Paul-Eugène Milliet, known as Le Lieutenant, F473 - Van Gogh

Paul-Eugène Milliet, known as Le Lieutenant, F473 - Van Gogh

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Paul-Eugène Milliet, known as Le Lieutenant, F473 - Van Gogh

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Paul-Eugène Milliet, known as Le Lieutenant, F473 - Van Gogh
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Paul-Eugène Milliet, known as Le Lieutenant, F473 - Van Gogh

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Vincent van Gogh · End of September - beginning of October 1888 · Arles

Paul-Eugène Milliet, known as Le Lieutenant, F473Reproduction of oil painting on canvas

Red kepi, black uniform and confident look: second lieutenant Paul-Eugène Milliet stands out against an emerald green marked with the crescent and star of his regiment.

Hand paintedOil on canvasA verified WebP imagePhoto validation
Portrait de Paul-Eugène Milliet F473 de Vincent van Gogh, Kröller-Müller Museum
Paul-Eugène Milliet, known as Le Lieutenant, F473Vincent van Gogh · End of September - beginning of October 1888 · Kroeller-Müller Museum, Otterlo
End of September - beginning of October 1888Dating
60.3 × 49.5 cmDimensions of the original
Oil on canvasOriginal technique
Kroeller-Müller Museum, OtterloConservation
A real paintingThe canvas is hand painted, never printed.
Made to orderEach copy is created individually.
Controlled in photoYou review the completed table before sending.
Possible alterationsAdjustments may precede shipping.

Look at the work

Lieutenant Zouave transformed into an emblematic figure

Paul-Eugène Milliet serves as a second lieutenant in a Zouave regiment. In Arles, he sometimes accompanied Van Gogh, took some drawing lessons from him and shared his outings. The artist represents him in bust, strictly frontal, in a uniform whose braids, buttons and medal are treated as graphic signs.

The orange-red of the kepi contrasts with an emerald green background constructed by thick curved touches. In the upper corner, a crescent and a five-pointed star refer to Milliet's regiment. The face, painted more finely, remains the calm point between these powerful contrasts.

Van Gogh nicknamed this portrait "The Lover": Milliet became less of an official model than the image of an elegant man, confident and admired for his romantic adventures.

Composition, touch and color

Three observations specific to this painting

The strength of F473 comes from the very clear separation between the pale face, the almost black uniform, the red kepi and the saturated green background.

01

A red versus emerald

The kepi is the hottest accent on the canvas. Its complementary color of the green background immediately detaches the head.

02

Two ways of painting

The face is formed of fine and light touches, while the background receives a wide and thick material which revolves around the silhouette.

03

Crescent and star

These two signs in the upper corner are not an imaginary setting: they identify Milliet's membership in a Zouave regiment.

Documented benchmarks

Precisely identify the original work

The Kroeller-Müller Museum notice and the letter of September 29, 1888 identify the model, date, colors and emblems of F473/JH1588.

Model

Paul Eugene Milliet

The young second lieutenant frequented Van Gogh in Arles and transported a shipment of paintings when he reached Paris in the fall of 1888.

Nickname

The Lover

Van Gogh ironically admired Milliet's sentimental ease and conceived his portrait as the very type of lover.

Collection

KM 102.392

Helene Kroeller-Müller acquired the painting in 1912; it is today kept in the Otterlo museum.

Consult the official notice of the Kroeller-Müller Museum →

Your reproduction

What the painter must preserve

Reproduction must preserve the finesse of the face, the depth of the uniform and the very visible material of the background without darkening the military details.

  • The red kepi bordered with black and gold
  • The crescent and the star in the green background
  • The dark arabesques of the uniform
  • The medal and the little orange buttons
  • Finer touches around the eyes and beard

Work sheet

Title Paul-Eugène Milliet, known as Le Lieutenant, F473
Artist Vincent van Gogh (1853 -1890)
Date End of September - beginning of October 1888
Place of creation Arles
Original technique Oil on canvas
Dimensions 60.3 × 49.5 cm
Inventory Kroeller-Müller Museum KM 102.392 · F473 · JH1588
Conservation Kroeller-Müller Museum, Otterlo
Your reproduction Handmade oil painting on canvas

From order to shipping

1
PreparationStudy of framing, proportions and colors.
2
Oil paintingManual production, layer after layer.
3
Photo validationChecking the table and requesting possible alterations.
4
Protected shippingCareful packaging and shipping with tracking.

In your interior

A military portrait with frank contrasts

The vertical format and deep green bring a strong presence to an office, library or living room. The red of the kepi responds particularly well to warm wood and leather.

Frequently asked questions

Before ordering

Is this a canvas print?

No. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.

How is the visual reference chosen?

The public domain reference image was reduced to 2,391 × 3,000 px and then converted to WebP, without artificial enlargement.

Can I check the result before shipping?

Yes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.

Are custom formats possible?

Yes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.

Paul-Eugène Milliet, known as Le Lieutenant, F473, paints for your interior

An oil painting reproduction on canvas made individually, verified in photos and adjustable before shipping.

Hand painted · Oil on canvas · Photo validation
01 Le plus fidèle aux détails
Exemple chrétien : Crucifixion présentée en tirage Fine Art non encadré
Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
Exemple chrétien : Lavement des pieds présenté sur canvas avec cadre flottant doré
Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

Themes of the work

Explore the topics and styles associated with this reproduction.

Japonism Kröller-Müller Museum Modern portraits

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The same Last Supper artwork presented as an unframed Fine Art paper print
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Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
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Printed to order, usually in 1 to 4 business days. Delivery time is additional.
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Carefully packed and shipped with tracking. Delivery time depends on the destination selected above.

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Collection produit Japonism
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