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Rochers à Port-Coton, le Rocher du Lion W1091 par Claude Monet, Fitzwilliam Museum

Rocks in Port-Coton, Lion Rock W1091 - Claude Monet

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Calculated format 50 x 50 cm
Current offer $299.00 USD Workshop price $598.00 USD
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Oil painting on rolled canvas, unframed. Custom size available on request.

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Livraison suivie Toile roulée, protégée et suivie.
Retouches incluses Jusqu'à 4 séries avant validation.

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Artwork description

Reproduction details

Claude Monet · Port-Coton · 1886 · W1091

Rocks in Port-Coton, Lion Rock W1091hand painted reproduction

In Port-Coton, a dark cliff advances from the left while Lion Rock rises into the sea. Around the blocks, blue, green and white water fragments into a multitude of currents. Signed and dated Claude Monet 86, this oil on canvas measuring 65.4 × 81.2 cm is kept at the Fitzwilliam Museum under the number PD.27-1998 and corresponds to Wildenstein 1091.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Rocks in Port-Coton, Lion Rock W1091 - Claude Monet - full view
Rocks in Port-Coton, Lion Rock W1091Claude Monet · 1886
1886Dating
65.4 × 81.2 cmDimensions of the original
Oil on canvasOriginal technique
PD.27-1998 · Wildenstein 1091Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

Lion Rock emerges facing the steep mass of the cliff

The cliff occupies the entire left edge and projects its horizontal profile towards the center. The isolated, darker rock stands out in front of the horizon. Between these two masses, the waves open a luminous passage.

The stone combines blue black, purple, brown and some red accents. The sea mixes turquoise, cobalt, green and white in tight touches. The sky, calmer, offers a blue-gray stripe which brings out the turbulence at the bottom.

Lion Rock appears still, but everything around it moves: the foam, reflections and even contours of the stone seem transformed by water.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

01

An opposition between two rock masses

The rectangular cliff on the left and the rounded silhouette of the Lion create a central interval where the sea becomes the true focus of the composition.

02

A very elaborate marine surface

The white, green and blue touches intersect without following a single direction. This variety restores the swirls around the reefs.

03

The sky as a breathing zone

Its wider touch and clear values slow down the gaze before it returns to the dense matter of the waves.

Reference image

Read this specific version

The only reference image comes from the Fitzwilliam Museum's IIIF conservation file. Cropped to the edge of the canvas, it is offered as a real WebP of 2,730 × 2,184 px.

Composition01

Maintain the flat profile of the cliff

Its horizontal advance above the water is a specific landmark of the W1091 composition.

Color02

Preserve the rounded silhouette of Leo

The central rock should not be enlarged or sharpened: its stocky shape justifies the name given to the pattern.

Matter03

Keeping the greens deep in the water

They alternate with blues and whites and give the sea its volume, beyond a simple foam effect.

Documented benchmarks

Three pieces of information specific to this work

The Fitzwilliam Museum documents Rocks at Port-Coton, the Lion Rock, Belle Ile, oil on canvas from 1886, 65.4 × 81.2 cm, signed Claude Monet 86, inventory PD.27-1998 and catalog Wildenstein 1091.

Campaign01

One of thirty-nine paintings painted on Belle-Île

Monet worked for nearly ten weeks on the wild coast in the fall of 1886, multiplying the framing in front of the same rocks under different sea conditions.

First sale02

Purchased in Monet by Boussod, Valadon & Cie

The gallery register indicates an acquisition from the painter in April 1887, a few months after his return from Belle-Île.

Museum03

Awarded to Fitzwilliam in 1998

Already loaned to the museum since 1983, the painting was accepted for payment of inheritance tax and then officially assigned to the Fitzwilliam Museum.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The Wildenstein 1091 version
  • Lion Rock
  • The dark cliff of Port-Coton
  • Turquoise and white swirls

Work sheet

Title Rocks in Port-Coton, Lion Rock W1091
Artist Claude Monet (1840 -1926)
Date 1886
Original technique Oil on canvas
Dimensions 65.4 × 81.2 cm
Orientation Horizontal
Conservation Fitzwilliam Museum, Cambridge, United Kingdom
Inventory PD.27-1998 · Wildenstein 1091
Your reproduction Handmade oil painting on canvas
Consult the official notice - Fitzwilliam Museum · PD.27-1998

Presentation in your interior

A palette designed with the room

This horizontal navy is suitable for a living room, bookcase or office. A deep blue, stone gray or dark green wall and a matte black frame reinforce its character.

Rocks in Port-Coton, Lion Rock W1091, painted for your interior

Reproduction of oil painting on canvas made individually, photo controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
Oil painting on canvas
Photo before shipping
Canvas rolled, without frame
Background
Rocks in Port-Coton, Lion Rock W1091 - Claude Monet
Background 1
Background 2
2px
70 cm
390 cm

Custom order

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1

You choose the size

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2

We paint the canvas

Your reproduction is hand-painted entirely in oil.

3

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4

Tracked delivery

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