The exact version of Boston
The Museum of Fine Arts preserves this oil on canvas under number 39.671. Its format of 100.6 × 66 cm and the Wildenstein number 1356 distinguish it from the other facades in the series.
Canvas reproduction
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Oil painting on rolled canvas, unframed. Custom size available on request.
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Artwork description
Claude Monet · 1893 -1894 · Boston 39,671 · W1356
The western portal of Rouen Cathedral bursts into flames under a late light. Roses, oranges and blues do not decorate the stone: they capture the moment when the sun transforms its reliefs. Preserved in Boston under inventory 39,671, this version corresponds to Wildenstein number 1356.

Look at the work
The framing cuts the towers and brings the viewer closer to the stone. The large rose, the three portals and the rows of sculptures remain recognizable, but their contours dissolve in a multitude of short touches. The blue-purple shadows give the openings an almost nocturnal depth.
Warm tones are concentrated around the central bay and on the protruding reliefs. The further down you go towards the portals, the darker the palette becomes. Monet thus circulates light from top to bottom without resorting to a rigid architectural design.
In W1356, the cathedral is not a still monument: it is a mineral material that changes with the sun.
Composition, touch and light
Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.
The Museum of Fine Arts preserves this oil on canvas under number 39.671. Its format of 100.6 × 66 cm and the Wildenstein number 1356 distinguish it from the other facades in the series.
Monet worked opposite the portal in 1893 then resumed his paintings at length in his studio. The date 1894 retained by the museum corresponds to this completion before the exhibition of the series at Durand-Ruel in 1895.
The dry, layered layers catch the real light. This pictorial material evokes the roughness of the facade while letting the architecture blend into the atmosphere.
Reference image
Only one image is used: the exact view of W1356, preserved as a real WebP of 1094 × 1600 px, without artificial enlargement.
The large round bay must remain readable in the center without becoming a drawn circle. It is formed by the contrast between light impasto and a darker heart.
Warm colors advance on the reliefs; the blues recede into the hollows. Their alternation gives volume to a facade that is nevertheless treated like a vibrant surface.
Each group of marks briefly follows a gable, arch or molding and then stops. Reproduction must preserve this organization without smoothing the material.
Documented benchmarks
The Museum of Fine Arts in Boston identifies this facade under inventory 39,671; the catalog raisonné gives it the Wildenstein number 1356.
This oil on canvas measures 100.6 × 66 cm. It belongs to the group of close-up views of the western portal painted in 1893 then completed in the workshop.
The painting belongs to the Juliana Cheney Edwards Collection. Its inventory number allows it not to be confused with the other Rouen Cathedral kept in Boston.
Monet changed his canvas as the light evolved. Together, the Cathedrals show less a building than a succession of atmospheric states.
Your reproduction
Fidelity here depends on precise relationships between light, touch, depth and color temperature.
| Title | Rouen Cathedral, sun effect W1356 |
|---|---|
| Artist | Claude Monet (1840 -1926) |
| Date | 1893 - 1894 |
| Original technique | Oil on canvas |
| Dimensions | 100.6 × 66 cm |
| Orientation | Vertical |
| Conservation | Museum of Fine Arts, Boston, Boston, United States |
| Inventory | 39,671 · Wildenstein 1356 |
| Your reproduction | Handmade oil painting on canvas |
Presentation in your interior
Its blues and pink gold give this reproduction a presence that is both monumental and luminous. It is suitable for an entrance, library or office with walnut, patinated brass and light walls.
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