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Sur les bords de Seine à Bennecourt W110 par Claude Monet, 1868, Art Institute of Chicago
  • Sur les bords de Seine à Bennecourt W110 par Claude Monet, 1868, Art Institute of Chicago
  • Sur les bords de Seine à Bennecourt W110 par Claude Monet, 1868, Art Institute of Chicago
On the banks of the Seine at Bennecourt W110 - Claude Monet

On the banks of the Seine at Bennecourt W110 - Claude Monet

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Calculated format 50 x 50 cm
Current offer $299.00 USD Workshop price $598.00 USD
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Oil painting on rolled canvas, unframed. Custom size available on request.

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Artwork themes

Explore the subjects and styles associated with this reproduction.

Art Institute of Chicago Boutique Claude Monet French painting – French artists Impressionist Impressionist Landscapes Impressionist water and coastlines Japonism The Seine by Claude Monet

Artwork description

Reproduction details

Claude Monet · Camille facing the hamlet of Gloton · Art Institute of Chicago

On the banks of the Seine at Bennecourt W110hand painted reproduction

Sitting in the shadow of two trees, Camille Doncieux looks at the Seine and the houses of Gloton which are reflected in the calm water. A green boat rests very close to her, like the trace of the journey made from Bennecourt. Monet combines the intimacy of a figure seen from behind with a very constructed landscape, where dark foliage, light bank, cultivated hillside and mirror of the river respond to each other.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
On the banks of the Seine at Bennecourt W110 - Claude Monet - full view
On the banks of the Seine at Bennecourt W110Claude Monet · 1868
1868Dating
81.5 × 100.7 cmDimensions of the original
Oil on canvasOriginal technique
1922.427 · Wildenstein 110Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

The shaded figure opens onto the sunny shore and its reflection

Two vertical trunks form a screen on the left, and the mass of leaves extends above Camille. Her striped dress and her hat placed in the grass introduce whites and blues into this dark area. The small boat, seen in shortcut, then leads the eye towards the water.

On the opposite bank, Gloton's houses are lined up under a cultivated green hillside. Their light facades, figures and animals are repeated in the reflection, but with simplified and inverted shapes. A strip of blue sky appears at the top, while a second blue zone crosses the water in the foreground.

Camille does not pose in front of the landscape: her silent position makes the viewer share the very act of looking at the shore.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

A natural setting placed very close

Trunks and foliage occupy a considerable part of the canvas. They give the foreground a dark weight, protect the figure from the sun and create an irregular opening towards the village.

02

Two banks united by reflection

The houses, the hillside and the light repeat themselves in the Seine. Monet does not copy every detail: he widens the shapes and modifies their colors so that the water remains a moving surface and not a rigid mirror.

03

A figure between portrait and landscape

Camille is recognizable by her silhouette, but her face remains invisible. The stripes of her dress take up the contrasts of the shore and integrate it into the pattern instead of making it an independent portrait.

Reference image

Read this specific version

The image corresponds to the 1922.427 inventory of the Art Institute of Chicago and Wildenstein number 110. The 3,000 × 2,425 px file was kept at its native definition and then encoded in WebP.

Composition01

The leaves do not form a black mass

Bluish greens, yellows, browns and small sky openings differentiate the branches. This variety maintains cool shade while maintaining foliage depth.

Color02

The stripes of the dress follow the body

White and blue change width with folds and sitting. Regular, flat strips would remove Camille's volume and her insertion into the grass.

Matter03

The reflection simplifies without mechanically reversing

The facades become touches of beige, pink and green which mingle with the water. Their edges must remain more flexible than those of the real bank in order to reflect the slight movement of the river.

Documented benchmarks

Three pieces of information specific to this work

Dated and signed Cl. Monet 1868 lower left, this oil on canvas measures 81.5 × 100.7 cm. It is kept at the Art Institute of Chicago under inventory 1922.427 and listed as Wildenstein 110.

Location01

An island in the Seine facing the hamlet of Gloton

Camille and Monet would have reached this bank by boat from Bennecourt. The painter observes the small hamlet of Gloton, its houses, the hillside and the activities of the opposite bank.

Stay02

The only preserved painting from the brief passage to Gloton

The Art Institute indicates that Émile Zola had recommended this rural refuge, inexpensive and accessible from Paris. This work remains the only surviving painting from this specific stay.

Revision03

A first composition showed Camille with a child

The underlying study reveals repentance: Camille initially held a baby wearing a hat, probably Jean. Monet then transforms the scene to isolate the figure facing the landscape.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • Maintain the contrast between shaded foreground and sunny shore.
  • Follow the folds of the dress with stripes.
  • Keep the reflection more flexible than real houses.
  • Preserve the green boat as a passage between figure and river.

Work sheet

Title On the banks of the Seine at Bennecourt W110
Artist Claude Monet (1840 -1926)
Date 1868
Original technique Oil on canvas
Dimensions 81.5 × 100.7 cm
Orientation Horizontal
Conservation Art Institute of Chicago, Chicago, United States
Inventory 1922.427 · Wildenstein 110
Your reproduction Handmade oil painting on canvas
Consult the reference notice - Art Institute of Chicago - 1922.427

Presentation in your interior

A palette designed with the room

This generous landscape is suitable for a living room, dining room or library. A walnut, deep green or natural oak frame accompanies the trees; a light wall and side light bring out the blues of the sky and water.

On the banks of the Seine in Bennecourt W110, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
Oil painting on canvas
Photo before shipping
Canvas rolled, without frame
Background
On the banks of the Seine at Bennecourt W110 - Claude Monet
Background 1
Background 2
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70 cm
390 cm

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