are constructed by deep browns, while the gray shirt, black scarf and green landscape are placed in broad touches. This small portrait on wood retains the immediacy of a session between two young painters who have become friends.

Oil on woodHand paintedPhoto before shipmentPossible alterations
Portrait of Frédéric Bazille - Claude Monet - full view
Portrait of Frédéric BazilleClaude Monet · 1864
1864Dating
40.5 × 31.5 cmDimensions of the original
Oil on woodOriginal technique
45.8.1Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

A dark profile stands out in front of the luminous countryside of Saint-Siméon

Bazille is seen mid-body, his gaze lowered to the left. The curve of his forehead, nose, beard and neck form a continuous, almost black silhouette. Monet does not erase brushstrokes: browns and colored blacks shape the face with very direct economy.

The gray jacket or shirt receives long white, green and brown touches which describe the folds without drawing them. Behind the head, a few trees, a roof and a green field are enough to establish the outdoors; the dark window jamb closes the composition on the right.

Friendship is read less in an official pose than in the proximity of the framing, the speed of the touch and the simplicity of the moment shared in Honfleur.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

A profile constructed by value rather than contour

The dark face stands out from the light background, but it contains several warm passages in the temple, ear, beard and neck. This variation keeps the volume without strong drawing.

02

The window as a frame inside the frame

The vertical upright on the right and the horizontal support behind the shoulder organize the small panel. They isolate the figure while letting the landscape enter the portrait.

03

Differentiated materials in a few gestures

The hair is treated with tight curves, the garment with wider strokes and the bottom with quick touches. The direction of the brush is enough to distinguish skin, fabric and vegetation.

Reference image

Read this specific version

The photograph from the Fabre museum shows the Portrait of Bazille with part of its frame. The work, inventory 45.8.1, is reproduced in real WebP of 1,320 × 1,700 px from the museum file in high definition.

Composition01

Black must remain colored

Brown, green and gray appear in the hair, beard and scarf. A flat black would remove the shape of the skull and the separation between the different materials.

Color02

The face retains its very precise silhouette

The forehead, nose, lips and beard are especially visible in their light-bottomed relationship. Modifying this profile would immediately alter the resemblance to Bazille.

Matter03

The garment maintains a broad style

Folds are indicated by blocks of gray, white and green, not by small lines. This key width is essential to the energy of the portrait.

Documented benchmarks

Three pieces of information specific to this work

Painted in 1864, this oil portrait on wood measures 40.5 × 31.5 cm. It is kept at the Fabre museum under inventory 45.8.1.

Model01

Frédéric Bazille, friend and work companion

Bazille meets Monet in Charles Gleyre's studio. In 1864, the two young artists worked together in Honfleur and shared the stay at the Saint-Siméon farm.

Attribution02

A work returned to Monet by recent research

The Fabre museum indicates that recent studies attribute this portrait to Claude Monet and date it from their stay in 1864. The file also preserves the history of attributions linked to Bazille and his family.

Entrance to the museum03

Donation from the Bazille family in 1945

The painter's family offers the panel to the Fabre museum. The portrait thus joins in Montpellier a major ensemble devoted to Bazille, its environment and the beginnings of impressionism.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • Respect the exact profile and the lowered stare position.
  • Modulate blacks with browns and greens.
  • Keep the wide touches of the garment.
  • Keep the secondary and bright landscape behind your head.

Work sheet

Title Portrait of Frédéric Bazille
Artist Claude Monet (1840 -1926)
Date 1864
Original technique Oil on wood
Dimensions 40.5 × 31.5 cm
Orientation Vertical
Conservation Fabre Museum, Montpellier, France
Inventory 45.8.1
Your reproduction Handmade oil painting on canvas
Consult the reference notice - Fabre Museum - Portrait of Bazille, inventory 45.8.1

Presentation in your interior

A palette designed with the room

This intimate portrait is suitable for a library, office or gallery wall. A patinated black, walnut or matte gold frame accompanies its tones; a sage green, linen or warm gray wall reveals the profile.

Portrait of Frédéric Bazille, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
01 Le plus fidèle aux détails
Exemple chrétien : Crucifixion présentée en tirage Fine Art non encadré
Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
Exemple chrétien : Lavement des pieds présenté sur canvas avec cadre flottant doré
Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

Themes of the work

Explore the topics and styles associated with this reproduction.

Claude Monet Famous Portraits French painting – French artists

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Compare paper prints, printed canvas, hand-painted oil and digital files. The physical examples illustrate each finish; your order uses the artwork selected above.

The same Last Supper artwork presented as an unframed Fine Art paper print
Unframed print

Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
Made to order
Printed to order, usually in 1 to 4 business days. Delivery time is additional.
Delivery
Carefully packed and shipped with tracking. Delivery time depends on the destination selected above.

Choose this option if you want to arrange your own framing.

These examples explain materials and presentation, not the artwork you are buying. Your order uses the artwork and options selected in the configurator. Colours can vary by screen; production and delivery times are estimates.

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