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Matinée sur la Seine, temps de pluie de Claude Monet, 1898 – NMWA Tokyo P.1965-0004, Wildenstein 1499

Morning on the Seine, rainy weather W1499 - Claude Monet

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Calculated format 50 x 50 cm
Current offer $299.00 USD Workshop price $598.00 USD
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Oil painting on rolled canvas, unframed. Custom size available on request.

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Artwork description

Reproduction details

Claude Monet · 1898 · Tokyo P.1965-0004 · W1499

Morning on the Seine, rainy weather W1499hand painted reproduction

Willow branches descend from the left bank and form a vault above a blue-green Seine. In the center right, a pale gap concentrates the reflections of the sky before dispersing in small touches over the water. This 1898 painting belongs to Matinées sur la Seine, painted at a fixed time near Giverny to capture a brief light before its transformation.

Oil on canvasHand paintedPhoto before shipmentPossible alterations
Morning on the Seine, rainy weather W1499 - Claude Monet - full view
Morning on the Seine, rainy weather W1499Claude Monet · 1898
1898Dating
73 × 91.5 cmDimensions of the original
Oil on canvasOriginal technique
P.1965-0004 · Wildenstein 1499Inventory
A real paintingThe canvas is painted, never printed.
Created for youEach copy is made to order.
Controlled in photoYou see the finished painting before it leaves.
Touch-ups includedAdjustments are made before shipping.

Look at the work

The dark bank opens a passage towards a light which spreads over the entire Seine

The left edge is constructed by several superimposed masses: blue-black foliage, hanging branches, grass on the bank and short reflections. Their limits remain deliberately confused. At the top, the plant vault extends towards the center with lighter marks, as if the branches were gradually disappearing into the mist.

The clear gap does not form a disk of sunlight. It consists of pale green, creamy yellow, gray blue and white, then reflects in an irregular column. The touches of the water become shorter and more nervous towards the bottom. Monet thus translates the waves which wash the tufts of grass without drawing their outline.

Light does not illuminate an already constructed landscape: it is the force that separates, brings together and then dissolves branches, shore and water.

Composition, touch and light

What Monet builds behind the impression of snapshot

Three precise elements allow us to understand this composition and the essential difficulties of faithful reproduction.

Analysis of Morning on the Seine, rainy weather W1499 - Claude Monet
01

A mass of edge which remains readable without contour

On the left, dark blue, green and purple must remain distinct. The branches and their reflection mingle, but their vertical fall retains the sensation of a nearby bank.

02

A clear, slightly off-center opening

The light focus is to the right of the center and must not turn white. Its diffuse yellows, greens and blues give the mist its depth.

03

Wavelets rendered by the direction of the key

At the bottom, the horizontal and oblique marks intersect in blue, turquoise and gray. Their rhythm reflects the movement of water more than the shape of isolated objects.

Details and visual documents

Observe the material and the exact version

The additional images show the difficult-to-read passages in the full view and, where it exists, the actual appearance of the work at the museum.

The hanging branches and the dark blue bank - detail of Matinée sur la Seine, rainy weather W1499 - Claude Monet
The hanging branches and the dark blue bankThis detail shows the superposition of branches, their reflection and grasses. Very discreet reds and yellows warm the blues in the darkest passages.
The luminous gap and the moving reflections - detail of Matinée sur la Seine, rainy weather W1499 - Claude Monet
The luminous gap and the moving reflectionsCropping isolates the area where cream, pale green and blue gray come together. The same colors then descend onto the water in the form of short, fragmented touches.

The Google Art Project scan measures 4,140 × 3,307 px. The two native details measure 1,800 × 2,100 px and 2,000 × 1,800 px. No files have been artificially enlarged; all three media are true decodable WebPs.

Documented benchmarks

Three pieces of information specific to this work

These facts concern this precise version and are verified from the notice of the institution which keeps it.

Identification01

Tokyo P.1965-0004, Wildenstein 1499

The National Museum of Western Art dates the work to 1898, indicates a format of 73 × 91.5 cm and records it under the number P.1965-0004. It is signed and dated lower left "Claude Monet 98" and corresponds to Wildenstein 1499.

Documented title02

Morning on the Seine and Morning on the Seine, rainy weather

The museum today presents the work under the title Morning on the Seine. His bibliography specifies that the Wildenstein catalog raisonné of 1979 published it under the French title Matinée sur la Seine, temps de rain.

Serial work03

A time and location set near Giverny

Monet undertook the Mornings on the Seine in 1896 -1897, working very early from a specific location. The museum highlights the search for a decorative effect, the reflected willows and the tension of the touch in the face of a nature in constant change.

Your reproduction

What the painter must preserve

Fidelity here depends on precise relationships between light, touch, depth and color temperature.

  • The exact version from the National Museum of Western Art, P.1965-0004 and W1499
  • The original horizontal format of 73 × 91.5 cm
  • The light gap preserved colored, without artificial white
  • The movement of the waves maintained by the varied direction of the keys

Work sheet

Title Morning on the Seine, rainy weather W1499
Artist Claude Monet (1840 -1926)
Date 1898
Original technique Oil on canvas
Dimensions 73 × 91.5 cm
Orientation Horizontal
Conservation National Museum of Western Art, Tokyo, Japan
Inventory P.1965-0004 · Wildenstein 1499
Your reproduction Handmade oil painting on canvas
Consult the official notice - National Museum of Western Art, Tokyo

Presentation in your interior

A palette designed with the room

Petrol blue, mist green, pearl gray, creamy yellow and purple make up a calm and deep light. This horizontal reproduction is suitable for a simple bedroom, office or living room, with light wood, linen and soft, slightly side lighting.

Morning on the Seine, rainy weather W1499, painted for your interior

An oil reproduction made individually, photo-controlled and adjustable before shipping.

Hand painted · WebP reference · Photo validation
Oil painting on canvas
Photo before shipping
Canvas rolled, without frame
Background
Morning on the Seine, rainy weather W1499 - Claude Monet
Background 1
Background 2
2px
70 cm
390 cm

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1

You choose the size

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2

We paint the canvas

Your reproduction is hand-painted entirely in oil.

3

Photo for validation

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4

Tracked delivery

You receive your canvas rolled, protected, and shipped with tracking.

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