La Prairie W535 - Claude Monet

La Prairie W535 - Claude Monet

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La Prairie W535 - Claude Monet

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La Prairie W535 - Claude Monet
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La Prairie W535 - Claude Monet

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Trois rendus pour une même œuvre

Claude Monet · Vétheuil · 1879 · W535

The Prairie W535hand painted reproduction

A vast flowery meadow rises to a row of trees under a cloud-laden sky. Three small figures stand in the grass: one on the left, two further towards the center. Their red, blue and white clothing punctuates a field made up of thousands of green, yellow and blue touches. Signed lower left, this 81.3 × 99.7 cm oil on canvas is kept at the Joslyn Art Museum under number 1944.79. It corresponds to Wildenstein 535.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
La Prairie W535 - Claude Monet - full view
The Prairie W535Claude Monet · 1879
1879Dating
81.3 × 99.7 cmDimensions of the original
Oil on canvasOriginal technique
1944.79 · Wildenstein 535Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

The field occupies almost the entire canvas and absorbs the figures: Monet transforms the meadow into a surface of light before making a decoration

The horizon is high, at tree level. This construction gives the meadow immense depth despite the absence of a marked path. The three figures serve as milestones: their decreasing size leads the gaze towards the center, while the darker trees stop the progression before the distant hillside.

Flowers and grass are not distributed regularly. Yellows, blues, greens and small red notes concentrate or are spaced out according to areas of light. The trunks and foliage are denser, but the sky takes on similar blues and whites; this colored continuity unifies the entire surface.

The Joslyn Art Museum preserves the painting under its English title The Meadow. It was exhibited in 1880 at La Vie moderne under the title La Prairie, then in 1889 in the exhibition Monet - Rodin comme Prairie in Vétheuil.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

The high horizon gives all its power to the field

The meadow occupies almost three-quarters of the height. The viewer does not overlook the scene: he seems placed at grass level, facing a surface that extends to the trees.

02

The figures organize the distance in small steps

Each character is reduced to a few colorful accents. Their arrangement avoids a rigid central axis and advances the gaze in stages through the thickness of the grass.

03

The edge opposes density and opening

The dark trees form an irregular screen, pierced with gaps in the sky and views of the hillside. They close the field without transforming the horizon into a continuous strip.

Reference image

Read this specific version

The single image represents exactly inventory 1944.79 and Wildenstein 535. The official Joslyn Art Museum file measures 2,000 × 1,608 px; it remains at its native definition, without artificial enlargement, then is encoded in real WebP.

Composition01

Preserve the meadow as the main subject

The tree line should remain high and the figures small. Enlarge the characters or reduce the field would change W535 to a genre scene.

Color02

Maintain irregularity of floral touches

Yellow, blue and red appear in varying concentrations. Too uniform a decorative distribution would cause the light and depth of the terrain to be lost.

Matter03

Differentiate foliage without black outline

Each tree has its own density and temperature. Deep greens, blues and whites are enough to separate them while keeping the edge crossed by the air.

Documented benchmarks

Three pieces of information specific to this work

The Joslyn Art Museum documents La Prairie, oil on canvas from 1879, 81.3 × 99.7 cm, inventory 1944.79 and catalog Wildenstein 535.

Exposure01

Presented to the public in 1880

The painting appears at La Vie moderne under number 5, then at the seventh exhibition of independent artists in 1882. In 1889, Victor Chocquet lent it to the major exhibition Monet - Rodin.

Provenance02

By Victor Chocquet at the Joslyn Art Museum

Documented by collector Victor Chocquet before 1889, the work passed through the Marie Harriman gallery. William and Marie Harriman donated it to the Omaha Museum in 1944.

Title03

La Prairie, The Meadow and Prairie in Vétheuil

The different historical titles designate the same canvas, identifiable by the format of 81.3 × 99.7 cm, the number 1944.79 and the reference Wildenstein 535.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The Wildenstein 535 version and the 1944.79 inventory
  • The meadow occupying most of the canvas
  • The three little figures spaced in the grass
  • The irregular row of trees under the cloudy sky

Work sheet

Title The Prairie W535
Artist Claude Monet (1840 -1926)
Date 1879
Original technique Oil on canvas
Dimensions 81.3 × 99.7 cm
Orientation Horizontal
Conservation Joslyn Art Museum, Omaha, United States
Inventory 1944.79 · Wildenstein 535
Your reproduction Handmade oil painting on canvas
View official notice and exhibition history - Joslyn Art Museum · 1944.79

Presentation in your interior

A palette designed with the room

This large horizontal meadow is suitable for a living room, dining room or office. A pale blue, gray green or creamy yellow wall and a natural oak frame reinforce its opening and the vibration of the flowers.

La Prairie W535, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
01 Le plus fidèle aux détails
Exemple chrétien : Crucifixion présentée en tirage Fine Art non encadré
Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
Exemple chrétien : Lavement des pieds présenté sur canvas avec cadre flottant doré
Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

Themes of the work

Explore the topics and styles associated with this reproduction.

Claude Monet Flowering fields and meadows French painting – French artists

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Compare paper prints, printed canvas, hand-painted oil and digital files. The physical examples illustrate each finish; your order uses the artwork selected above.

The same Last Supper artwork presented as an unframed Fine Art paper print
Unframed print

Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
Made to order
Printed to order, usually in 1 to 4 business days. Delivery time is additional.
Delivery
Carefully packed and shipped with tracking. Delivery time depends on the destination selected above.

Choose this option if you want to arrange your own framing.

These examples explain materials and presentation, not the artwork you are buying. Your order uses the artwork and options selected in the configurator. Colours can vary by screen; production and delivery times are estimates.

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