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Port du Havre W297 par Claude Monet, 1874, Philadelphia Museum of Art

Port of Le Havre W297 - Claude Monet

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Calculated format 50 x 50 cm
Current offer $299.00 USD Workshop price $598.00 USD
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Oil painting on rolled canvas, unframed. Custom size available on request.

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Artwork description

Reproduction details

Claude Monet · Lively quay, sailboats and steamers in the Norman port · Philadelphia Museum of Art

Port of Le Havre W297hand painted reproduction

The large quay of Le Havre stretches to the left, filled with walkers, while the basin opens towards a forest of masts, sails and chimneys. A small red sail crosses the center and vapors mingle with the misty horizon. In this very wide panorama, Monet captures the crowds, commercial navigation and maritime light of a moment in January 1874.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Port du Havre W297 - Claude Monet - full view
Port of Le Havre W297Claude Monet · 1874
1874Dating
60.4 × 102 cmDimensions of the original
Oil on canvasOriginal technique
1961-48-3 · Wildenstein 297Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

The quay, the crowds and the ships make up a panorama of port life

The foreground is occupied by a clear promenade which runs obliquely along the water. Dozens of figures, reduced to a few dark or colorful touches, group together along the balustrade and on the quay. The facades of Le Havre follow one another on the left, increasingly thin as they reach the horizon.

The basin brings together boats, sailboats and large steam vessels. An orange-red sail, almost in the center, serves as a call point among the blues and grays. The smoke from ships mixes with the low clouds, so that industrial activity and maritime time become inseparable.

Le Havre is neither a still setting nor an inventory of ships: Monet paints the simultaneous rhythm of the crowd, the water, the steam and the sky.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

A truly panoramic format

The width of the canvas far exceeds its height and forces the eye to travel along the quay before crossing the pool. The verticals of the masts regularly interrupt this horizontal movement and prevent the scene from dispersing.

02

A crowd without individual portraits

Each walker is held in a few marks: a hat, a jacket, a dress or a shadow. Their density varies along the balustrade, creating believable animation without transforming the work into a detailed genre scene.

03

Steam prolongs the atmosphere

Gray fumes from ships rise into a beige blue sky and dissolve there. Monet therefore does not clearly separate industry and weather; it uses steam to multiply the color passages and the depth of the port.

Reference image

Read this specific version

The visual corresponds to Port du Havre, inventory 1961-48-3 of the Philadelphia Museum of Art and Wildenstein number 297. The reference digitization has been converted into a real WebP of 3,000 × 1,763 px, without exceeding its original definition.

Composition01

The red sail remains the colored center

Its small warm surface is enough to draw the eye into the gray blue expanse. It must retain its shape and position without being enlarged or made more saturated than in the original.

Color02

The dock is clear but not uniform

Ochres, pinks, grays and blues describe the roadway, steps and shadows of the crowd. Variations in value make it possible to distinguish the promenade from the water without drawing a continuous hard edge.

Matter03

The ships emerge from the mist

Masts, chimneys and hulls become less contrasted towards the horizon. This progressive loss of precision is essential: it gives the port its depth and retains the impression of humid air.

Documented benchmarks

Three pieces of information specific to this work

Painted in 1874, this oil on canvas measures 60.4 × 102 cm. It is kept at the Philadelphia Museum of Art under inventory 1961-48-3 and listed as Wildenstein 297.

Stay01

A return to Le Havre in January 1874

Monet returned to his childhood town in early 1874 and observed the port under several conditions. This panoramic view demonstrates his interest in a specific moment, rather than in a general and timeless representation of Le Havre.

Series02

The same port under different weather conditions

The Philadelphia Museum of Art brings this painting closer to another view held at the Los Angeles County Museum of Art, taken from a comparable position in the rain. The comparison shows how Monet varies light, visibility and animation from the same site.

Provenance03

The legacy of Mrs. Frank Graham Thomson

The painting entered the Philadelphia Museum of Art in 1961 by bequest from Mrs. Frank Graham Thomson. It has carried the inventory since 1961-48-3 and constitutes an important port view of the year of the first impressionist exhibition.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • Preserve the panoramic relationship between quay and basin.
  • Distribute the crowd in varied touches without detailed portraits.
  • Maintain red sail as a measured accent.
  • Gradually decrease the contrasts of distant ships.

Work sheet

Title Port of Le Havre W297
Artist Claude Monet (1840 -1926)
Date 1874
Original technique Oil on canvas
Dimensions 60.4 × 102 cm
Orientation Horizontal panoramic
Conservation Philadelphia Museum of Art, Philadelphia, United States
Inventory 1961-48-3 · Wildenstein 297
Your reproduction Handmade oil painting on canvas
Consult the reference notice - Philadelphia Museum of Art - Port of Le Havre, 1961-48-3

Presentation in your interior

A palette designed with the room

This large panorama is suitable for a spacious living room, dining room or office. A light oak, steel gray or walnut frame accompanies the port; a sand, mist blue or warm white wall highlights the small red sail.

Port du Havre W297, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
Oil painting on canvas
Photo before shipping
Canvas rolled, without frame
Background
Port of Le Havre W297 - Claude Monet
Background 1
Background 2
2px
70 cm
390 cm

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