The Rio della Salute, Museum Barberini W1762 - Claude Monet

The Rio della Salute, Museum Barberini W1762 - Claude Monet

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The Rio della Salute, Museum Barberini W1762 - Claude Monet

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The Rio della Salute, Museum Barberini W1762 - Claude Monet
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The Rio della Salute, Museum Barberini W1762 - Claude Monet

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Trois rendus pour une même œuvre

Claude Monet · 1908 · Barberini MB-Mon-30 · W1762

The Rio della Salute, Museum Barberini W1762hand painted reproduction

Orange, pink and yellow facades frame the Rio della Salute under an intense blue sky. A stone bridge closes the canal, while a dark gondola slides towards its arch. In this version from Museum Barberini, Monet reinforces the complementary colors: the warm buildings vibrate against the blues and greens of the sky, foliage and water.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
The Rio della Salute, Museum Barberini W1762 - Claude Monet - full view
The Rio della Salute, Museum Barberini W1762Claude Monet · 1908
1908Dating
81 × 65 cmDimensions of the original
Oil on canvasOriginal technique
MB-Mon-30 · Wildenstein 1762Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

A fiery Venice where colorful facades stretch into the water

The house on the left forms a column of balconies and blue windows. The lighter central facade recedes towards the bridge. To the right, the pale trunk and dark foliage cut out the sky and balance the density of the architecture.

The reflections descend in long touches of turquoise, green, pink and purple. The small bridge is placed near the bottom, which lengthens the channel and reinforces the verticality of the painting. The gondola constitutes the dark point which activates this depth.

W1762 transforms the channel into a column of light: the stones and their reflections belong to the same colored movement.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

The Barberini version among three compositions

The Rio della Salute appears in three paintings cataloged W1761 to W1763. The MB-Mon-30 version is distinguished by its more bold colors and by the strong opposition between warm facades and blue sky.

02

A view taken from the water

Monet was driven in a gondola to find his location. The narrow canal, bridge and high walls make up a view impossible to obtain from a large square or an open platform.

03

A painting taken up in Giverny

After his ten-week stay in 1908, Monet brought the Venetian views back to his studio. He reworked them before the 1912 exhibition, superimposing luminous memory and pictorial construction.

Reference image

Read this specific version

The single reference image measures 1920 × 2393 px. It corresponds to MB-Mon-30 and has been encoded as a true WebP to its native definition, without artificial enlargement.

Composition01

A very low bridge, a very high sky

This distribution stretches the canal and brings the facades closer together. The architectural elements must remain asymmetrical: the left built mass does not have the same weight as the tree on the right.

Color02

Orange, turquoise and purple

Oranges are broken by pink and green; blues contain purple. Preserving these mixtures avoids too lively or artificially contrasting reproduction.

Matter03

A denser touch in the facades

Windows and balconies are built in small superimposed marks. In the water, gestures lengthen. This difference in rhythm separates the stone from the reflection without drawing an outline.

Documented benchmarks

Three pieces of information specific to this work

This information concerns precisely the painting of the Museum Barberini, MB-Mon-30 and Wildenstein 1762.

Identification01

Museum Barberini MB-Mon-30, W1762

This oil on canvas signed and dated 1908 measures 81 × 65 cm. It belongs to the Hasso Plattner Collection and is cataloged at the Museum Barberini under the number MB-Mon-30.

Catalog raisonné02

The second of the three variants

The museum notice directly links the work to Wildenstein number 1762. The other two views of the same motif are W1761, in private collection, and W1763, at the Pola Museum of Art.

Acquisition03

Entered the collection in 2013

After several visits to the market and private collections, the painting joined the Hasso Plattner Collection in April 2013.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The exact version MB-Mon-30, Wildenstein catalog 1762
  • The original vertical ratio of 81 × 65 cm
  • The low deck, gondola and balconies maintained with precision
  • Complementary colors preserved without excessive saturation

Work sheet

Title The Rio della Salute, Museum Barberini W1762
Artist Claude Monet (1840 -1926)
Date 1908
Original technique Oil on canvas
Dimensions 81 × 65 cm
Orientation Vertical
Conservation Museum Barberini, Hasso Plattner Collection, Potsdam, Germany
Inventory MB-Mon-30 · Wildenstein 1762
Your reproduction Handmade oil painting on canvas
Consult the official notice - Museum Barberini

Presentation in your interior

A palette designed with the room

Patinated orange, turquoise, purple, pink and blue give this reproduction a more intense presence than W1761. Its vertical format is suitable for an entrance, a bookcase or a narrow side-lit section of wall.

The Rio della Salute, Museum Barberini W1762, painted for your interior

An oil reproduction made individually, photo-controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
01 Le plus fidèle aux détails
Exemple chrétien : Crucifixion présentée en tirage Fine Art non encadré
Tirage non encadré

Tirage Fine Art

Impression d’art sur papier mat Hahnemühle German Etching 310 g, au grain fin. Un rendu précis, élégant et plus accessible, idéal pour les détails et les nuances.

Présentation
Sans cadre, cadre classique ou cadre Box
Fabrication indicative
1 à 4 jours ouvrés
02 Le plus décoratif
Exemple chrétien : Lavement des pieds présenté sur canvas avec cadre flottant doré
Cadre flottant doré

Canvas imprimé

Impression sur toile d’artiste 400 g. Sa texture donne davantage de relief et un aspect tableau, avec plusieurs présentations adaptées au décor.

Présentation
Roulé, tendu 38 mm ou cadre flottant
Fabrication indicative
2 à 5 jours ouvrés*
03 Le plus artisanal
Exemple chrétien : La Cène présentée comme peinture à l’huile dans un intérieur
Mise en scène · cadre non inclus

Peinture à l’huile

Reproduction peinte entièrement à la main sur commande. Chaque toile est une pièce unique : ce n’est ni une impression numérique ni un poster sur toile.

Présentation
Toile roulée, sans châssis ni cadre
Réalisation indicative
Environ 14 jours
Acheminement
FedEx Worldwide offert · environ 5 jours après expédition

Themes of the work

Explore the topics and styles associated with this reproduction.

Canal landscapes Claude Monet French painting – French artists

Compare the finishes

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Compare paper prints, printed canvas, hand-painted oil and digital files. The physical examples illustrate each finish; your order uses the artwork selected above.

The same Last Supper artwork presented as an unframed Fine Art paper print
Unframed print

Unframed print

A pigment print on Hahnemühle German Etching 310 gsm paper. Its matte, finely textured surface brings out detail and subtle colour. This is a print, not a hand-painted canvas.

Material
Hahnemühle German Etching 310 gsm paper with a matte, softly textured finish.
What you receive
The paper print only, without a frame or mount.
Made to order
Printed to order, usually in 1 to 4 business days. Delivery time is additional.
Delivery
Carefully packed and shipped with tracking. Delivery time depends on the destination selected above.

Choose this option if you want to arrange your own framing.

These examples explain materials and presentation, not the artwork you are buying. Your order uses the artwork and options selected in the configurator. Colours can vary by screen; production and delivery times are estimates.

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