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Pluie à Belle-Île W1120 par Claude Monet, musée des Beaux-Arts de Morlaix
  • Pluie à Belle-Île W1120 par Claude Monet, musée des Beaux-Arts de Morlaix
  • Pluie à Belle-Île W1120 par Claude Monet, musée des Beaux-Arts de Morlaix
Rain in Belle-Île W1120 - Claude Monet

Rain in Belle-Île W1120 - Claude Monet

Atelier spécialisé Peint à la main Photo avant envoi Retouches incluses

Canvas reproduction

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The format automatically adapts to the original artwork.

Calculated format 50 x 50 cm
Current offer $299.00 USD Workshop price $598.00 USD
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Oil painting on rolled canvas, unframed. Custom size available on request.

Après le choix du format Validation photo avant expédition
Peint à la main Huile sur toile, réalisée sur commande.
Photo avant envoi Validation du rendu avant expédition.
Livraison suivie Toile roulée, protégée et suivie.
Retouches incluses Jusqu'à 4 séries avant validation.

Artwork themes

Explore the subjects and styles associated with this reproduction.

Boutique Claude Monet French painting – French artists Impressionist Impressionist Landscapes Japonism Morlaix Museum of Fine Arts

Artwork description

Reproduction details

Claude Monet · Belle-Île · 1886 · W1120

Rain in Belle-Île W1120hand painted reproduction

Under a sky almost entirely closed by rain, the coast of Belle-Île is reduced to a low line of cliffs and moors. The sea, seen from very high, mixes in the foreground in green, gray, pink and ocher bands, while the oblique lines make the downpour visible. This oil on square canvas measuring 60.4 cm on each side, painted in 1886, is kept at the Morlaix Museum of Fine Arts under number 512 and corresponds to Wildenstein 1120.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Rain in Belle-Île W1120 - Claude Monet - full view
Rain in Belle-Île W1120Claude Monet · 1886
1886Dating
60.4 × 60.4 cmDimensions of the original
Oil on canvasOriginal technique
N° 512 · Wildenstein 1120Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

A downpour transforms the coast into a field of colors

The horizon is very low and leaves more than half the size in the sky. The distant cliffs appear as an interrupted gray-blue band. In the foreground, the moor and the sea are brought together by a horizontal material, without a clear outline.

Bluish white, gray, green, pink and beige dominate. Fine oblique touches cross the sky then descend towards the horizon. They do not draw isolated drops: they give the entire surface the direction of wind and rain.

The landscape becomes almost abstract: an immense sky, a coastline and a few colorful layers are enough to make you feel the humidity, the wind and the reduced visibility.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

A deliberately lowered horizon

The sky occupies most of the square. This disproportion makes the downpour the real subject, well before the topographical details.

02

The rain painted by the direction of the gesture

The inclined marks run through several areas of the canvas. Their repetition creates an atmospheric veil without resorting to a descriptive drawing.

03

Close-ups through jamming

The sea, moor and cliffs share the same greens and grays. Rain reduces depth and turns the site into a weather experience.

Reference image

Read this specific version

A single exact image of W1120 is used throughout the file and as the sole media for the product. The real WebP measures 1989 × 2014 px and retains the native definition available without artificial enlargement.

Composition01

Keep horizon very low

It must remain discreet so that the sky really dominates the composition. Raising it would weaken the impression of an enveloping downpour.

Color02

Preserve oblique lines in the sky

Their regular direction makes the rain readable. They must remain thin and varied, not become mechanical scratches.

Matter03

Keep the roses and ochres in the foreground

These warm colors prevent the landscape from becoming monochrome and give substance to the soggy moor.

Documented benchmarks

Three pieces of information specific to this work

The Morlaix Museum of Fine Arts documents Pluie à Belle-Île, oil on canvas from 1886 measuring 60.4 × 60.4 cm, inventory 512 and catalog Wildenstein 1120.

Weather01

Rain as the main subject

Monet is not looking for a descriptive view of the coast. He builds the work around diminished visibility, a faded horizon and a sky covered with oblique lines.

Stay02

A painting from the Breton trip of 1886

In Belle-Île, Monet worked for several weeks on the wild coast. Rapid changes in weather provide radically different versions of the same seascapes.

Collection03

A work preserved in Morlaix

The painting belongs to the Morlaix Museum of Fine Arts under number 512. Its square format and its reference W1120 allow it to be distinguished from Belle-Île, rain effect W1112 preserved in Tokyo.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The Wildenstein 1120 version
  • The vast sky crossed by the downpour
  • The horizon very low and almost faded
  • The greens, pinks and ochres of the wet moor

Work sheet

Title Rain in Belle-Île W1120
Artist Claude Monet (1840 -1926)
Date 1886
Original technique Oil on canvas
Dimensions 60.4 × 60.4 cm
Orientation Square
Conservation Morlaix Museum of Fine Arts, Morlaix, France
Inventory N° 512 · Wildenstein 1120
Your reproduction Handmade oil painting on canvas
Consult the official notice - Musée des Beaux-Arts de Morlaix · n° 512

Presentation in your interior

A palette designed with the room

This square format is suitable for a quiet entrance, bedroom or living room. A bluish gray, mineral beige or sage green wall and a light wooden frame extend its rainy atmosphere.

Rain in Belle-Île W1120, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
Oil painting on canvas
Photo before shipping
Canvas rolled, without frame
Background
Rain in Belle-Île W1120 - Claude Monet
Background 1
Background 2
2px
70 cm
390 cm

Custom order

How does your order work?

A simple and reassuring process, from selecting the size to the tracked delivery of your canvas.

1

You choose the size

Select the desired size before ordering.

2

We paint the canvas

Your reproduction is hand-painted entirely in oil.

3

Photo for validation

We send you a photo to validate the result before shipping.

4

Tracked delivery

You receive your canvas rolled, protected, and shipped with tracking.

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