Gladiolus W695 - Claude Monet

Gladiolus W695 - Claude Monet

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Gladiolus W695 - Claude Monet

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Gladiolus W695 - Claude Monet
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Gladiolus W695 - Claude Monet

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Comprendre les formats

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Claude Monet · Gladiolus · 1881 · W695

Gladiolus W695hand painted reproduction

A single pole of pink and cream gladiolus rises from a small glazed vase placed at the lower edge. The long green leaves accentuate the verticality, while a pinkish-brown background without depth isolates the flower as on a decorative panel. This oil on canvas measuring 100.4 × 41.5 cm, painted in 1881, is kept at the Pola Museum of Art under number 997-0056 and corresponds to Wildenstein 695.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Gladiolus W695 - Claude Monet - full view
Gladiolus W695Claude Monet · 1881
1881Dating
100.4 × 41.5 cmDimensions of the original
Oil on canvasOriginal technique
997-0056 · Wildenstein 695Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

A single flower in a kakemono format

The vase takes up very little space at the bottom of the canvas. From its round shape come three long leaves and a thin stem, crowned by a tight bouquet of pale flowers. The void surrounding the pattern matters as much as the plant itself.

The background combines terracotta, brown and mauve in soft passages. The petals mix off-white, pink and light yellow; the leaves are drawn by a few deep greens. The vase brings together red, green and black in brilliant touches.

By reducing still life to a pole, a few leaves and a vase, Monet transforms the flower into a line, the bottom into a breath and the format into a decorative object.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

An exceptionally narrow format

The proportions of 100.4 × 41.5 cm require reading from bottom to top. The flower does not fill the space: it activates it with its slender silhouette.

02

A direct influence of Japanese art

The unique pattern, reduced depth and large background reserve evoke the Japanese hanging paintings that Monet collected and studied.

03

Two Gladioli exhibited together in 1882

Monet produced two neighboring versions, W694 and W695, today at the Pola Museum. Their presentation at the seventh impressionist exhibition affirmed his interest in floral decoration.

Reference image

Read this specific version

A single exact image of W695 is used throughout the file and as the sole media for the product. The real WebP measures 620 × 1,500 px and comes from the museum image without artificial enlargement.

Composition01

Preserve the large void around the flower

Filling or detailing the background would destroy the decorative balance and delicacy of W695.

Color02

Preserve the fineness of the stem

It must guide the gaze without becoming a hard and regular line.

Matter03

Keep the nuances of the glazed vase

Its reds, greens and blacks concentrate the material at the bottom of the composition and balance the lightness of the petals.

Documented benchmarks

Three pieces of information specific to this work

The Pola Museum of Art documents Gladiolus, oil on canvas from 1881, 100.4 × 41.5 cm, inventory 997-0056 and Wildenstein catalog 695.

Pair01

W695 dialogues with a second Gladiolus

The museum also keeps W694, slightly smaller. The two panels feature the same flower, the same low vase and a vertical organization inspired by Japanese art.

Exposure02

A work shown in Paris in 1882

The two Gladioli appear in the seventh impressionist exhibition, where Monet presents landscapes and still lifes from his period in Vétheuil.

Decoration03

A milestone towards floral panels

As early as 1882, Monet painted a series of door panels dedicated to flowers and fruits for Paul Durand-Ruel. The narrowness of W695 announces this decorative research.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The Wildenstein 695 version
  • The pink and cream shaft
  • The long green leaves
  • The small glazed vase on the pinkish brown background

Work sheet

Title Gladiolus W695
Artist Claude Monet (1840 -1926)
Date 1881
Original technique Oil on canvas
Dimensions 100.4 × 41.5 cm
Orientation Vertical
Conservation Pola Museum of Art, Hakone, Japan
Inventory 997-0056 · Wildenstein 695
Your reproduction Handmade oil painting on canvas
Consult the official notice - Pola Museum of Art · 997-0056

Presentation in your interior

A palette designed with the room

This very vertical canvas is suitable for an entrance, an alcove or a narrow wall. An old pink, warm beige or olive green wall and a thin dark wood frame extend its elegance.

Gladiolus W695, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
01 Le plus fidèle aux détails
Exemple chrétien : Crucifixion présentée en tirage Fine Art non encadré
Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
Exemple chrétien : Lavement des pieds présenté sur canvas avec cadre flottant doré
Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

Themes of the work

Explore the topics and styles associated with this reproduction.

Claude Monet French painting – French artists Impressionist

Compare the finishes

Choose how your artwork comes to life

Compare paper prints, printed canvas, hand-painted oil and digital files. The physical examples illustrate each finish; your order uses the artwork selected above.

The same Last Supper artwork presented as an unframed Fine Art paper print
Unframed print

Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
Made to order
Printed to order, usually in 1 to 4 business days. Delivery time is additional.
Delivery
Carefully packed and shipped with tracking. Delivery time depends on the destination selected above.

Choose this option if you want to arrange your own framing.

These examples explain materials and presentation, not the artwork you are buying. Your order uses the artwork and options selected in the configurator. Colours can vary by screen; production and delivery times are estimates.

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