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Charing Cross Bridge, brouillard sur la Tamise de Claude Monet, 1903 – Harvard Art Museums 1979.329, Wildenstein 1554

Charing Cross Bridge, fog on the Thames W1554 - Claude Monet

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Calculated format 50 x 50 cm
Current offer $299.00 USD Workshop price $598.00 USD
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Oil painting on rolled canvas, unframed. Custom size available on request.

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Artwork description

Reproduction details

Claude Monet · 1903 · Harvard 1979.329 · W1554

Charing Cross Bridge, fog on the Thames W1554hand painted reproduction

A pink sun attempts to pass through a sheet of green and blue fog above the Thames. The Charing Cross bridge becomes almost invisible; a dark boat and the reflection of the star are enough to structure the space. The Fogg Museum preserves this painting under the inventory 1979.329, Wildenstein 1554.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Charing Cross Bridge, fog on the Thames W1554 - Claude Monet - full view
Charing Cross Bridge, fog on the Thames W1554Claude Monet · 1903
1903Dating
73.7 × 92.4 cmDimensions of the original
Oil on canvasOriginal technique
1979.329 · Wildenstein 1554Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

A pink sun and a bridge almost erased by fog

The bridge forms a very low horizontal line, interrupted by mist. On the left, a diffuse vertical suggests a chimney; in the foreground, the boat slides in the pink reflection. These few marks prevent the space from dissolving entirely.

The upper half mixes pale blue and denser green around the sun. In the water, the same colors become more horizontal and deeper. The warm reflection connects the star to the boat with a series of small light touches.

W1554 reduces London to three signs - a sun, a bridge line and a boat - wrapped in an immense expanse of color.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

The 1979.329 version of Harvard

Harvard Art Museums documents a 1903 oil on canvas measuring 73.7 × 92.4 cm. The work, donated to the Fogg Museum by Mrs. Henry Lyman, corresponds to Wildenstein 1554.

02

The view from the Savoy Hotel

Monet observes Charing Cross Bridge from the Savoy, facing upstream of the Thames. The railway bridge, chimneys and boats change appearance depending on the density of the fog.

03

Work continued in the workshop

London studies begun there in 1899, 1900 and 1901 were repeated at length in Giverny. Monet seeks reporting less than the exact coherence of an atmospheric sensation.

Reference image

Read this specific version

Only one image is used: the exact scan of W1554 from the Fogg Museum, converted into a real WebP of 2,400 × 1,908 px.

Composition01

An almost absent horizon

The bridge line must remain very weak. Strengthening it too much would remove the impression that architecture is absorbed by air and water.

Color02

Milky blue, mist green and pink

Green forms an irregular halo around the sun. Pink remains concentrated in the star and its reflection, creating the only warm contrast of the scene.

Matter03

Thin, veiled layers

The material is more melted than in the Millstones or Cathedrals. Visible repeats accumulate without closing the shapes, which gives the fog its depth.

Documented benchmarks

Three pieces of information specific to this work

Harvard Art Museums keeps this painting under inventory 1979.329; it measures 73.7 × 92.4 cm and corresponds to Wildenstein 1554.

Identification01

Fog on the Thames, W1554

The pink sun surrounded by green and the boat in the foreground distinguish this version from the numerous Charing Cross Bridges painted with a more yellow, purple sky or without visible sun.

Collection02

Fogg Museum, 1979.329

The painting belongs to the Harvard Art Museums in Cambridge. It entered the collection thanks to a donation from Mrs. Henry Lyman.

Series03

Charing Cross Bridge in the London atmosphere

Monet varies the visibility of the bridge, rail traffic and the south bank. Here, the fog is so dense that urban landmarks become secondary.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The exact version of Harvard, inventory 1979.329 and W1554
  • The original horizontal format of 73.7 × 92.4 cm
  • Pink sun surrounded by mist green halo
  • The bridge and the boat kept on the threshold of disappearance

Work sheet

Title Charing Cross Bridge, fog on the Thames W1554
Artist Claude Monet (1840 -1926)
Date 1903
Original technique Oil on canvas
Dimensions 73.7 × 92.4 cm
Orientation Horizontal
Conservation Harvard Art Museums /Fogg Museum, Cambridge, United States
Inventory 1979.329 · Wildenstein 1554
Your reproduction Handmade oil painting on canvas
Consult the official notice - Harvard Art Museums

Presentation in your interior

A palette designed with the room

This large blue-green breath is suitable for a bedroom, quiet living room or meditation space. Off-white, smoked glass, light wood and small touches of pale pink prolong its atmosphere.

Charing Cross Bridge, fog on the Thames W1554, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
Oil painting on canvas
Photo before shipping
Canvas rolled, without frame
Background
Charing Cross Bridge, fog on the Thames W1554 - Claude Monet
Background 1
Background 2
2px
70 cm
390 cm

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1

You choose the size

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2

We paint the canvas

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3

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