A throat without sky
The horizon almost completely disappears. The rocks close the view and concentrate the light on the central passage.
2 · Exemple de la sélection
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Préparation de la sélection…
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3 · Mise en situation
Reproduction d’art premium
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Imprimez l’œuvre chez vous ou auprès de l’imprimeur de votre choix, ou utilisez la version écran sur ordinateur, tablette et téléphone.
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Comprendre les formats
Vincent van Gogh · October 1889 · Saint-Rémy-de-Provence
Blue-green rock walls tighten around a narrow water passage; Van Gogh transforms the Peiroulets ravine into a dense and melancholy landscape.
Look at the work
Two masses of rocks occupy the sides of the canvas and converge towards a narrow gorge. At the bottom, a waterfall or trickle descends between the walls; in the foreground, a green pool and light stones open a visual path into the depth.
The volumes are constructed by long curved and oblique touches, in a range of blue, green, gray, purple and ocher. The lines follow the folds of the rock instead of describing them by a classic model, giving the ravine an almost organic movement.
Painted on the motif in the fall of 1889, F662 covers a first composition of wild vegetation made a few months earlier, now revealed by x-ray.
Composition, touch and color
The MFA connects the painting to the ravine near Saint-Paul and to a letter where Van Gogh describes the pleasure of working in these wild places despite the wind.
The horizon almost completely disappears. The rocks close the view and concentrate the light on the central passage.
Curves, hatching and dark lines follow the strata and hollows, transforming the rock into a moving surface.
Blues, greens and grays dominate, with few warm accents. This chromatic restraint reinforces the depth and solitude of the place.
Documented benchmarks
Inventory 52.1524 and references F662/JH1804 distinguish the Boston Ravine from the Peiroulets Ravine F661 kept at the Kroeller-Müller Museum.
Van Gogh sets up his easel between the stones of the neighboring ravine of the Saint-Rémy asylum, in land exposed to the wind.
The x-rays revealed a study of wild vegetation under the Ravine, reused when the artist lacked new canvas.
The following spring, Paul Gauguin saw the landscape in Paris and expressed a desire to exchange it for one of his own works.
Your reproduction
The copy must preserve the confinement of the composition, the cold nuances and the direction of the keys which describe each wall.
| Title | The Ravine, F662 |
|---|---|
| Artist | Vincent van Gogh (1853 -1890) |
| Date | October 1889 |
| Place of creation | Saint-Rémy-de-Provence |
| Original technique | Oil on canvas |
| Dimensions | 73 × 91.7 cm |
| Inventory | Museum of Fine Arts Boston 52.1524 · F662 · JH1804 |
| Conservation | Museum of Fine Arts, Boston |
| Your reproduction | Handmade oil painting on canvas |
In your interior
The horizontal format is suitable for a living room, office or bedroom. Blue gray, moss green and purple match stone, dark wood and natural textiles.
Frequently asked questions
No. Each reproduction is manually painted in oil on canvas. Brushstrokes and material variations belong to the final result.
The best verified public reproduction measures 2,538 × 2,004 px; it was converted into a real WebP without artificial enlargement.
Yes. Photographs of the finished painting are sent to you; you can request alterations before validating the shipment.
Yes. The format can be adapted to your wall while maintaining the proportions and balance of the original composition.
Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.
Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.
Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.
Explore the topics and styles associated with this reproduction.
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A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.
A slim, traditional frame that keeps attention on the artwork.
A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.
Choose a Box frame for a deeper profile and a more pronounced presence on the wall.
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An artist recreates your chosen artwork by hand in oil paint on canvas. Brushwork and small variations make each reproduction individual; it is not a digital print.
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An artist recreates your chosen artwork by hand in oil paint on canvas. Brushwork and small variations make each reproduction individual; it is not a digital print.
Choose your own local framer to prepare the finished painting for display.
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Same artist
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