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Regattas in Sainte-Adresse W91 - Claude Monet

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Regattas in Sainte-Adresse W91 - Claude Monet

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Regattas in Sainte-Adresse W91 - Claude Monet

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Regattas in Sainte-Adresse W91 - Claude Monet

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Claude Monet · Sailboats, walkers and summer lights on the Normandy coast · Metropolitan Museum of Art

Regattas at Sainte-Adresse W91hand painted reproduction

Under a bright sky, the sails of a regatta cross the bay of Sainte-Adresse. Elegant walkers stand on the beach in the foreground, facing water covered with blue, green and white reflections. Monet paints the resort at high tide and makes light the true link between dark silhouettes, boats and the immense display of clouds.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Regattas in Sainte-Adresse W91 - Claude Monet - full view
Regattas at Sainte-Adresse W91Claude Monet · 1867
1867Dating
75.2 × 101.6 cmDimensions of the original
Oil on canvasOriginal technique
51.30.4 · Wildenstein 91Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

The oblique line of the shore leads walkers towards the sun-drenched flotilla

On the left, a group of women and men in street clothes look out to sea. Their dresses, hats and parasols form a series of vertical silhouettes on the inclined beach. Further down, a few fishermen and boats remind us that the coast also remains a place of work.

The sailboats are distributed at several distances: dark hulls near the shore, white sails in the center and small touches on the horizon. The sky occupies almost half of the canvas. Its clear clouds, shaped by bluish grays, amplify the brightness of the sea and the movement of the regatta.

Monet brings together in the same light the sociability of the beach, maritime work and the light speed of sailboats.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

A depth measured by the sails

The boats gradually decrease without following a regular line. Their intervals, the variation of the whites and the overlap of the masts create a vast bay where the gaze can circulate freely.

02

The contrast between silhouettes and atmosphere

The figures in the foreground are darker and more compact than the sky or the sea. They give a basis to the composition while accentuating, by contrast, the dazzling of the sails and clouds.

03

A counterpart dedicated to two faces of Sainte-Adresse

The Met brings this painting closer to La Plage à Sainte-Adresse kept in Chicago. The sunny regatta, at high tide and frequented by the bourgeoisie, responds to a grayer beach, at low tide, bustling with fishing boats and workers.

Reference image

Read this specific version

The visual corresponds to inventory 51.30.4 of the Metropolitan Museum of Art and Wildenstein number 91. Its native width of 3,000 px was retained during encoding as a real WebP, without oversampling.

Composition01

The shore remains a clear but irregular diagonal

Sand, pebbles, people and small boats interrupt the slope. A line that is too clear would artificially separate the foreground from the sea.

Color02

White sails vary depending on their distance

Some contain yellow and pink, others blue or gray. These temperature differences give depth and avoid graphic repetition.

Matter03

The clouds maintain a great amplitude

Their volumes are constructed by edges that are sometimes luminous, sometimes dissolved. The material must remain more flexible than that of the figures so that the sky retains its movement.

Documented benchmarks

Three pieces of information specific to this work

Signed and dated 1867, this oil on canvas measures 75.2 × 101.6 cm. It is kept at the Metropolitan Museum of Art under inventory 51.30.4 and classified Wildenstein 91.

Stay01

Summer 1867 at Sainte-Adresse

Monet works on the coast near Le Havre, where part of his family lives. Beaches, gardens, boats and walkers allow him to study very different lighting effects in a restricted geographical space.

Company02

A modern resort

Spectator clothing signals a social walk rather than a stage exclusively devoted to fishermen. The regatta places contemporary life in a traditional seascape.

Collection03

Legacy of William Church Osborn

After several French and American collections, the painting was bequeathed to the Metropolitan Museum of Art by William Church Osborn in 1951. Inventory 51.30.4 distinguishes this large version from other views of Sainte-Adresse.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • Maintain the scale relationship between figures, boats and horizon.
  • Vary the whites of the sails and clouds.
  • Preserve the fragmented reflections of the sea.
  • Maintain the silhouettes of the shore without too much detail.

Work sheet

Title Regattas at Sainte-Adresse W91
Artist Claude Monet (1840 -1926)
Date 1867
Original technique Oil on canvas
Dimensions 75.2 × 101.6 cm
Orientation Horizontal
Conservation Metropolitan Museum of Art, New York, United States
Inventory 51.30.4 · Wildenstein 91
Your reproduction Handmade oil painting on canvas
Consult the reference notice - Metropolitan Museum of Art - 51.30.4

Presentation in your interior

A palette designed with the room

This large horizontal navy brings light to a living room, dining room or office. A midnight blue, natural wood or patinated gold frame emphasizes depth; a light wall highlights the sky and the sails.

Regattas in Sainte-Adresse W91, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
01 Le plus fidèle aux détails
Exemple chrétien : Crucifixion présentée en tirage Fine Art non encadré
Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
Exemple chrétien : Lavement des pieds présenté sur canvas avec cadre flottant doré
Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

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The same Last Supper artwork presented as an unframed Fine Art paper print
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Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
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Printed to order, usually in 1 to 4 business days. Delivery time is additional.
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